Max Ferguson

A Map of the World

2021

Signed lower left Elizabeth Higgins (Canadian, b. 1960) Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to begin a painting. Fidelity to the landscape, the figure, or the still life is relative, as she isn’t interested in literal depictions; instead, it’s the abstract relationships of these shapes and colors, the abstract pictorial design that drives her work. Higgins’ paintings are rooted in the tradition stemming from Courbet, Derain, Bonnard, Matisse, Morandi, German Expressionism, and the Canadian Group of Seven (also known as the Algonquin School of landscape painters, 1920–1933). She is influenced by the work of her artist-teachers Paul Resika—himself a student of Hans Hofmann—and Robert De Niro, Sr. (1922-1993), as well as the paintings of contemporary artist Peter Doig. Her artistic evolution stretches across this continuum. It is the “in-between”, the hovering between representation and abstraction, that interests her, not the labeling effect of details; instead, she aims directly at the spirit of the painting—of making something come to life. John Goodrich wrote in her catalog essay, “Elizabeth Higgins’ direct brushwork and simplified forms suggest an energy, but crucially, reveal a painter who knows the power of color…” Elizabeth Higgins was born in Toronto, Canada, in 1960. As a Helena...

Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...

"The Brass Ring" by Bob Byerley is a realistic original oil painting measuring 24x12 in. The artist’s photographic memory of his boyhood adventures combin...

"Neglected Stone" serves as a poignant metaphor for the potential found within damaged individuals who emerge from underprivileged backgrounds to shine as stars in society. The young man in the artwork embodies the spirit of those who have faced adversity, yet refused to be defined by it. Just as a neglected stone can become the cornerstone of a grand structure, so too can those who have experienced hardship rise above their circumstances to become pillars of strength and inspiration. The brown hat worn by the young man symbolizes the trials and struggles he has encountered throughout his life. It represents the weight of his past, the challenges that threatened to overshadow his potential. However, the hat also serves as a testament to his resilience—the ability to bear the weight of his history while moving forward with determination. Against the backdrop of a vibrant blue, the artwork accentuates the stark contrast between the young man's journey and the potential that lies ahead. Blue, often associated with serenity and tranquility, represents a world of possibilities and a bright future. The blue background serves as a reminder that even amidst difficulties, hope and opportunity can emerge, paving the way for greatness to shine forth. Adewale's artwork eloquently conveys the message that great beauty and strength can emerge from the depths of misfortune. Just as a diamond is formed under immense pressure, so too can individuals forged in the crucible of hardship display a brilliance that defies all odds. The young man in "Neglected Stone" epitomizes the triumph of the human spirit, illustrating that a resilient heart can overcome even the most adverse circumstances. Moreover, the artwork serves as a poignant admonition to society not to write off anyone passing through hard times as totally useless. It is a call for compassion, understanding, and the acknowledgment that every individual has the potential for greatness, regardless of their past or current circumstances. By showcasing the young man's fortitude and determination, Adewale invites viewers to reflect on their own preconceptions and biases, urging them to see beyond the surface and recognize the inherent worth and potential in every human being. In conclusion, "Neglected Stone" by Busari Adewale...