1980s Figurative Paintings

Unique work made from handprinting and printed collage on paper.

Françoise Juvin - Hilly landscape over the Rhône river in France Reference number FJ169 Framed with a natural oak floated frame. 23,5 x 34 cm frame included (18 x 26 cm without frame...

flowers, Summer, green , Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, United States and in the following museums: Moscow, Tret’jakov Gallery Moscow, The Ministry of Culture Collection Moscow, Central Museum of the Soviet Army St. Petersburg, Russian State Museum St. Petersburg, History Museum St. Petersburg, Repin Institute Museum Novgorod, Fine Arts Museum Ostrov, Contemporary Art Museum Rostov, Fine Arts Museum Pskov, Koustodiev Gallery Kostroma, Contemporary Soviet Art...

Peter Julian (born 1952 in Buffalo, New York) is an American artist best known for his Neo-expressionist paintings in the 1980s. His first major exhibition was in New York in 1982 at The New Museum as part of the museum’s annual “New Work/New York” series of exhibitions. THis piece is from that exhibition. (New Work / New York. 1982; 34 pages; staple-bound; 34 pages; 44 b/w illustrations. Essays by Lynn Gumpert and Ned Rifkin. Foreword by Marcia Tucker. Artists: Tom Butter, Tom Evans, John Fekner, Judith Hudson, Peter Julian, Cheryl Laemmle...

Françoise Juvin - Hilly landscape in the South of France Reference number FJ88 Framed with a natural oak floated frame. 29 x 37 cm frame included (24 x 32 cm without frame) This work...

"Dusseldorf, Germany" 1993, oil on canvas, hand signed and dated lower left, Canvas (unframed):18 X 48. framed: 19.5 X 49.5 Provenance: directly from the artist. Exhibited at Phyllis Kind Gallery in NYC in 1987. Archie Rand (American, born 1949) is an artist from Brooklyn, New York. Rand's work as a painter and muralist is held in the collections of the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Victoria and Albert Museum in London, the Bibliothèque Nationale de France in Paris, and the Tel Aviv Museum of Art. His graphic works and books are held by the Metropolitan Museum Of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute Of Chicago, The Brooklyn Museum, the Baltimore Museum of Art, the Smithsonian Institution, and The New York Public Library; and are owned by Harvard, Yale, Columbia, Brown, and Johns Hopkins universities. Born in Brooklyn, Rand received a Bachelor of Fine Arts in cinegraphics from the Pratt Institute, having studied previously at the Art Students League of New York. His first exhibition was in 1966, at the Tibor de Nagy Gallery in New York. He has since had over 100 solo exhibitions, and his work has been included in over 200 group exhibitions. He is currently Presidential Professor of Art at Brooklyn College which granted him the Award for Excellence in Creative Achievement in 2016. Before joining Brooklyn College, Rand was the chair of the Department of Visual Arts at Columbia University. The Italian Academy For Advanced Studies in America at Columbia University presented him with The Siena Prize in 1995. He was awarded a Guggenheim Foundation Foundation Fellowship in 1999 and was made a Laureate of the National Foundation for Jewish Culture, which awarded him the Achievement Medal for Contributions in the Visual Arts. In 2002 he received the Presidential Award for Excellence in Teaching from Columbia University. In 2002 he became the artistic advisor to film director Ang Lee for his production of The Hulk, and was asked by Milestone Films to provide a commentary track for the DVD release of Henri-Georges Clouzot’s classic 1955 film The Mystery of Picasso. Archie Rand’s earliest major works are “The Letter Paintings” (or “The Jazz Paintings”) (1968–71), a radically positioned series of technically inventive, mural-sized canvases. The Letter Paintings, by incorporating the names of mainly male and female African-American musicians, undermined prevailing aesthetic categories by conflating many contemporary movements including Conceptual Art, Color Field, Pattern and Decoration, diary entry and social commentary. In 1974 Rand received a commission from Congregation B’nai Yosef in Brooklyn. Rand was asked to paint thematic murals on the complete 16,000-square-foot (1,500 m2) interior surfaces of the synagogue. The work took three years, and completing this commission made Rand the author of the only narratively painted synagogue in the world and the only one we know of since the 2nd Century Dura-Europos. The religious legal controversy raised by placing wall paintings in a traditionally iconoclastic space was resolved by the verdict of Rabbi Moshe Feinstein, then considered to be the world’s leading Talmudic scholar, who declared the paintings to be in conformity with the law. His subsequent turn to figuration may have been influenced by his friendship with Philip Guston, whose own work was transformed in the late 1960s. Like Guston, Rand "chafed at the limitations of purely abstract forms." A near-cult figure who started out as a child prodigy and whose admirers range from John Ashbery to Julian Schnabel. Rand’s paintings display a vast and savvy menu of inventive and finely executed approaches. He has completed many series after the works of Paul Celan, Moyshe-Leyb Halpern, Eugenio Montale, Yehuda Amichai, Rainer Maria Rilke, Samuel Beckett/Paul Eluard and Jack Spicer. Working often with poets, he has produced books and continues to engage in publishing collaborative projects. He maintained a correspondence with the American British Jewish painter R.B. Kitaj. In 2008, on a warehouse wall, Rand mounted the painting, “The 613”, which at 1700 square feet (17’ x 100’) is nearly twice the size of James Rosenquist’s F-111. It is one of the largest freestanding paintings ever made. Reminiscent of “The Segments” paintings it is intimidatingly enormous. Paradoxically, despite the raucous cartoony bytes that shoot colorful flashes from the manic surface, “The 613” glows warmly. Its overall effect is strangely calming and majestic. In an article on a 2011 exhibition of Rand's "Had Gadya" series, David Kaufmann wrote: Rand displayed his work in 15 solo exhibitions between 2008 and 2017, many of them showcasing paintings done after Scripture, or his workings with poets: Including “Had Gadya, 2005”, Borowsky Gallery, Philadelphia, PA (2011); “Gods Change, Prayers Are Here To Stay (after Yehuda Amichai), 2000", Katz Gallery, Atlanta, GA (2014); “Psalm 68, 1994”, Derfner Museum, Riverdale, NY (2014); “The Chapter Paintings”, Tribeca Gallery, NY (2015); “Men Who Turn Back (after Eugenio Montale), 1995", SRO Gallery, Brooklyn, NY (2016); “Sixty Paintings From the Bible” & “The Book of Judith, 2012”, Cleveland State University Galleries, Cleveland, OH (2016) & The American Jewish Museum, Pittsburgh, PA (2017); “Archie Rand: Early Works With Poetry: Jack Spicer, 1991 and Samuel Beckett/Paul Eluard, 1993”, St. Francis College, Brooklyn, NY (2017). "The 613" In 2015 Blue Rider/Penguin/Random House published The 613, allotting one color plate per page for each of the 614 units in the painting. The Wall Street Journal labeled The 613 as “dynamic…remarkable…thrilling” The New York Times selected the book as “Editors' Choice” and praised it in two separate reviews calling it “wonderfully garish” and declaring that “nothing prepared the art world for 'The 613.' Recent Activity In 2016 Rand showed two bodies of work that were done in Italy, “La Certosa Di Pontignano, 1995” and “Mount Etna, 2005,” at The Interchurch Center Galleries, New York. From 2016 to 2017 he served as the Curator and Juror for the Governor of Wyoming’s Capitol Arts Exhibition at The Wyoming State Museum, Cheyenne, WY. A 2017 exhibition, “Archie Rand: Early Works With Poetry”, featured two series of work from 1991 and 1993 after poems by Jack Spicer and Samuel Beckett/Paul Eluard. This painting was exhibited in the Phyllis Kind Gallery in NY in 1987. (Phyllis Kind was an American art dealer active in Chicago and New York. She promoted the work of the Chicago Imagists, The Monster Roster and The Hairy Who and outsider artists. Kind opened a gallery in Chicago in 1967. Called Pro Grafica Arte, the gallery dealt in master prints and drawings. In 1975, she opened a gallery on Spring Street in New York's SoHo district. She gave some of the artists in the movement their first solo shows: Jim Nutt and Gladys Nilsson...

Pascual Fresquet Almurin (1930) - La Barceloneta Barcelona Spain - Oil on canvas Oil measures 38x46 cm. Frame size 48x56 cm. Painter born in Hospital...

Artist: Bruce Richards – American (1948-) Title: Landmark Year: 1989 Medium: Oil on canvas Size: 62 x 36 inches. Framed size: 64 x 38 inches Signature: Signed, dated, titled en verso Condition: Very good This painting has a wonderful presence. I believe it is from Richards’ “Change in the Weather Series”. The sky and the figure in the painting change in various paintings in the series. This is a relatively peaceful figure (sword at side) and fair sky (blue, no clouds). Other works from this series are more turbulent. Richards is an uncommon artist whose work is both conceptually and aesthetically engaging. The sky in this painting has a beautiful luminosity and depth. The painting measures 62” x 36” (64” x 38” framed). It is composed of oil on canvas and is in very good condition. The frame is also in good condition and works well with the painting. Education: 1970 B.A., University of California, Irvine 1973 M.F.A., University of California, Irvine Awards & Fellowships: 1998-1999 Visual Arts Fellowship, Artist Fellowship Program, California Arts Council, Sacramento, CA 1997-98 Individual Fellowship, Cultural Grants Program, City of Los Angeles, (C.O.L.A.), Los Angeles, CA 1992 Commissioned Artist, Graphics Arts Council, Los Angeles County Museum of Art, Los Angeles, CA 1984 First Award, 8th National Exhibition, Los Angeles Print Society, Ed Ruscha, Juror,Los Angeles, CA 1976 Visual Arts Fellowship, Visual Arts Program, National Endowment for the Arts, Washington, D.C. As Group Exhibitions occur more frequently they have been listed ahead of the Solo Exhibition list: Selected Group Exhibitions 2016-17 "SHAME- 100 Reasons for Turning Red", Deutsches Hygiene -Museum Dresden, Germany 2016 'SKIN', Los Angeles Muncipal Art Gallery, curated by Scott Canty and Isabelle Lutterodt 2014 "Look at Me: Portraiture from Manet to the Present", Leila Heller Gallery, co curated by Paul Morris and Beth Rudin DeWoody, New York, NY "A Glimpse into This Side of Paradise", Laurie M. Tisch Illumination Fund, curated by Manon Slome, New York, NY 2013 "Lust Letters", Coagula, LosAngeles, CA "Letters from Los Angeles" ( expanded), Los Angeles Art Fair exhibition, Los Angeles, CA 2012 "Letters from Los Angeles, Text in Art", Jack Rutberg Fine Arts, Los Angeles, CA "This Side of Paradise", No Longer Empty, Andrew Freedman House, Curated by Manon Slome, Bronx, NY 2011 "Best Kept Secret, UC Irvine and the Development of Contemporary Art in Southern California 1964 - 1971", P.S.T exhibit, Laguna Art Museum, Laguna Beach, CA "The Lords + the New Creatures", Nye + Brown Gallery, Los Angeles, CA 2010 "Open Kitchen", Da Gallery, Chelsea, NY “Pyschedelic: Optical and Visionary Art Since the 1960’s” curated by David Rubin, San Antonio Museum of Art, San Antonio, Texas (catalog) “Collecting California, Selections from Laguna Art Museum, Laguna Art Museum, Laguna Beach, CA (catalog) 2009 “Ship of Fools”, No Longer Empty, Chelsea Hotel, curated by Michael Bevilacqua and Manon Slome, Chelsea, NY “4 Artists”, Kips Gallery, New York. “Contemporary Confrontations 2009”, Katonah Museum of Art, Katonah, NY “The Art of Democracy”, The New York Society of Etchers, The National Arts Club, New York, NY 2008 “Occult”, The Flat, Massimo Carasi, Milano, Italy “The Toy Show”, Hunsaker / Schlesinger Fine Art, Santa Monica, CA 2007 “Tattoo Flash”, Saved Tattoo, curated by Scott Campbell, Brooklyn, NY “POPcentric”, Gering & LoPez, curated by Michael Bevilacqua and Sandra Gering, New York, NY 2004 “Disturbing the Peace”, Danese, New York, NY “Shakespeare as Muse”, curated by Josine Ianco –Starrels, Schneider Museum of Art, South Oregon Univ., Ashland, OR 1998 "City of Los Angeles (C.O.L.A.) Individual Artist's Grants, 97-98," Los Angeles Municipal Art Gallery, Barnsdall Park,Los Angeles, CA 1997 "End of the Century: Prints Since 1970 from the Collection," Los Angeles County Museum of Art, Los Angeles, CA 1994 "Printmaking on the Westcoast," Saddleback Community College, Mission Viejo, CA 1993 "Intersections: Art and Play," The Armory Center for the Arts, Pasadena, CA 1991 "Individual Realities in the California Art Scene," Sezon Museum of Art,Tokyo, Japan 1984 "California Drawings," Modernism, San Francisco, CA 1981 "Abstraction in Los Angeles,1950 - 1980" Selections from the Ruth and Murray Gribin Collection," Fine Arts Gallery, California State Univ.,Northridge, Fine Arts Gallery, University of California, Irvine, CA 1979 "Black and White are Colors: Paintings of the 1950's - 1970's," Galleries of the Claremont Colleges, Claremont, CA 1978 "Southern California Styles of the 60's and 70's," La Jolla Museum of Art, La Jolla, CA 1977 "Abstract Painting: A Selected Exhibition," Long Beach City College, Long Beach, CA 1976 "Los Angeles," Penthouse Gallery, Museum of Modern Art, New York, NY 1973 "Kurt Schwitters and Related Developments," La Jolla Museum of Art (now San Diego Museum of Art), La Jolla, CA "Market Street Program," Oakland Museum of Art, Oakland, CA Solo Exhibitions: 2014 "Bruce Richards: Future/Past" Jack Rutberg Fine Arts, LA, CA 2013 "Bruce Richards: The Scenery in my Mind," Katherine Cone Gallery, LA, CA 2001 "Bruce Richards," Fullerton College, Fullerton, CA 2000 “Bruce Richards” The Colburn School of Performing Arts, Los Angeles, CA 1999 "Bruce Richards," Grand Central Art Gallery, California State University, Fullerton, CA 1994 "Reflections and Revisitations," Mark Moore Gallery...

Portrait French School, circa 1980's signed lower left corner painting on canvas with cutout paper collage applied to canvas, unframed canvas: 18 x 15 inches the painting is in overa...

Françoise Juvin - Landscape with characters Reference number FJ71 Framed with a natural oak frame. 39,5 x 50 cm frame included (16 x 26 cm without frame) This work is painted with oil on a paper. It is presented with a 5 cm beveled mat and under a glass. It is signed in the bottom right. Françoise Juvin (1927-2010) is a French artist born in Nancy. She entered the Ecole des Beaux-Arts in Lyon in 1941 where she met several artists such as Jacques Truphémus...

Françoise Juvin - Autumn Landscape Reference number FJ16 Framed with an black color wooden floated frame. 23,5 x 34 cm frame included (18 x 26 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. It is signed in the bottom right. Françoise Juvin (1927-2010) is a French artist born in Nancy. She entered the Ecole des Beaux-Arts in Lyon in 1941 where she met several artists such as Jacques Truphémus...

Françoise Juvin - Boats in the bay of Cannes, South of France Reference number FJ62 Framed with a natural oak floated frame. 23,5 x 34 cm frame included (18 x 26 cm without frame) This work is painted with oil on a board. It is signed in the bottom right. Françoise Juvin (1927-2010) is a French artist born in Nancy. She entered the Ecole des Beaux-Arts in Lyon in 1941 where she met several artists such as Jacques Truphémus...

The Seine at the Louvre. Oil on canvas, 50 x 65 cm Serge Mendjisky was born in 1929 in Paris. His father, Maurice Mendjisky, was a painter from the School of Paris, this is how Serge became acquainted with the world of arts since childhood. After completing his studies at the School of Fine Arts of Paris, he soon became a recognized artist and his work was exposed in Europe, Japan and the United States. He used photography to make his preliminary studies in painting. By decomposing and recomposing the horizons of some of the most famous cities of the world like New York and Paris, Serge Mendjisky creates new urban landscapes which put into question our perceptive faculties. Volumes, lights and colors create different visual rhythms which create new connections between time and space. Through Serge Mendjisky's creativeness, Broadway becomes an explosion of colored lights...

Manuel Pardo (1952-2012). Portrait, 1989. Oil on canvas, 11 x 17.5 inches. Unframed. Signed, dated and dedicated on verso. Excellent condition. Manuel Pa...

In this collage by Erik Freyman a beautiful woman is seen with a black backdrop and a striking red hat. Woman in Red Hat Erik Freyman, Russian (1932–...

Signed and titled cubist oil on canvas circa 1980 by French painter Camille Hilaire. This wonderful and colourful piece depicts a gondola on the Grand Canal, Venice with old palace behind. Signature: Signed lower right and titled verso Dimensions: Framed size: 21"x24" (53.3cm x 61.0cm) Size: 15"x18" (38.1cm x 45.7cm) Provenance: Private French collection Camille Hilaire was a pupil at the École des Beaux-Arts in Paris. He also worked in the free academies, including that of André Lhote, whose teaching had a major influence on his work. He executed numerous mural decorations...

Crash Untitled, 1989 Signed and dated lower left Watercolor and ink on paper 30 x 20 1/2 inches A contemporary of Keith Haring and a modern-day master of this present day art form o...

Unique monotype in colors. Hand signed, dated and numbered '1/1' lower left by Paul Jenkins. Frame size approx 27 x 34.5 inches. Additional images are available upon request. Cer...

Manuel Pardo (1952-2012). Portrait, 1991. Oil on masonite panel, 18 x 24 inches. Unframed. Signed, dated and dedicated on verso. Excellent condition. Man...

Crash Pleased to See You, 1989 Signed and dated lower left Watercolor and ink on paper 30 x 20 1/2 inches A contemporary of Keith Haring and a modern-day master of this present day ...

A woman and her dog strut down Fifth Avenue with the Empire State Building in the background. Fifth Ave Erik Freyman, Russian (1932–2018) Date: circa 1980 Acrylic on board, signed l...

Signed lower left, 'Greg Harris' for Gregory Frank Harris (American, born 1953) and dated 1981. Additionally signed, verso, and titled, 'Stea Life in a Pond'. Framed dimensions: 34.5 H x 29.5 W x 2.5 D inches. The study of art and the history of art are closely intertwined in the work of Gregory Frank Harris which reflects his exploration of technique and art history. Born in southern California, Harris and his twin brother grew up in a family that embraced the visual arts as well as theatre and music. During his stint at California State University in Long Beach, he studied both art and theatre, but also began writing music, which then became his primary focus. Over the next decade, Harris and his brother played piano and drums respectively in a variety of bands, earning their living in the nightclubs and hotels up and down the west coast. The first sign of a new direction appeared while the band was on the road in Spokane, Washington where Harris rekindled his interest in painting. Like generations of artists before him, Harris turned to the old masters and the impressionist painters as sources for his study of painting. Harris was fortunate to have two of his copies, Rembrandt’s Woman with Pink and Gainsborough’s Blue Boy, selected as props for the 1982 film version of the musical Annie, directed by John Huston. Harris also began exhibiting at juried shows in 1982 and marketing his work nationally. Juried exhibitions--and awards--followed, including an unprecedented first, second and third place award in the popular vote at the historic Lyme Art...

Pierre Coquet - Still life with a yellow tablecloth Reference number F380 The painting is not framed but it could be with a natural oak floated or black ...

African American artist Alvin Hollingsworth created an inventive and intriguing close-up portrait with figures in the distance. Found objects such as swatches of burlap, plastic spoons, press type and wood shapes are adhered to the surface make this work an object as much as an image. The overall image is bathed in a super hot orange-yellow. This is Hollingsworth interpretation of the soul of Africa. Indistinctly signed lower right in red. The work makes a powerful statement in person. Provenance: The Artist to a personal friend. Private collection Framed dimensions 19 1/4 x 25 1/4 in. Alvin Carl...

Signed lower right, 'Phillips' for Dick Phillips (American, 20th century) and painted circa 1965. Additionally signed, verso, on stretcher bar, 'Dick Ric...

Personale original contemporary mixed media painting. Cándido Ballester is a contemporary Mallorcan painter who was born in 1926. As a child he had to emigrate to Argentina. In the ...

Pierre Coquet - Still life with peaches Reference number F357 Framed with an ebony color wood floated frame. 41 x 58 cm frame included (21 x 38 cm withou...

Circle of Prince Twins Seven - Seven (Nigerian, * 3 May 1944 Ogidi, Kogi State, Nigeria – † 16 June 2011, Ibadan, Nigeria) King Sunny Ade 's Jùjú Band making music • Paint on fine canvas or cotton • Recently mounted by me on a modern stretcher, ca. 87 x 60 cm • Inscribed on the drum with ' Ade '83 ' Worldwide shipping is complimentary - There are no additional charges for handling & delivery. It was sold to me as by the artist Prince...

Wai Ming is a Chinese Asian Modern & Contemporary painter who was born in 1938. In this colorful abstract painting, women are huddled in a circle gambling and betting. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work. His primary interest was to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong, and so was able to find some initial success. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons but was ultimately embraced by dealer Jack Swanson...

Pierre Coquet - "Les pots gris"/"Grey pitchers" Reference number F438 73 x 54 cm The painting is not framed but it could be with a natural oak floated (s...

'Seaside Terrace', oil on canvas, by Jean-Jacques René (circa 1980s). A melancholy woman is seated on a terrace, the sea over her back with a dinghy and its single sailor passing beh...

Oil on board, signed (lower right), 24.5cm x 19cm (40cm x 35cm framed). Renowned as Australia’s foremost surrealist painter and poet, James Gleeson’s o...

20th Century Post-War Painting of Mountain River Scene in the Mournes in Ireland, by Modern Artist, Denis Thornton (1937-1999) Art measures 30 x 16 inc...

This uniquely shaped canvas is centered on one of Mark Kostabi’s favorite subjects, pool. In this surrealist oil painting, the artist has depicted a couple embracing as they both lean over a pool table...

Black Cat,Cat,yellow Gleb SAVINOV (Kharkiv prov., Ua 1915 – St. Petersburg 2000) Gleb Alexandrovich Savinov was born in Ukraine and spent part of his childhood in Saratov. His father, Alexander Ivanovich Savinov (1881–1942), a talented painter, draftsman and teacher, was a professor at the Academy of Fine Arts. In 1922 they moved from Saratov to Petrograd. In 1928-1930 Savinov started working in the studio of his father while still attending school. In 1934, after graduating from high school he enrolled at the painting department of the Leningrad Institute of Painting, Sculpture and Architecture, where he studied with, among many others, Alexander Osmerkin. In 1940 Savinov graduated and married his classmate and talented artist Olga Bogaevskaya. This happy family and creative union lasted sixty years. Since that year Gleb Savinov participated in art exhibitions with portraits, historical and genre paintings, landscapes, interior scenes, still lives. He served during the Great War and in 1944 he was admitted to the Leningrad Union of Soviet Artists. In 1945-1947 he taught in the Repin Institute, then from 1949 to 1979 in the Vera Mukhina...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Horse and Sulky, 1982 Oil on canvas Signed lower right 24.5 x 29.5 Exhibited: Canton Mus...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "That Day in Pompeii". Signed and dated in lower left. Gallery label on reverse. New York Time...

Original acrylic painting on canvas. Hand-signed in acrylic on front by Peter Max. Peter Canvas size 71.75 x 35.75 inches. Custom framed with hand painted filet. Frame size approx 86 x 50 inches. Max studio catalog number and year on verso. Artwork is in excellent condition. Gallery Art issued Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Peter Max (American, born 1937) is a German artist known for his unique brand of rainbow-hued prints and paintings, which he has created since the early 1960s. Employing painterly strokes, his illustrations incorporate a wide spectrum of colors and patterns as seen in his Umbrella Man series. “I'm just wowed by the universe. I'm just glad to do something I love to do. I love color, I love painting, I love shapes...

Mark Kostabi is a surrealist artist who depicts smooth and faceless figures throughout his work. In this oil painting, Kostabi shows a person tripping over a lamp and a set of traffi...

Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...

This is a large oil painting by the Surrealist artist Mark Kostabi. It depicts two figures seen through an open window, playing pool. On the exterior of t...

Joan Camo Sentis (1920-2021) - Kennel club - Oil on canvas Canvas measures 60x73 cm. Frameless. Joan Camo Sentis (1920 - 2001) Catalan painter specialized in oil painting on canvas....

Original framed oil painting on burlap by Edward Marecak (1919-1993) titled "Autumn Harvest" from 1987. Signed and dated by the artist in the lower right corner. Presented in a custom framed, outer dimensions measure 20 x 29 x 1 ⅜ inches. Image size is 19 x 28 inches. Provenance: Estate of the Artist, Edward Marecak Painting is clean and in good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks, and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of “Peter and the Wolf,” awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier oeuvre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s, he was influenced by surrealist imagery and Paul Klee and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish...

This is an oil painting by surrealist artist Mark Kostabi. In it, the body of a dog is shown on the bottom with a long neck that extends up to the top of the painting, ending with a ...

The humble pride an acrylic on canvas painting illustrating two different positions of the image you stand this art in a portrait position and it's illustrates a personality of a pr...

Woman, veranda, shawl, Russia,Soviet Realism,特卡乔夫兄弟 Shipment is included in the price everywhere ALEKSEJ and SERGEJ TKACHEV (Chuchunovka, Brjansk, 1925 and 1922) 特卡乔夫兄弟 Works by the Tkachev brothers can be found in various collections in Europe, Japan, China, Canada, South Korea, Taiwan, United States and in over ninety museums all over the world. Among them: Moscow, Tret’jakov Gallery Moscow, The Ministry of Culture Collection St. Petersburg, Russian State Museum Brjansk, Tkachev Brothers Museum Ivanovo, Museum of Modern Art Odessa, Museum of Modern Art Kiev, Russian Art History Museum Novgorod, Gorky Museum of Art Perm, State Art Gallery Rostov, Modern Art Gallery...

Beautiful cubist portrait of a woman by unknown Russian artist. Oil on canvas measures 17 x 25 inches. Signed and dated lower right. Label fragments affixed on verso.

Diego Barboza - 1945-2003 Hand signed and dated 1988 Oil on Canvas Diego Barboza was born the Carabobo street of Maracaibo, Venezuela on February 4, 1945. He was a Venezuelan Neo Figurative Painter who is among the most famous and influential figures in Venezuelan art history. Diego Barboza opened a new chapter in Latin America, beyond the surreal or the magical realism of the Modern Latin American Masters. He created a new language of dislocation and transgression. Personages became distorted to the point that was very exaggerated forms His figures twisted and contorted without losing their presence or their pull. Extremities muscles, and bones burst into an explosive compound of divergent and convergent lines. Through eruptive brushstrokes and fractured outlines. Barboza created a world of illusions. Barboza was born into a upper-middle-class family. He stopped going to school at 12 years old, and he registered himself at the School of Visual Art in the City of Maracaibo Venezuela. Barboza studied at the School of Visual Arts in Caracas, Venezuela. Barboza began his training as an artist at age 12 in his native Maracaibo when he left formal education to enroll in the then School of Plastic Arts of Zulia, then Julio Arraga School of Plastic Arts, where he was a student in the modeling, collage and Drawing of Angelina Curiel. His first collages, in the sixties, show the influence of American Pop Art. In 1967 he exhibited at the Ateneo de Caracas his series 'Los Ratones', a proposal then 'criticized by critics as unprecedented in Venezuela'. In his tribute to the film "Nosferatu" Friedrich Murnau included 32 drawings as well as two-dimensional objects. In 1968 he moved to London where he studied at the London College of Printing. From that time is his '30 Girls with Nets', an action in which 30 students of the London College of Printing, dressed in black and covered by white nets, toured London public places, behaving naturally. His 'street expressions', which he later called 'poetic actions', symbolized a breakdown of social restraints through unusual behaviors that sought to provoke public reactions. Upon his return to Venezuela in 1973, Barboza continues with this line of work, being recognized as one of the initiators of Venezuelan conceptual art. In the 1980's Diego Barboza turned to painting, the New Venezuelan Figuration. Here belongings and the feminine figure fill the work of that time, in which he embodied his intimacy and daily life through scenes of furnishings and flowers that included objects from his workshop and home. His nudes were made from live model, then to follow the path of distortion resulting in their unmistakable females: a figure that represented their personal way of appreciating beauty. Barboza presented his first individual exhibition at the Centro de Bellas Artes of Maracaibo Venezuela. In 1963, he traveled to London when the Conceptual Art movement started, he had the support of the London New Art Lab Gallery. On March 7, 1970 Barboza displayed his first work on Conceptual Art, which he called Art of Action. In London with the performance of 30 Girls with nets (30 Muchachas con redes). His second work was Nets and Hats in markets and restaurants (Con sombreros y redes en mercados y restaurantes). In London UK. His third The Centerpiece (El Ciempies) and the fourth Expression on a laundry-mat (Expresiones en una lavandería) In 1974. Baboza returned to Venezuela. Where he presented two very important Conceptual Art works: The Armadillo Box (La Caja del Cachicamo) and from the School of Athens to the New School of Caracas (De la Escuela de Atenas a la Nueva Escuela de Caracas). Closing his cycle of Conceptual Art creation. IN Venezuela a sort of impromptu academy started up at Claudio Perna’s house. Eugenio Espinoza, Roberto Obregón, Antonieta Sosa, Alfred Wenemoser, Yeni and Nan, Sigfredo Chacón, Diego Barboza, Luis Villamizar, Margherita D’Amico, Pedro Terán, Alfredo del Mónaco, as well as international figures who happened to be visiting Venezuela such as Antoni Muntadas, Charlotte Moorman, and Roman Polanski would gather there. Venezuela, especially Caracas, was a rich field of action for modernism in South America. Venezuelan Geometric Abstraction, Op art and Kinetic Art dominated through crucial figures like Jesús Rafael Soto, Gego, Alejandro Otero, and Carlos Cruz Diez, the country’s kinetic art made a fundamental contribution internationally. The Greater London Arts Association and the Arts Council of Great Britain did several exhibitions of (North, Central, South, London, Wales, Scotland and Ulster) to show the actual Visual Arts in all of the United Kingdom and Diego Barboza was invited for this event with a solo exhibition, expressions around a cylinder (Expresiones alrededor de un cilindro). Diego has made numerous solo and group exhibitions, obtaining rewards since 1963. He is represented in the most important museums of Venezuela, as well as in England, Brazil, Colombia and Cuba. In 1986 he was awarded the Municipal Visual Arts Award of the Municipal Council of the Federal District and in 1997 he received the National Prize for Plastic Arts granted by the National Council of Culture, CONAC. Select Group Exhibitions 1964 Ateneo de Caracas, Caracas, Venezuela 1965 Salón Arturo Michelena, Valencia, Venezuela 1968 Salón Oficial Museo de Bellas Artes, Caracas, Venezuela 1971 Art Spectrum London, London, Great Britain 1972 Serpentine Gallery, London, Great Britain 1973 Midland Group Gallery, London, Great Britain 1974 Galería BANAP, Caracas, Venezuela 1975 Casa de Las Américas, La Habana, Cuba Museo de Bellas Artes, Caracas Galería de Arte Nuevo, Buenos Aires, Argentina 1976 Museo de Arte Moderno, Bogotá, Colombia Museo de Arte Contemporáneo, Sao Paulo, Brazil Museo de la Tertulia, Cali, Colombia Bienal de Venecia, Venecia, Italy 1979 Centro de Artes y Comunicación, Buenos Aires, Argentina 1980 Galería NBC, Memphis, Tennessee, USA 1981 Galería de Arte Nacional, Caracas, Venezuela Museo de Arte Contemporáneo, Medellín, Colombia Museo de Bellas Artes, Caracas, Venezuela 1986 Museo de Arte La Rinconada, Caracas, Venezuela 1989 Galería Venzor, Chicago, Illinois, USA 1990 Museo Bellas Artes, Santiago de Chile, Chile 1992 Ambrosino Gallery, Coral Gables, Florida, USA 1993 Museo de Arte de Petare, Caracas, Venezuela Centro de Arte Lia Bermúdez, Maracaibo, Venezuela 1994 Galería Namia Mondolfi, Caracas, Venezuela 1995 Galería Art Nouveau, Maracaibo, Venezuela Galería Cesar Sassòn, Caracas, Venezuela Maremares Resort, Puerto La Cruz, Venezuela Galería Durban, Caracas, Venezuela Galería Odalys, Caracas, Venezuela 1996 Centro de Arte Grupo Li, Caracas, Venezuela Galería Uno, Caracas, Venezuela Centro Cultural Consolidado, Caracas, Venezuela Espacios Unión, Caracas, Venezuela Hebraica, Caracas, Venezuela 1997 Sociedad Dramática, Maracaibo, Venezuela, Venezuela CELARG, Caracas, Venezuela Galería Ocre Arte, Caracas, Venezuela Museo de Arte Contemporáneo , Maracay, Venezuela Galería Medicci, Caracas, Venezuela Awards 1963 Premio Estímulo - IX Salón d’Empaire, Maracaibo, Venezuela 1964 Premio José Ortìn Rodríguez - X Salón d’Empaire, Maracaibo, Venezuela 1965 Primer Premio de Dibujo - III Salón Pez Dorado, Caracas, Venezuela 1968 Premio Henrique Otero Vizcarrondo - XXIV Salón Oficial Anual de Arte Venezolano Museo de Bellas Artes, 1973 Premio Emilio Boggio...

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