Pigment Figurative Paintings

"Synergy" synergic painting: pigments, oil, encaustic on canvas stretched on wood, ∅ 100 cm, 2015. Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...

Parris Jaru's The Skin I am In is a 34 x 35 inches expressionist oil paintings representing a young African American woman. The main colors are a very bright orange, blue and brown. ...

A. Laurenti has been exhibiting since 1984 universal, visionary and contemporary paintings. His images bring back to us through his colors, landscapes and personalities that have exi...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

A. Laurenti has been exhibiting since 1984 universal, visionary and contemporary paintings. His images bring back to us through his colors, landscapes and personalities that have exi...

A. Laurenti has been exhibiting since 1984 universal, visionary and contemporary paintings. His images bring back to us through his colors, landscapes and personalities that have exi...

Overall Size: Height 200cm x Width 300cm ( The painting consists of 2 parts, one part: 200x150cm ) Overall Size: Height 78,7402 Inch x Width 118,11 Inch ( The painting consists o...

A. Laurenti has been exhibiting since 1984 universal, visionary and contemporary paintings. His images bring back to us through his colors, landscapes and personalities that have exi...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1...

Please send zip code for best shipping/delivery costs and timeline -- I will work with you to get you the best price. Mat Tomezko's "Price" series of mixed media paintings are const...

A. Laurenti has been exhibiting since 1984 universal, visionary and contemporary paintings. His images bring back to us through his colors, landscapes and personalities that have exi...

A. Laurenti has been exhibiting since 1984 universal, visionary and contemporary paintings. His images bring back to us through his colors, landscapes and personalities that have exi...

Parris Jaru's A Link To the World is a 36 x 24-inch expressionist oil paint representing a nude female figure. The primary colors are bright yellow, blue, and brown. The canvas has a...

Dewashish Das - Pandits Dry Pigment Tempera on Canvas, 24 x 24 inches Inclusive of shipment in roll form. A graduate of the Purnea Art College in Bihar,...

Mat Tomezko's "Price" series of mixed media collage paintings are constructed from periodicals, circulars, acrylic, asphalt, graffiti, and coal on panel. Using mostly found materials...

Dewashish Das - Pandits Dry Pigment Tempera on Canvas, 24 x 24 inches Inclusive of shipment in roll form. A graduate of the Purnea Art College in Bihar,...

Dewashish Das - Pandits Dry Pigment Tempera on Canvas, 24 x 24 inches Inclusive of shipment in roll form. A graduate of the Purnea Art College in Bihar,...

The full frontal female figure is suspended in mid-air with both arms in motion, seemingly about to jump off the canvas. The blurred figure is set against a clear, graphic backdrop of reds, black and other dark tones with a turquoise rectangular box framing the torso of the figure. A simple black wooden frame frames the work. "I have been active in telling stories with images for over 45 years. My fascination with shapes and textures are my earliest memories and everything I have done in my adult life has revolved around these interests. I learned a lot about color, composition and story telling by stripping all sentimentality from these elements and using them for more than 25 years as a designer. Although I enjoy the challenge and variety of commissions, my own work is very personal. My work has always been about expressing the otherness and mystery just underneath everyday life. Reacting to the ephemeral nature of life and mortality. All of my personal paintings are just different ways of expressing one moment, one feeling. I’m describing a place I’ve never been with a language I’ve never spoken but I’ve spent my whole life trying to get there because its my home." -- Mark Gilmore...

The iconic presence of a Mountie in red serge on a white horse is set against a backdrop of a cerulean lake and atmospheric sky. Peter Hoffer's paintings evoke nostalgia for classica...

The iconic presence of a Mountie in red serge on a ghostly white horse is set against the epic backdrop of a forested landscape. Peter Hoffer's paintings evoke nostalgia for classica...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acrylic...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Dipak Banerjee - Ganesha - 12 x 6.75 inches (unframed size) Hand Made Pigments on Canvas. ** Cost is inclusive of shipment ( unframed ) Dipak Banerjee is today the undisputed leader...

Pigment and aluminum dust on canvased board. Whimsical image of a dancer with puppet strings.

Pigment and aluminum dust on canvased board. Whimsical painting of a ballerina dancer.

Ink on Jang-Ji paper, dye, pigment & Ottchil on panel Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...

Ink on Jang-Ji paper, dye, pigment & Ottchil on panel Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...

Pigment and aluminum dust on canvased board. Whimsical painting of a figure in the style of a classical nude.

The figure of a drummer boy in blue is set against the backdrop of a cultivated garden in this haunting image by Peter Hoffer. In his paintings, Hoffer evokes nostalgia for classical...

Jennifer Blalack’s large scale abstract painting, “Girl With a Racing Car” is a hyper-textured work with splashes of vivid color against a muted backg...

Ink on Jang-Ji paper, dye, pigment & Ottchil on panel Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...

Ink on Jang-Ji paper, dye, pigment & Ottchil on panel Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...

Ink on Jang-Ji paper, dye, pigment & Ottchil on panel Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...

Ink on Jang-Ji paper, dye, pigment & Ottchil on panel Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...

Stunning composition in blue and black of model Ashlyn's back from Kim Frohsin who is associated with the Bay Area Figurative Movement that was started by David Park, Wayne Theibaud,...

Gold and orange yellow with black and white emblazon this figurative mixed media 'San Tropez Palette' abstracted figurative nude from Kim Frohsin's "Figures...

Figurative nude with complex color—pink, green, grey and yellow— rhythm, and overall design by Kim Frohsin. 'The Pastry Chef' abstracted nude acrylic and mixed media painting in Froh...

Painting on paper is 10 1/4 x 7 5/8 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 19 x 16 1/4 inches, with an archival crystal clear case. Fro...

Painting on paper is 7 3/4 x 10 3/8 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 19 1/4 x 16 1/4 inches, with an archival crystal clear case. ...

Ceravolo's Large scale paintings have received international acclaim for more four decades. His art is collected by many Rock Superstars including: ELTON JOHN, ROD STEWART, and ALICE...

“Park-r-1” is an intricate line drawing by Japanese artist Kentaro Hiramatsu abstractly depicting urban life, with people riding cars and bicycles through the city against a red back...

artwork is 11 1/2 x 9 inches, Professionally matted in an 8ply museum mat and backing and comes in an archival sleeve. Ready for framing or for presentation. All archival materials u...

Painting on paper is 11 1/2 x 9 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 20 1/4 x 17 1/2 inches, with an archival crystal clear case. Fro...

"Duality" indicates the existence of two different phenomena or personalities in the same person or in the same situation. This is Alberto Letamendi's project "Loturak vs. Lokarriak ...

"Duality" indicates the existence of two different phenomena or personalities in the same person or in the same situation. This is Alberto Letamendi's project "Loturak vs. Lokarriak ...

"Duality" indicates the existence of two different phenomena or personalities in the same person or in the same situation. This is Alberto Letamendi's project "Loturak vs. Lokarriak ...

"Duality" indicates the existence of two different phenomena or personalities in the same person or in the same situation. This is Alberto Letamendi's project "Loturak vs. Lokarriak ...

"Duality" indicates the existence of two different phenomena or personalities in the same person or in the same situation. This is Alberto Letamendi's project "Loturak vs. Lokarriak ...

I have created a work of art that captures the essence of urban mystique, with all its hustle, colors, vibrations, and active experiences. It stands in stark contrast to the calmness...

Profound, is what this deep blue means for me. It was elaborated to bring calm, to make us feel relaxed but intricate when we see the compositions . The intensity of the pigment is v...

„The Way #5”, mixed media (soil, pearl glue, oil)) on jute, 140 x 150, 2012 Series “The Way” by Marta Pokojowczyk contains mixed media paintings on ...