Dog Figurative Paintings

"This Dream Again" is a series created by contemporary artist Misha Gudwin for the group exhibition "Floral & Machine" at St. Paulus Church in Basel in 2023. The drawing conveys a fantasy-like, surrealistic reality, similar to a dreamlike experience. The images are exaggeratedly cute on the one hand and eerie on the other. It is as if we are peering into this otherworld through a shaped canvas frame, memorizing, with its shape, a map of the starry sky or binoculars. The plot and characters refer to various creepy content from the web, somebody like animatronics - mechanical growth dolls or Furby toys. In conveying an absurdist world in this series, the artist was inspired by the visual internet subculture of Wiredcor. Creating such a magical world is an escapist attempt to escape from aggressive reality, an attempt to escape from it into a dreamlike world. - Misha Gudwin is a contemporary artist, born in 1995. His artistic practice is focused on studying the inextricable relationship between material and virtual (digital) objects. He explores the interactions of street and digital environment using found object, reflecting the industrial image of post-Soviet cities. The artist says: "I propose to document our modernity, where the digital is no longer something new, and the human environment has long been combining signs of both material and digital space." Misha's recent solo exhibitions include: 2022 - "Liminal" / Voskhod gallery / Basel 2022 - "The night of Capricorn" / Vyksa Artist-in-Residence / Vyksa 2021 - "Lilac Light...

Pintura

Josh Brown has had a lifetime interest in creating art, most notably through his depiction of animals. He swiftly captures the mood of his subjects and brings the personality of each...

Medium: Oil Painting Signature: Signed Lower Left Hide Rack

Oil on canvas Keti Shapatava is a Georgian artist born in 1995 who lives and works in Tbilisi, Georgia. She was introduced to the world of art at Anastasia Virseladze Art Gymnasium ...

Oil on board

Acrylic on canvas Carlos Sablòn Perez is a Cuban artist born in 1981 who lives & works in Châlons-en-Champagne, France. His talent is quickly recognized in the four corners of the C...

Oil on linen Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edward Hopper, she creat...

Mabel Rollins Harris was among other things an illustrator who specialized Children's art. Looking at her work today her pictures take on an almost surreal quality. She posed ...

This item is located in our New York City warehouse and can be viewed by appointment. A self-taught artist, Dermot Seymour was born in Belfast in 1956. Like many of his contempora...

Oil on panel Panel size: 11.75 x 18 inches Signed lower right

In highly developed nations today there is a widespread alienation and loneliness that engenders fear and distrust, a restrictive self-righteousness of thought, and a dread of what-c...

Date: 1938 Medium: Oil on Canvas Dimensions: 22.00" x 24.00" Signature: Signed Lower Left Calendar painting, image of young ice skater with his dog. Exhibited: The Triumph o...

Medium: Oil on Canvas Signature: Signed Lower Left Image of young boy kissing girl through a hole in a fence.

Date: 2000 Medium: Acrylic on Plywood Dimensions: 26.50" x 17.50" Signature: Signed and Dated Lower Right

Medium: Oil on Canvas on Board Signature: Signed Lower Left Elks Magazine Cover, November 1927 Provenance: From the Estate of Charles Martignette

This work is accompanied by a certificate of authenticity from Noe Willer dated July 16, 2002 Louis Robert Carrier-Belleuse French, 1848-1913 Soldat, Elegante et son Chien dans un Pa...

'A Gallant Salute' is an extremely impressive work by Samual Edmond Waller, signed and dated 1894. Figurative 19th Century painting of three great noble royalty members dressed in p...

Signed by Artist Lower Right Maxwell House Coffee Illustration Few artists have ever pulled on our nation's heartstrings, particularly in reference to family and generations, as adeptly as Norman Rockwell. From his earliest advertisements to his patriotic World War II subjects, Rockwell's virtuoso was in his ability to capture the essence of American culture and a view of a more innocent time in our country's history. Rockwell states: "I was showing the America I knew and observed to others who might not have noticed. And perhaps, therefore, this is one function of the illustrator. He can show what has become so familiar that it is no longer noticed. The illustrator thus becomes a chronicler of his time." (as quoted in Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, p. xii) Recognizing the need for reminiscence from young and old alike, Rockwell effectively captures a timeless scene: Here, two old friends gingerly and jovially play a game of chess, sipping coffee as they wait for their furry friend to make the next move. The work is executed in Rockwell's signature descriptive style of finely drawn, clear realism with a wealth of fascinating detail. In discussing his career, Rockwell commented, "I was showing the America I knew and observed to others who might not have noticed. And perhaps, therefore, this is one function of the illustrator. He can show what has become so familiar that it is no longer noticed. The illustrator thus becomes a chronicler of his time." (as quoted in Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, p. xii) Rockwell seemingly utilizes one of his favorite models in the present work-James K. Van Brunt. The artist recalled his initial meeting with Van Brunt in 1924 in New Rochelle, New York: "I remember it was June and it was terribly hot. I was working in my underwear and not getting along too well because my brushes were slippery with perspiration. Suddenly the downstairs door banged and I heard someone come up the stairs treading on each step with a loud, deliberate thump...A tiny old man with a knobby nose, an immense, drooping mustache, and round, heavy-lidded eyes stamped bellicosely into the studio. 'James K. Van Brunt, sir,' he said, saluting me and bowing all at once. 'Five feet two inches tall, sir. The exact height of Napoleon Bonaparte!' And he pushed out his thin little chest, which was encased in a fawn colored vest. 'I have fought the Confederate Army at Antietam, Fredericksburg, and in the Wilderness,' he said. 'I have battled the nations of the Sioux under Dull Knife, Crazy Horse and Sitting Bull. I have fought the Spaniards, sir, in Cuba.' And he rapped his cane on the floor and looked at me very belligerently. Then, having ascertained that I wasn't going to contradict him, he took off his gloves and his wide brimmed hat, laid them on a chair, and patted his mustache. 'This mustache, sir,' he said, 'is eight full inches wide from tip to tip. The ladies, sir, make much of it.' And he winked at me and walked over to my mirror to stare at his mustache." (My Adventures as an Illustrator, New York, 1994, p. 206) Van Brunt was a consummate professional as a model, carefully practicing his poses in the mirror in advance of a session and, at times, inspiring the idea for the cover illustration. Rockwell stated that he used to suggest a cover almost every time they saw one another and referred to the day when Van Brunt first showed up at his studio as "one of the luckiest days of my life." (My Adventures as an Illustrator, p. 206) James K. Van Brunt appeared in ten Post covers by Rockwell, as well as countless other paintings used as advertisements, such as the present work. Given Van Brunt's distinctive visage with his mustache, the editor at the Post, George Horace Lorimer, complained. "Rockwell recalled, 'Mr. Lorimer said to me, 'I think you're using that man too much. Everybody's beginning to notice it. Maybe you'd better stop for a while. That mustache of his is too identifiable.' Rockwell informed Van Brunt of the problem, 'If you take off your mustache I can use you again...Otherwise I just can't.' Two weeks later Van...

Oil, xerox transfer, and blue and gold leaf on wood panel Pet portrait, golden retriever, dog painting, miniature oil painting Framing available Certifi...

“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works explore his version of a lost paradise, an...

This work is a playful rendering of a placid homestead scene. The warm and reserved color palette encourages a laid-back atmosphere, which also serves to complement the aloofness o...

Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of th...

Micao Kono was born in Japan, moving to work in Paris in the 1920's. His style, a mixture of Japanese watercolor and figurative Art Deco. He often mixed egg tempera into his oils to ...