Maxime Cousineau-Pérusse

China Doll, Painting, Oil on Canvas

2014

Many cultures imbue ravens with meaning. In Thought and Memory , I reference the Norse god Odin, who daily sent his two ravens into the world to gat...

He spent his life being who he wasn't. The wait is over to be what she will be. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by...

A crowded intersection on a cool day in Pittsburgh, as the light turned green. The resolution of the figures and the activity of city life remind me of the regionalist painters of th...

You seem so grown up to yourself. And you act like an adult. You copy them in everything. Trying to become like them. You're doing pretty well. But the problem is that you don't see...

[b. 1980 – Denton, TX ::: lives & works – Savannah, GA] MAGGIE EVANS is an artist based in Savannah, Georgia. She currently uses painting, drawing and installation to examine huma...

[b. 1980 – Denton, TX ::: lives & works – Savannah, GA] MAGGIE EVANS is an artist based in Savannah, Georgia. She currently uses painting, drawing and installation to examine huma...

[b. 1980 – Denton, TX ::: lives & works – Savannah, GA] MAGGIE EVANS is an artist based in Savannah, Georgia. She currently uses painting, drawing and installation to examine huma...

“Blow up” is a peculiar hommage towards Michelangelo Antonioni and Julio Cortazar. The color element here almost disappears, leaving a kind of neutral beginning, an elusive, but quite real equivalent of a fading light ... The metaphor “Blow up” is a rebirth, a new life ... A form of mental dialogue between the artist and the viewer by means of plastic language of the painting. In the modern world, the artist is a peculiar explorer of the time that he lives In. The “main character” of this world is a man whose gaze is turned inward. This view projects its existential reality, where the figurative language of painting is a method of transmitting abstract images of the experiences of the main characters and the time in which they exist on an equal footing with the viewer. Pictures of Daria Kotlyarova have no plot, at first glance, they have no action, but there is a moment. The moment before the second “before” ... and the viewer stops and freezes in tension, this is almost a psychological “cinema reception” that refers us to David Hockney’s paintings...