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Period: 19th Century
Recognized Seller Listings
Japanese Girl Promenading
Located in New York, NY
Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8).
Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly.
In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters.
In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23).
In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”).
Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5).
During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...
Category
19th Century Figurative Paintings
Materials
Oil, Wood Panel
Japanese Children with Tortoise
Located in New York, NY
Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8).
Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly.
In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe...
Category
19th Century Figurative Paintings
Materials
Oil, Wood Panel
Country Life
Located in Belgravia, London, London
Oil on canvas
Canvas size: 6 x 12 inches
Framed size: 13.5 x 17.5 inches
Signed
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
Study for Collier's Magazine Cover
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed Lower Right
Category
19th Century Figurative Paintings
Materials
Oil, Canvas
Appealing To Be Allowed To Help Fight For The Union
By James Earl Taylor
Located in Fort Washington, PA
Medium: Gouache
Signature: Signed Lower Right
a slave with shackles on the ground behind him appealing to Abraham Lincoln with the Civil War battle s...
Category
19th Century Figurative Paintings
Materials
Gouache
Trouble at the Garage
Located in Fort Washington, PA
Medium: Oil on Canvas
Dimensions: 28.00" x 22.00"
Signature: Signed Lower Right
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
Pilgrims Fairwell
By Frank T. Marrill
Located in Fort Washington, PA
Date: 1880
Medium: Oil on Board
Dimensions: 18.20" x 24.00"
Signature: Signed Lower Right
Category
19th Century Figurative Paintings
Materials
Oil, Board
Harlequin Grinning and Brandishing his Batte
Located in Fort Washington, PA
Medium: Gouache and Pencil on Board
Signature: Signed Lower Left
Carter's Monthly, February 1898, cover illustration. Newly Framed.
Category
19th Century Figurative Paintings
Materials
Gouache, Board, Pencil
The Love Letter
Located in Belgravia, London, London
Oil on canvas
Canvas size: 24 x 18.25 inches
Framed size: 31.75 x 25.75 inches
Signed lower right
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
The White Scarf (Self Portrait of the Artist)
Located in Fairlawn, OH
The White Scarf (Self Portrait of the Artist)
Oil on board, 1894
Signed and dated lower left: E M Heller '94 (see image)
Framed in a metal leaf Whistler style frame, Frame: 23 x 18-...
Category
American Impressionist 19th Century Figurative Paintings
Materials
Oil
Three Head Portraits of a Young Girl
Located in Fairlawn, OH
Hippolyte Roques (active 1838-1864)
Three Head Portraits of a Young Girl
Oil on grey wove paper, c. 1850
Unsigned
Provenance: Estate of the artist
Shepherd Galle...
Category
Romantic 19th Century Figurative Paintings
Materials
Oil
Venice (Canal View Along the Fondamenta S. Giuseppe)
Located in New York, NY
Francis Hopkinson Smith paints a colorful and detailed scene of Venice in his artwork entitled, Venice (Canal View Along the Fondamenta S. Giuseppe).”
Category
19th Century Figurative Paintings
Materials
Paper, Gouache
Vue de la Côte Normande by Claude-Émile Schuffenecker - Landscape painting
By Claude Emile Schuffenecker
Located in London, GB
*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE.
Vue de la Côte Normande by Claude-Émile Schuffenecker (1851-1934)
Oil on canvas
58 x 69 cm (22 ⁷/₈ x 27 ¹/₈ inches)
Sig...
Category
Impressionist 19th Century Figurative Paintings
Materials
Canvas, Oil
La Princesse Bleue
Located in Paris, FR
Georges-Antoine Rochegrosse
1859-1938 French
La Princesse Bleue
Oil on canvas
Signed lower left
Canvas: 27 1/8" high x 32 1/8" wide
Frame : 37 3/8" high x 41 3/4" wide
Exposed...
Category
Romantic 19th Century Figurative Paintings
Materials
Canvas, Oil
Fishing Under The Setting Sun
Located in Belgravia, London, London
Fishing Under The Setting Sun
by William Thornley
British fl. 1858 - 1898
Oil on canvas
Canvas size: 16 x 24 inches
Framed size: 22.25 x 30.25 inches
Signed lower right
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
Drake's Tales of Treachery
Located in Belgravia, London, London
Oil on canvas
Canvas size: 20 x 30 inches
Framed size: 28 x 36 inches
Signed lower right
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
Presentation
Located in Belgravia, London, London
Presentation
by Georges Croegaert
French born 1848 – 1923
Oil on panel
Panel size: 16 x 13 inches
Framed size: 24.25 x 21.25 inches
Signed
Category
19th Century Figurative Paintings
Materials
Oil, Panel
Sunset Over a Frozen Landscape
Located in Belgravia, London, London
Sunset over a Frozen Landscape
by George Augustus Williams
British 1814 - 1901
Oil on canvas
Canvas size: 13 x 20 inches
Framed size: 17 x 24 inches
Monogrammed lower left
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
In the Wheatfield (Girl Standing in a Wheat Field)
Located in Palm Desert, CA
"In the Wheatfield (Girl Standing in a Wheat Field)" is a painting by Winslow Homer. The painting is signed, lower left, "Homer 1873". The framed piece measures 29 3/4 x 21 5/8 x 2 7/8 in.
During the early 1870s, Winslow Homer frequently painted scenes of country living near a small farm hamlet renowned for generations for its remarkable stands of wheat, situated between the Hudson River and the Catskills in New York state. Today Hurley is far more famous for inspiring one of Homer’s greatest works, Snap the Whip...
Category
Realist 19th Century Figurative Paintings
Materials
Oil, Canvas
The Little Models (Reverie)
Located in New York, NY
Signed lower right: Irving R Wiles; on verso: Irving R Wiles
Category
American Impressionist 19th Century Figurative Paintings
Materials
Canvas, Oil
A Patient Model
By Guilio Rosati
Located in Belgravia, London, London
Oil on canvas
Canvas size: 16 x 13 inches
Framed size: 18.5 x 22 inches
Signed lower right
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
Venus and Adonis
By Baron Pierre Narcisse Guerin (workshop)
Located in Paris, FR
Baron Pierre Narcisse GUERIN (Circle of)
1774-1833 French
Venus et Adonis (Venus and Adonis)
Oil on canvas
Canvas: 53" high x 39 1/2" wide
Frame: ...
Category
Old Masters 19th Century Figurative Paintings
Materials
Canvas, Oil
Bords du Loing by Alfred Sisley - Oil, landscape painting
Located in London, GB
*THIS PRICE INCLUDES 5% IMPORT DUTY APPLICABLE IF THE WORK REMAINS IN THE UK ONLY.
Bords du Loing by Alfred Sisley (1839-1899)
Oil on canvas
46.1 x 55.7 cm (18¹/₈ x 21⁷/₈ inches)
S...
Category
Post-Impressionist 19th Century Figurative Paintings
Materials
Canvas, Oil
Young Girl Selling Oranges and Lemons
Located in New York, NY
Signed and inscribed lower right: Charles Sprague Pearce / Paris.
Category
Impressionist 19th Century Figurative Paintings
Materials
Oil, Panel
Lion
Located in Paris, FR
MONTBARD
(Active XIX-XXth c.)
"The Lion"
Oil on canvas
Painting: 78 x 62 cm
Framed: 93 x 78 cm
Category
Academic 19th Century Figurative Paintings
Materials
Oil
A Surprise Visit
Located in Belgravia, London, London
Oil on canvas
Canvas size: 32 x 45 inches
Framed size: 35.5 x 50 inches
Signed lower right
Category
Romantic 19th Century Figurative Paintings
Materials
Canvas, Oil
Knucks Down
By Karl Witkowski
Located in New York, NY
Signed upper left: Witkowski
Category
American Modern 19th Century Figurative Paintings
Materials
Oil, Canvas
The Rapelye Homestead, Bowery Bay, Long Island
Located in New York, NY
Signed and dated lower left: W.R. Miller. 1877.
Category
Hudson River School 19th Century Figurative Paintings
Materials
Canvas, Oil
Woman in a Field
By Henry Bacon
Located in Fairlawn, OH
Woman in a Field
Oil on canvas, 1894
Signed and dated 1894, lower right corner
Unframed
A major exhibition work by this American Expatriate painter.
From the linear descendants of th...
Category
Barbizon School 19th Century Figurative Paintings
Materials
Oil
Orientale
Located in New York, NY
Signed, lower right: Fantin
Provenance:
Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son:
Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...
Category
Romantic 19th Century Figurative Paintings
Materials
Paper, Canvas, Oil
Battle of Auerstaedt, October 14th 1806
Located in Paris, FR
Georges HYON (1840 - 1909)
Battle of Auerstaedt, October 14th 1806
Oil on canvas
Signed and dated lower right
Dimensions : 59 x 78 3/4 inches
(Dimensions : 150 x 200 cm)
Framed : 66 7/8 x 86 5/8 inches
(Framed : 170 x 220 cm)
Provenance :
-Private collection
Exhibition:
-French Salon of 1891; exhibited under number 849
Formed in multiple squares, the French infantry resisted the assaults of the Prussian cavalry which broke on these impassable walls bristling with thousands of rifle bayonets...
Category
French School 19th Century Figurative Paintings
Materials
Oil
Chez le Satrape de Susiane
Located in Paris, FR
Georges Rochegrosse,
1859-1938, French
Chez le Satrape de Susiane, 1891
Oil on canvas
Signed lower right
Canvas : 17 3/4" high x 22" wide
Frame: 26 3/4" high x 31 1/2" wide
Ge...
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
NAPOLEON AT ARCIS-SUR-AUBE, 1814
Located in Paris, FR
Circle of FRANÇOIS DE LANSAC (1803-1890)
"NAPOLEON AT ARCIS-SUR-AUBE, 1814"
French Campain – Napoleon at Arcis-sur-Aube, 1814
Oil on canvas
DIMENSIONS :
–...
Category
French School 19th Century Figurative Paintings
Materials
Oil
The Little Charmer
Located in Belgravia, London, London
Oil on canvas
Canvas size: 18.75 x 25 inches
Framed size: 29.5 x 35.5 inches
Signed and dated 1890 lower left
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
Stubborn
Located in New York, NY
Signed lower right: Louis Moeller.
Category
19th Century Figurative Paintings
Materials
Oil
A pair of Portraits of a Rabbi by José Schneider
Located in London, GB
A pair of Portraits of a Rabbi by José Schneider (1848-1893)
Oil on canvas
2 parts, 21.2 x 18.4 cm (8 ³/₈ x 7 ¹/₄ inches) each
Signed lower left on second panel, José Schneider
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
The Sand Barge by Jozef Israëls - Landscape painting, Dutch artist, Hague School
Located in London, GB
The Sand Barge by Jozef Israëls
Oil on wood panel.
18 x 40 cm (7 1/16 x 15 3/4 in).
Signed
Artist biography
Dutch-Jewish artist Jozef Israëls was born ...
Category
Barbizon School 19th Century Figurative Paintings
Materials
Wood, Oil
The Musketeer
By Alex De Andreis
Located in Paris, FR
Alexandre DE ANDREIS (1830-1910)
"Le Mousquetaire / The Musketeer"
Oil on panel
Signed lower right
Painting: 45 x 29 cm (17 3/4 x 11 3/8 in.)
Framed: ...
Category
French School 19th Century Figurative Paintings
Materials
Oil
Woman Reading by JOZEF ISRAËLS - Dutch painter, Hague School, portrait art
Located in London, GB
Woman Reading by JOZEF ISRAËLS (1824-1911)
Oil on Panel
21 x 12.5 cm (8 1/4 x 4 15/16 inches)
Signed lower right
Executed circa 1870
Artist biography
D...
Category
Academic 19th Century Figurative Paintings
Materials
Wood Panel, Oil
Rêverie
By Albert Lynch
Located in Paris, FR
Albert LYNCH (1851-1936)
French
"Rêverie"
Oil on canvas
Signed lower left
Canvas: 43 1/4" high x 24 3/4" wide
Frame: 49 5/8" high x 30 3/4" wide
Albert LYNCH: Born in Lima in 1851, Albert Lynch studied art at L'Ecole des Beaux-Arts de Paris and in the studios of the figure painters Gabriel Ferrier and Henri Lehmann...
Category
Pre-Raphaelite 19th Century Figurative Paintings
Materials
Canvas, Oil
The crepe maker
By Louis Carrier-Belleuse
Located in London, GB
oil on canvas,
signed and dated 'Louis Carrier-Belleuse 1874' (lower right)
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
Dory Fishermen
Located in New York, NY
Dory Fishermen
Frederick Schiller Cozzens created this watercolor entitled “Dory Fishermen” in 1888. This piece is signed in brush, lower left “Fred S. Cozzen...
Category
Naturalistic 19th Century Figurative Paintings
Materials
Watercolor
Baigneuse
By Marguerite Arosa
Located in Paris, FR
Marguerite AROSA
(1850-1903), French
"Baigneuse" (Bather)
Oil on canvas
Signed lower left
Canvas: 66 1/5" high x 50" wide
Frame: 74 1/5" high x 57 1/2" wide
This painting was e...
Category
Impressionist 19th Century Figurative Paintings
Materials
Canvas, Oil
The Island, DANIEL RIDGWAY KNIGHT - American Impressionist, Realism, Landscape,
Located in London, GB
Oil on canvas
46 x 55 cm (18 ⅛ x 21 ⅝ inches)
Signed lower left, Ridgway Knight
Artist biography
American artist Daniel Ridgway Knight was born in Pennsylvania and studied at the École des Beaux-Arts in Paris. From 1872 he lived and worked at Poissy on the River Seine, just to the west of Paris.
Best known for his landscapes and depictions of peasant women in the fields, Knight earned distinction at the Paris Salon of 1882. He went to be was awarded the Silver Medal and Cross of the Legion d’Honneur at the Exposition Universelle in 1889, the Gold Medal of Honour from the Pennsylvania Academy of Fine Arts in 1893 and in that same year was created a Knight of the Royal Order...
Category
American Impressionist 19th Century Figurative Paintings
Materials
Canvas, Oil
The Proposal
Located in Belgravia, London, London
Oil on mahogany panel
Panel size: 47 x 36 inches
Signed lower right
Category
19th Century Figurative Paintings
Materials
Oil, Wood Panel
The Handsome Suitor
Located in Belgravia, London, London
Oil on canvas
Canvas size: 33.5 x 49 inches
Signed lower right
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
Jeune femme ajustant son corset - Pierre Carrier-Belleuse, french, large, pastel
Located in London, GB
Pierre Carrier-Belleuse (1851-1932)
Jeune femme ajustant son corset
1893
pastel on canvas
133.4 x 92.7 cm
signed and dated 'Pierre Carrier-Belleuse 1893' (upper right)
Price:
£34,00...
Category
Other Art Style 19th Century Figurative Paintings
Materials
Canvas, Pastel
Blowing Bubbles
Located in Belgravia, London, London
Oil on panel
Panel size: 21.5 x 17.25 inches
Signed??
Category
19th Century Figurative Paintings
Materials
Oil, Panel
The Letter
Located in New York, NY
Signed lower right: CARROLL BECKWITH.
Category
American Impressionist 19th Century Figurative Paintings
Materials
Oil
Waiting by Jozef Israëls - Landscape oil painting
Located in London, GB
Waiting by Jozef Israëls (1824-1911)
Oil on canvas
95.3 x 133.9 cm (37 ½ x 52 ¾ inches)
Signed lower left, Jozef Israels
A monumental painting by one of...
Category
Barbizon School 19th Century Figurative Paintings
Materials
Canvas, Oil
The Kingfisher's Pool and Fishing in Peaceful Waters (Pair)
Located in Belgravia, London, London
Oil on board
Board size: 14 x 12 inches each
Both signed lower mid
Category
19th Century Figurative Paintings
Materials
Board, Oil
Rêverie
Located in Paris, FR
Charles Chaplin
1825-1891, French
Reverie (Dream)
Oil on canvas
Signed lower left
Canvas: 27 1/2" high x 41 3/8" wide
Frame: 35" high x 49 1/4" wide
This masterpiece come from...
Category
Romantic 19th Century Figurative Paintings
Materials
Canvas, Oil
Playing Cards
By Fritz Wagner
Located in Belgravia, London, London
Oil on canvas
Canvas size: 27.75 x 33.75 inches
Framed size: 35.5 x 41.5 inches
Signed lower right
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
Guillaume-François Colson - Sur la plage, french, beach, 19th century, painting
Located in London, GB
Guillaume-François Colson (1785-1860)
Sur la plage
oil on canvas
35 x 65 cm
signed 'Colson' (lower right)
Price:
£18,000 GBP
Provenance:
MacConnal-Mason Fine Paintings
Private coll...
Category
French School 19th Century Figurative Paintings
Materials
Canvas, Oil
Loading the Crop
Located in Belgravia, London, London
Oil on canvas
Canvas size: 20 x 30 inches
Signed and dated ' 1902' lower left
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
Montigny-sur-Loing
Located in New York, NY
Dated, signed, and inscribed lower left: 1876 WILL. • H • LOW MONTIGNY sur Loing
Category
American Impressionist 19th Century Figurative Paintings
Materials
Oil, Canvas
The Letter
Located in Belgravia, London, London
Oil on canvas
Canvas size: 8.75 x 6.5 inches
Framed size: 13.5 x 11.5 inches
Signed and dated '1869' lower right
Category
19th Century Figurative Paintings
Materials
Canvas, Oil
The Admirer
By Pompeo Massani
Located in Belgravia, London, London
Oil on canvas
Canvas size: 12 x 9 inches
Framed size: 19 x 15.75 inches
Signed upper left
Category
19th Century Figurative Paintings
Materials
Canvas, Oil