Folk Art Figurative Paintings

Housewives Choice, A-Z a cute Folk Art Alphabet of kitchen utensils and cooking implements rendered in a whimsical naive style. CHRISTINE McARTHUR was born in Kirkintilloch, near Glasgow, in 1953 and studied at Glasgow School of Art between 1971 and 1976. She taught and produced book illustrations before turning to paint full time. she was elected a member of the Royal Glasgow Institute and in 1995 a member of the Royal Scottish Society of Painters in Watercolour. McArthur has been the recipient of a number of awards including The Scottish Arts Council Award and the Glasgow Society of Women Artist Trust Fund Award. She has exhibited widely in the UK, particularly in London and Scotland, as well as in Russia, Hong Kong, Her early work was primarily in oil and she became well known for her large scale still life paintings on canvas. In the late 1980s she began to work in oil pastel and watercolour but more recently she has reverted to oil, as well as acrylic and collage. She has exhibited widely with solo exhibitions in the Roger Billcliffe Gallery, Glasgow, Lemon Street Gallery, Truro, and Ainscough Gallery, London, among others. AWARDS S.E.D. travelling scholarship 1975, and 1976, Arts Council Award 1979, and 2004. Glasgow Society of Women Artist’s Trust Fund Award, Lauder Award; R.G.I., N.S. Macfarlane Award; Alexander Graham Munro prize, RSW. Christine McArthur was awarded Scottish Education Department travelling scholarships in 1975 and 1976 and was elected a member of the Royal Glasgow Institute of the Fine Arts in 1990. In 1995 she was elected a member of the Royal Scottish Society of Painters in Watercolour. In 1997 John Lewis commissioned four large murals – each 6ft x 15ft - for the Glasgow store in 1999. In 2002 she received a commission from John Lewis for murals for the extension to their Peter Jones store, Sloane Square, London. Solo Exhibitions from 1984 - present include: Peter Potter Gallery, Haddington; Sue Rankin Gallery, London; Fine Art Society, Glasgow; Portland Gallery, London; Roger Billcliffe Gallery, Glasgow; Ancrum Gallery, Roxburgh; Open Eye Gallery, Edinburgh; Courtyard Gallery, Crail; John Martin Gallery, London; Gertsey Gallery, Moscow; Gertsey Gallery, Atlanta, USA; Lemon Street Gallery, Cornwall; Ainscough Gallery, Devon; Thackeray Gallery, London Private and Corporate Collections include: Lord Irvine of Lairg; Scottish Arts Council; Glasgow Caledonian University; Arthur Anderson; Scottish Nuclear PLC; University of Strathclyde...

In creating this work, I combined naive charm with elements of surrealism and pop art to evoke a mixture of whimsy and contemplation. Vibrant acrylic colors dance with comic exuberan...

Lazar Obican 1944-2004 Genre: Other Subject: People Medium: Oil Surface: Canvas Dimensions: 35" x 16.5 Dimensions w/Frame: 35.5" x 17.25 An impasto composition that depicts a colorful scarecrow clown with a bird perched on his shoulder with a bottle of French Vin (wine) Artist signature L OBICAN to bottom and dated 1968. Title to verso. Work Size: 36 x 25 in. Framed 37.5 x 26 x 1 in The artist Lazar Obican iconic style is child-like yet masterfully adult; a style that tells a story with sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. Lazar Obican artist, painter, sculpture and mosaic ceramic artisan was born in Cannes, France, to his Yugoslavian family. He finished his training, imbued with the spirit of his native country, the people, their legends, and their philosophy. It has been said that his work has a "timeless quality" and a naive, folk art, outsider art brut quality, child-like primitive style. Obican is identified with his style the world over, a style that is simple yet sophisticated; child-like yet masterfully adult; a style that tells a story with psychological, philosophical or sociological overtones. His funny little people are always colorful, full of spirit, living with music and birds to bring them happiness. Best known for his depictions of folklore and traditional costumes rendered in a playful, childlike style and for his happy Jewish wedding scenes. He often used bright colors and black outlines in his renderings of figures and animals, giving his work an illustration-like quality. Thematically, the artist’s work is similar to Marc Chagall and Jean Dubuffet for its dreamlike images and so-called naïve style of painting. Over the course of his career, the artist maintained a studio in Boca Raton, Florida and Dubrovnik, Croatia—part of former Yugoslavia— where he developed an interest in Eastern Europe’s Jewish culture. Many of his mature works depict Jewish traditions and ceremonies, including traditional Jewish weddings, the dancing of the Hora, and traditional music. There is a display of his works in his former Dubrovnik studio. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil...

Kerry Smith Ella Fitzgerald Sings Duke Ellington Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1636 *Black frame with a mirr...

The artists reflection on her childhood days. Early autumn and picking apples. Acrlic on canvas. Unframed 18" x 14" 2022

Mid Century carved marble flute player by Rodney Marshall Winfield (American, b. 1925). Presented in a rustic wooden frame. Unsigned. Image size: 14"H x 10"W. Framed: 20"H x 16"W. Wear to frame and age wear to marble. A painter in acrylic, designer in stain glass and silver, sculptor and long-time teacher, Rodney Winfield has had a diverse career. He was born in New York City. As a young man, he was artistically inclined and composed music, drew and painted, danced, wrote poetry and created sculpture. Choosing to focus on art, he enrolled in Cooper Union School in New York City. From 1953 to 1970, he was a stain-glass designer for Emil Frei...

Work on canvas without frame. The work is signed and dated but artist is unknown from the gallery.

Acrylic on paper Shipping from Belarus, Minsk.

From an exhibition created by the artist to celebrate the UK Miners strike from the 1980's These hard times for whole communities in the Welsh Valleys created a sense of togetherness...

Kerry Smith Aretha Franklin - Lady Soul Mixed Media on Crescent board Year: 2022 Size: 21x22in Framed Signed, dated by hand COA provided Ref.: 924802-1622 *Black frame with a mirror...

Ernani Silva, Brazilian - Women and Children, Medium: Acrylic, Collage and Enamel on board, signed in marker, Size: 11.25 x 22 in. (28.58 x 55.88 cm)

Well painted and interesting composition. Classic mid 19th century English Folk art Cottage Landscape. The piece is framed in its original frame and is a very nice piece of Engli...

JERUSALEM, Vielle du David, (City of David) Superlac (enamel) painting on paper, hand signed, titled and dated. Provenance: Michael Hittleman Gallery Los Angeles. Gabriel Cohen, (...

Ernani Silva, Brazilian - Dancing Figures, Medium: Acrylic, Enamel and Collage on board, signed in marker lower left, Size: 21 x 14.5 in. (53.34 x 36.83 cm)

Figurative Mixed Media Portrait Painting by Cuban Artist Hector Frank. Unique Painting with a certificate of authenticity. Despite international acclaim as one Cuba’s foremost livi...

Well painted and very unique oil on a card of an English town landscape with figures, soldier, monument, and a boy on his way to a school with a hoop and stick. Possible painted for...

Therese James's has painted a view of her family's ancestral home town in Devon UK. The boat in the painting is named after her Mother and Great Aunt Acrylic on canvas

Artist/Designer; Manufacturer: Justin McCarthy (American, 1891-1977) Marking(s); notes: no marking(s) apparent Materials: board/panel Dimensions (H, W, D): 24"h, 16"w Additional Info...

Genre: Modern Subject: Fiddler on the roof, Shtetl matchmaker Medium: Oil Surface: Board, size includes artist decorated frame Country: United States The imagery of Maurice Kish (18...

Artist/Designer; Manufacturer: Justin McCarthy (American, 1891-1977) Marking(s); notes: no marking(s) apparent Materials: board/panel Dimensions (H, W, D): 24"h, 16"w Additional Info...

An Adolescence young girl wearing a buuny head COMES ON STRETCHED CANVAS, UNFRAMED. About the Artist: Georgia Griffin is a self-taught artist working primarily in acrylic and oil. S...

Full moon and full of fun. A joyous frolic throuugh the snow at the height of the moon which glints off the snow with a scintillating light. You would be hard pressed to find more fu...

" Say Chocolate" 'part of a series of 'Calendar Ladies'. A departure from the works we generally associate with Therese. Great " Wall Candy" from this very talented Welsh artist. Pe...

From an exhibition created by the artist to celebrate the UK Miners strike from the 1980's These hard times for whole communities in the Welsh Valleys created a sense of togetherness...

Happy hens, happy life. An idyllic painting set high on the cliffs above the sea where hens peck, plants grow and the sun shines. Therese James is a very special talent bringing happ...

Seaside holidays are a folk memory for millions; whether it's memories of ice cream & candy floss, scary fairground rides or penny arcades. One of the mos...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Salt and Grain Sellers, Year: circa 1970, Medium: Oil on Canvas, signed lower right, Size: 30 x 24 in. (76.2 x 60.96 cm), Descripti...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Cactus Fruit Sellers, Year: circa 1970, Medium: Oil on Canvas, signed upper right, Size: 36 x 48 in. (91.44 x 121.92 cm), Descripti...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Musicians in the Street, Year: circa 1970, Medium: Oil on Canvas, Size: 36 x 48 in. (91.44 x 121.92 cm), Description: An oil paint...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Sellers at the Market, Year: circa 1970, Medium: Oil on Canvas, signed lower right, Size: 36 x 40 in. (91.44 x 101.6 cm), Descripti...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Fruit Sellers in the Market, Year: circa 1970, Medium: Oil on Canvas, signed lower left, Size: 36 x 48 in. (91.44 x 121.92 cm), Des...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Street Scene 2, Year: circa 1970, Medium: Oil on Canvas, signed lower left, Size: 30 x 24 in. (76.2 x 60.96 cm), Description: An o...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Rest by the Wayside, Year: circa 1970, Medium: Oil on Canvas, Size: 30 x 24 in. (76.2 x 60.96 cm), Description: "Rest by the Waysi...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Food Sellers in the Market, Year: circa 1970, Medium: Oil on Canvas, signed lower right, Size: 36 x 48 in. (91.44 x 121.92 cm), Des...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Music Festival, Year: circa 1970, Medium: Oil on Canvas, Size: 36 x 48 in. (91.44 x 121.92 cm), Description: An oil painting of a ...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Pottery Sellers, Year: circa 1970, Medium: Oil on Canvas, signed lower right, Size: 36 x 40 in. (91.44 x 101.6 cm), Description: An oil painting of...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Preparing Food, Year: circa 1970, Medium: Oil on Canvas, signed lower left, Size: 36 x 48 in. (91.44 x 121.92 cm), Description: An...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Salt and Grain Sellers, Year: circa 1970, Medium: Oil on Canvas, signed lower right, Size: 36 x 40 in. (91.44 x 101.6 cm), Descript...

Genre: Latin American Subject: Children Medium: Mixed Media Surface: Paper Country: Mexico Dimensions include Frame: 36X26 The sweetness that characterizes the work of Mexican pai...

Ducking and Diving. More joyful art from Welsh artist Therese James Just enjoy the happiness and simplicity and wish that you were there Deep Box Canvas

This painting is inspires by the painting of chaim soutine pastry chefs.

Catriona Millar (Scottish, b. 1956) Veva’s Guest Oil on canvas Signed with initials (lower left) 19.5/8 x 15.5/8 in. (50 x 39.7 cm.) Catriona Millar (born 1956) is a Scottish figurative painter born in Milngavie, Glasgow. She studied at Grays School of Art, Aberdeen, where her tutors included Joyce Cairns RSA and Keith Grant...

Manhattan-born Mildred Barrett is a woman to whom painting is capturing the mood of the subject with an exceptional use of color. Barrett's training includes the Art Students League...

Ernani Silva, Brazilian - Ceremony under Moon, Year: 1993, Medium: Acrylic and Enamel on board, signed and dated in marker lower left, Size: 21 x 22 in. (53.34 x 55.88 cm)

This mid 19th Century, 25" x 30", oil on canvas, Folk Art hunting scene was painted in 1852, and signed and dated by an illegible artist. It is framed in a reproduction wood frame.

This is an oil painting on jute canvas mounted on a cradled wood board. It is signed and dated by the artist on reverse. The texture is rough yet dense with a strong balance of light...

Oil and gold leaf on arches paper with a crackled varnish finish. Matted 18" x 14" Image 14" x 10" Signed and dated upper right