1940s Figurative Paintings

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Medium: Oil on Canvas Signature: Signed Lower Right Dimensions: Sight Size 30.00" x 21.00," Framed 32.50" x 23.00" This was illustrated on the cover and on page 39 of A Prairie Rose...

Medium: Gouache on Board Signature: Signed Lower Right

Story illustration for "Illegitimate" by Nelia Gardner White for the Ladies' Home Journal, published June 1944, page 25. The full caption reads: "The children danced around her, cha...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Ozer Shabat 1978-1901 Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s. Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese. Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death. In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris. He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures. He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars. His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum. Select Solo exhibitions 1936 - Nadler Gallery, Haifa. 1943 - The Tel Aviv Museum of Art. 1952 - Artists House, Haifa. 1953 - Bezalel House, Jerusalem. 1955 - Gallery in Geneva, Switzerland. 1955 - The Writers' Club, Haifa. 1959 - Artists House, Haifa. 1960 - Museum of Modern Art, Haifa. 1962 - Museum of Modern Art, Haifa. 1963 - Gallery 220, Tel Aviv. 1968 - The Municipal Museum of Beit Emanuel, Ramat Gan. 1979 - Memorial exhibition marking the first anniversary...

"Glassblowers" American Scene Social Realism Mid-20th Century New York City WPA Ernest Fiene (1894-1965) Glass Blowers 28 x 23 inches Oil on canvas board Signed and dated 1944 lower...

Jirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to...

Date: 1994 Medium: Oil on Canvas Dimensions: 22.00" x 18.00" Signature: Signed Lower Right Book Cover Robert Berran has been a prolific romance and historical book cover illustrator...

WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...

Presenting a wonderful oil on heavy jute canvas, "The Artists Studio." The painting depicts an artist preparing his canvases for painting. "The Artist...

In an article published in Le Figaro (Paris, March 19, 1964), Raymond Cogniat comments on Czóbel’s unique artistic style. He writes: “...Czóbel, who arrived Paris in the first years...

Signed lower right, 'M. Watorski' for Mieczyslaw Watorski (Polish, 1903 - 1979) and painted circa 1950. This Polish history and landscape painter is particularly revered for his doc...

Symbolic Hawaiian nocturnal figurative of whispy angel figures with mountains and bridge by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

American Still life of Sea Shells A totally unique scene of seashells and objects painted Late 20th Century by an American Painter. Original driftwood influenced frame and in com...

Signed lower left, 'Carl Fischer' (Danish, 1887-1952) and painted circa 1935. Carl Fischer first studied under Viggo Johansen (1907-12) and, subsequen...

Belgian artist Miette Braive(1916-2000), was classically trained in Belgium, before moving to Paris to pursue her art career as first a student and then a contemporary of the famed F...

Jordi Freixas Cortés (1917-1984) - Banyoles - Oil on canvas Oil measures 46x65 cm. Frameless. Jordi Freixas Cortés (1917-1984) Jordi Freixas Cortés is a Catalan painter with a colo...

Atul Bose - Woman Folk-1 & 2 Pencil on Paper 5 x 3.4 inches (Set of 2 Works) (Framed & Delivered) In this evocative pencil sketch, Bose captures a candid moment among a group of wom...

Atul Bose - Rajgir-1 & Roadside Tea Stall, Bankura Pencil on Paper 7 x 10 inches & 9.3 x 7 inches, 1943 (Set of 2 Works) (Framed & Delivered) In this evocative sketch, Atul captures...

Atul Bose - Fakir-1 & 3 Pencil on Paper 6 x 6 inches & 6.6 x 6 inches (Set of 2 Works) (Unframed & Delivered) In this evocative sketch, Atul captures the weathered face and humble p...

Atul Bose - Squatting Man-2 & 4 Pencil on Paper 4.5 x 3.5 inches & 4.5 x 5.4 inches, 1943 (Set of 2 Works) (Unframed & Delivered) His poignant sketch captures the quiet vulnerabilit...

Na Kumuwaiwai Hohonu, Underwater Spirt - Hawaiian Symbolist Figurative Hawaiian symbolist nocturnal figurative of glowing whispy figure underwater with mountains and red coral garden by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Lilac Nude is an original artwork realized by Maurice Rouzée in the 1940s. Tempera on paper. Hand-signed by the artist on the lower left margin. Good conditions, except for some smal...

Symbolic Crucifixion 1949 Signed and dated, l.r. Oil on canvas 24 x 14 inches (61 x 35.6 cm), canvas 25.25 x 15.25 inches (64.1 x 38.7 cm), framed This work is offered by CLAMP i...

This authentic Mexican ex-voto is a heartfelt tribute of gratitude, painted in oil on tin with ink circa 1940 by an anonymous Mexican artist. It is beautifully framed in a hand-carve...

Tranquil figurative landscape of two people sitting on a dock by a lake near Medina, Ohio by Joseph Yeager (American, 20th Century). Unsigned, but was purchased with a collection of ...

A very minimalist and elegant still life from a Master of the so called "Scuola Romana". It includes a beautiful gilded contemporary wooden frame. Exhibitions: Roberto Melli...

Work on wood Beige wooden frame 50 x 53 x 3.5 cm

Manning de Villenueve Lee:1894-1980. Well listed American painter and illustrator with Auction records up to $22,500. This spectacular painting is one of our favorites. Probably pain...

Swimmers and sun tanners at the local watering hole. Her birth name was Theresa Berney. At the time of her passing she was known as Theresa Loew. Birth place: Baltimore artist, blo...

"D'apres Delacroix" Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed and dated '47 by the artist on the lower left hand corner Oil pai...

Afternoon swim, a lovely mid century figurative landscape, by California artist, Henry Milton Snyder (American, 1915-1966). Presented in a giltwood frame. Signed "H. Milton Snyder" l...

Jerusalem by Ludwig Blum Oil on canvas 25.6 x 32 inches / 65 x 81cm Signed Painted circa 1940

"Parade" Social Realism Mid 20th Century Modern American Scene WPA Regionalism Gerrit Van Sinclair (1890 – 1955) Parade 20 x 15 inches Oil on board, c. 1940s Signed lower right Fram...

Work on canvas Gray wooden frame, silver borders 100 x 80 x 6 cm

Mischievous Child, Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower right hand corner Oil painting on board...

Paul Shimon (American, 1919-2011), "The Three Hebrew Lads Going into the Furnace", Gouache on Paper, 1948, depicting a scene from the Book of Daniel, signed and dated lower right, ti...

Medium: Gouache on Paper Dimensions: 19.50" x 21.00" Signature: Signed Lower Right "There's Two Kinds of Heroes," by Maurice Beam and illustrated by Peter Helck for the Saturday Eve...

Hawaiian Symbolism Flowering Tree and Acolytes Symbolism Landscape Symbolic landscape with four figures worshiping flowering tree by Marguerite Louis Blasingame (American; 1906-1947)...

"Le Baiser d'apres Boucher", Impressionist Portrait, Oil Painting, Signed By French artist Claude Benard, (1926 - 2016) Signed and dated '1947' by the artist on the lower left hand c...

This is a highly stylized circus acrobat scene. Done “en grissille” or shades of grey, it portrays an acrobat on a trapeze high above the crowd, abstractly shown lower right. The stark composition, enhanced by the theatrical lighting...

Signed on plate. Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of XX century. The single prints, realized with a s...

Artist: Ben Benn, Polish/American (1884 - 1983) Title: Boy with Doves Year: 1946 Medium: Oil on Canvas, signed and dated l.r. Size: 30 x 36 in. (76.2 x 91.44 cm) Benn Benn was a pio...

A dreamy watercolor of two figures in repose Gertrude Klares Bedell. Artwork size: 18" x 13 1/2". Framed size: 26 1/2" x 22". Biography from Askart: An Austrian countess born i...

Hawaiian Symbolism Figurative & Landscape Oil painting of Huakai Hui (Journey Together) Symbolic and surreal landscape of a female and male figure ascending stairway flanked by to...

Accompanied by certificate of authenticity for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Additional painting, verso, with old inscription by the artist's wife, Jan...

The Lady in Yellow, Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower right ha...

Gorgeous watercolor depiction of the Liberty Class Dry Cargo Ship "Charles Scribner" docked in Torre Annunziata, Italy, with a portrait of a man in pencil in the upper left corner, by Giovanni Gallo...

Les Guilleries. Original acrylic canvas painting Casimiro Martínez Tarrassó, a painter known simply as Tarrassó. He was trained at the La Llotja School in Barcelona. He completed his studies in Paris, where he got to know first-hand the Fauvist works that were shaking the Parisian art scene at the time. This Fauve influence will continue to be palpable in his work throughout his life in features such as the strong chromatic contrast, the elevated and somewhat exaggerated perspective, the absolute disinterest in the human figure, which appears only sketched as a complement to the landscape, and the representation of trees as electrified, subjected to tortuous inclinations. It is these formal features that give his works their own vitality and reduce their connection with the referential to a mere pretext. Tarrassó followed in the wake of the great Catalan landscape painters, paying particular attention to Joaquín Mir, although with a clearly differentiated personality due in part to the impact that Fauvism had on his artistic thinking. He cultivated still life and Catalan and Majorcan landscapes. He held his first exhibition in 1928 in Barcelona. Since then his shows have followed in Barcelona, Madrid, Palma de Mallorca and Bilbao. In 1935 he visited Mallorca for the first time, and from 1940 on he will have a studio there, specifically in Palma, where he lived for long periods and developed most of his artistic production. After the Civil War, during the 1940s, Tarrassó took part in several National Exhibitions of Fine Arts, in their editions of 1942, 1943 and 1950. Although the landscape was always the center of his production, Tarrassó also made works such as the mural decoration of the church of Santa María de Badalona. In Mallorca he also carried out a unique undertaking, planting his trestle in the Campanet caves to capture the stalactites and stalagmites from their stone cavities, developing a series of works that he presented in 1948. Throughout his career, Tarrassó was awarded the Pollença Prize of the I International Painting Contest, in 1962; the Santiago Rusiñol...

Unframed Signed and dated lower left 1946

JJ Nowotny Untitled, 1944 (date partially obscured but appears to be '44) Oil on canvas 24 x 30 in. Framed: 31 x 37 x 2 in. Signed and dated lower right

Charming painting of a mother and child. Very interesting early to mid 20th century oil on board. It is signed Muller. It could be a listed artist, but frankly there are too many Mu...

Young Girl with Horse Illustrations Original Oil on Linen by John Turner Impressionist painting of a young horse enthusiast by John Turner (American, 19th,20th C). Exceptional detai...

Work on paper Beige wooden frame with glass pane 48 x 67.3 x 3.3 cm

An oil on board Judaic painting by modern artist Ben-Zion Weinman. It depicts a portrait in profile of an old Jew. The work is signed "Ben-Zion". Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant...

Wonderful reclining nude in modern style, circa 1940. Faint illegible signature lower right edge. Condition: Good: Professionally cleaned; two tears professionally repaired/inpainted...

Oil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likel...