Angel Figurative Paintings

'The Lament of Icarus' Continental School, late 20th century, signed after the original painting by Herbert James Draper oil on canvas, unframed canvas : 36 x 24 inches provenance: ...

Winged Angels European artist, late 20th century (possibly a copy after an earlier painting) oil on canvas, unframed canvas : 24 x 36 inches provenance: private collection, Wiltshire...

"Estrada-Duran combines realism and surrealism in his work, the artists paintings are often monochromatic pencil drawings with overlays of gold paint that depict goddess-like women ...

Girl with Flowers C 1970 Watercolour and mixed media on Paper Image Size: 35.5 x 24.5 cm Frame Size: 51.5 x 41 cm Full description to follow

This powerful and graphically composed image of a black man with white angel wings was painted in a realist style by African American artist ...

Gaspare Diziani (Belluno, Italy, 1689 – Venice, Italy, 1767) Title: Cupids at play Medium: Oil on canvas Dimensions: without frame 85 x 175 cm – with frame Publications: La Pittura...

Coronation of the Virgin, 19th-century copy after Fra Angelico Oil on canvas, 43 × 60 cm 19th-century copy inspired by the fresco painted by Fra Angelico around 1440 for the Dominic...

Sfinx Oil and Pencil on Panel Swan Angel Teddy Bear Mixed Media In Stock Michael Parkes (1944) studied graphic art and painting at the University of Ka...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2006 Title: My Angel...

Angels on the wall - Ciro Morrone Italia 2013 - Oil on canvas cm. 40x60 this painting is a reinterpretation of the work 'The New Angel' by New Mexico watercolourist Steve Hanks...

George Henry Hall (1825-1913). Cupids, 1875. Oil on canvas, 6 x 9.25 inches; 10 x 13.25 inches framed. Original frame with label verso. Excellent condition with no damage or restoration. Signed and dated lower right. Price on request Biography: Birth place: Manchester, NH Addresses: Primarily in NYC from 1852 Profession: Still-life, genre, portrait painter Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889 Member: ANA, 1853; NA, 1868; Century Assn. Work: MMA; BM; BMFA Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...

Kristen Santucci's "Silence" is an original, handmade oil painting that depicts a partial portrait of a blond female with a white wing. Kristen grew up in Greenbelt, Maryland. She was always creative as a child and had an interest in art, but it wasn’t until she moved to Florida in 1988 and worked as a picture framer that she started painting. Florida’s sunsets...

In this artwork, I've poured my heart into capturing the essence of serenity and divine grace. Through soft brushstrokes and a tranquil palette, the angel embodies a celestial presence, her gaze offering comfort and the apple in her hands symbolizing the gift of life and knowledge. The flowing robes and gentle clouds convey a sense of peace, inviting the viewer to pause and reflect. It's a piece that carries a comforting energy, ready to instill a sense of calm and contemplation in any home. Author's giclee of the original oil painting by Elena Lukina "An Angel...

ABOUT THE ARTWORK "Secret Garden Story" unfolds a narrative of quiet contemplation and unity with nature. Two ethereal beings, mirrored in posture and poi...

"Native Americans" is a large-format oil on canvas by contemporary Lithuanian painter Gabija Pritkovaite. In her paintings, young artist is questioning our state of being in today‘s ...

A later copy of William-Adolphe Bouguereau 1890's classical painting L'Amour et Psyche, enfants. Unsigned. Presented in an elegant antique gilt slip. H...

Dana Hawk (NY, US based) "Undying Resolve in a Sure Loss" is an original, handmade oil painting that depicts a female model with red hair surrounded by birds. The piece is framed and...

"Always the Fool" is a 51.5in x 61.5in original oil painting by Katherine Fraser in a handmade wood frame. "Life often strikes me as a string of moments, lik...

In the soft embrace of oil pastels, I've lovingly woven a tapestry of pure innocence and wonder. My brushstrokes carry the gentle weight of dreams, as this young muse, with fairy win...

Ethereal figure reclining in starlight sky

GIOTTO ANGEL WITH CIRCLES AND STAR is a new oil on wood surrealist painting by Brooklyn, New York artist Tony Geiger. It measures 20x24" and is a unique ar...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

Image dimensions: 20 x 28 cm. The Christmas is an original artwork realized by Esy Beluzzi in 1958. Original tempera on paper. Hand-signed and dated in pencil on the lower right margin: Esy 58. On the lower right corner "Julie Laure" is written in capital letters in pencil. Mint conditions. Beautiful work representing an angel dressed with a pink long dress and two long wings in the center of a scene theatre. On the left side, a tree without leaves but full of stars. All the composition is enriched with golden stars and the frame is characterized by dark blue curtains...

Oliver Hazard’s paintings are produced directly from his imagination and deals with a mixture of imagery he has witnessed in his travels, dreams, and read about in literature. The ar...

Meeting of the Minds Oil Painting on Panel People Female Figures In Stock ​Heather Nevay was born in Glasgow, Scotland on 13th January 1965. She studied at Glasgow School of Art a...

Tobias Harrison is a British figurative painter born in 1950 who lives & works in Menton, France.

A fine Königliche Porzellan-Manufaktur plaque of a young nude woman beside a carved marble fire pit. She plays with a flock of white and grey pigeons as smoke from the fire billows a...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exhibitions, publications, and media. G...

Giclee on canvas. Hand signed on front by the artist. Non editioned print. Canvas size 30 x 25 inches. Custom framed as pictured. Artwork is in excellent condition. Certificate ...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

Oil on canvas

Born in 1961, Alexej Ravski exhibits in France, Germany, Belgium, The Netherlands, the United States, Belarus and his native Russia. Alexej’s painting i...

Carmelo Niño Celebrando a Kiefer I, 2021 Acrylic on canvas 200 x 126 cm 78.7 x 49.6 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...

ANGEL 2004 Oil on Canvas 43" x 55" "An Angel brings a message of hope, of a greater power of good over despair and loss." -David Gamble BIOGRAPHY: David Gamble is a multidisciplin...