Hat Figurative Paintings

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

Gerard ter Borch The Cards Game Oil on canvas 14 x 15.5 inches unframed 19 3/4 x 21 1/2 inches framed Gerard ter Borch (Dutch; December 1617 – 8 December 1681), also known as Gerard Terburg, was an influential and pioneering Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

This painting is a finalist of the international art contest organised by Artbox project and was exhibited as finalists in Basel International airport during Art Basel week in 2024. ...

Self Portrait of the Artist by Jacob Markiel (Polish 1911-2008) *See notes below dated 1985 signed oil on board, unframed board: 18 x 15 inches provenanc...

Portrait of a Chic Lady French School, 20th century oil on canvas, unframed Canvas : 21.75 x 18 inches Inscribed verso Provenance: private collection, France Condition: very good con...

Joan Gillchrest (British, 1918 – 2008) Titus and Moet Oil on board Signed with initials ‘JG’ (lower left) 32 x 44.1/4 in. (81.5 x 112.5 cm.)

Gorgeous European figurative of a simpler time. Horses being watered in the plains by Janos Viski (Hungarian/American 1891-1965), circa 1940. Signed lower ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

Domingo Alvarez (Spain 1942) - sailor fisherman in his boat - oil on canvas Canvas size 46x61 cm. Unframed.

Beautiful portrait of a nude young woman by Patricia Emrich Gillfillan (American, 1924-2016). Carmel, California area artist. From a collection of her works. Unsigned. Unframed. Imag...

"Steady Hand" (2024) by Sheri Farabaugh (United States Based) is a beautiful handmade still life oil painting that depicts a father helping his son across river stones. Sheri Farab...

Figurative 1930's illustration of a just married couple in a classic car by Charles Kinghan (American, 1895-1984). Signed "Kinghan" in the lower left c...

Americo Makk is an internationally acclaimed master painter and portrait artist of two United States Presidents. Over the past five decades, the importance of Americo Makk’s work has been recognized with numerous awards and honors, including American Ecclesiastic Award, European Banner of the Arts, Oscar d’Italia, Alfred Nobel Medal for Peace (Einstein International Academy Foundation) and Outstanding Achievement Award for Western Paintings (American Biographical Institute). Paintings by Americo Makk - powerful scenes of city life, character studies, historical and western paintings - have been the focus of numerous major public exhibitions, including Carnegie International Center (NY), U.S. Senate Rotunda (Washington, D.C.), Monaco Intercontinental Exhibition (Paris), St. Stephen Museum (Hungary), and many other museums and galleries in the United States, Canada, Europe, South America, and Japan. Regarded as one of the world’s most respected portrait artists, Americo Makk was selected to paint portraits for the U.S. White House of President Ronald Reagan in 1984 and President Jimmy Carter in 1979. He has also painted a portrait of Cardinal Mindszenty for the Vatican and many celebrities including Eva Gabor, Barbara Carrera and Ray Price. Americo Makk’s wife, Eva, and their son, A.B., are also accomplished painters whose works are exhibited and collected internationally, giving rise to the Makks’ reputation as “the first family of the art world”. Americo Makk has been called a “modern-day Michelangelo”. Working together with Eva Makk...

"Uncanny brilliance is deployed as we run through art history’s highlight reel via the work of Ta Byrne. With the recurrent motif of an egg and Edward Burra-like layered body composi...

Emile Chepfer, 1876-1944, French Napoléon and his Marshals, Signed lower left Oil on board Emile CHEPFER: french painter, he was born in Nancy in 1876...

'Le Reliquaire', Catholic, London, Royal Academy, RWS, Philadelphia Centennial. English Realist. Signed lower left, 'Walter Goodall' (English, 1830-18...

The painting "On The Edge' is a glorious combination of figuration and landscape with a family or a group of friends sitting on the very edge of the Grand Canyon. American Realist Willard Dixon who has spent a lifetime capturing the West with its grand and humble spirit. The exceptional work comes framed with a natural and contemporary hard wood framing. 'Evening Beach' is 40 x 60 inches. The work is featured in the artists's newest book, Evening Light. Signed and dated by the artist. A beautiful work of art that celebrates early evening ocean calm and light - the artist's favorite. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art, and the Oakland Museum of California. 'On The Edge' is 40 x 60 inches. Oil on canvas. It is traditionally framed in thin, minimal natural oak with an outer dimension of 40.5 x 60.5 inches. Artist signed and dated. Condition is excellent / as new. Painted in late 1992. From Andra Norris Gallery in California. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

William Edward Millner was born in 1849 in Lincolnshire, and was a Victorian painter of landscapes and rustic genre. He worked his entire life ...

"After painting for over 30 years, I am still fascinated by the alchemy & expression of paint. Primarily I am a studio painter working in oil on canvas. Oil paint is a very elastic m...

Herbert Gustave Schmalz Anyone for Croquet, circa 1898 Signed lower right Oil on canvas 47 5/8 x 31 3/4 inches Provenance Anthony Mitchell, Nottingham Burlington Gallery Ltd., Londo...

Breton Fishermen by Fanch Lel (French b. 1930) size: 9.25 x 9.5 inches gouache painting on board, unframed condition: the painting is in very good condition. It has previously been ...

Painted with four hands. Josep Padró Gonzalez (1904-1982) and Pedro Serra Farnés (1890-1974). Oil measurements 47x62 cm. Frame measurements 70x85 cm.

The Knight is an original painting realized by Pietro della Vecchia during the XVII century. Oil on board. Original title: Ritratto di giovane cavaliere con cappello piumato. Includ...

Well painted late 19th century watercolor of the Duc De Chartres and Louis Philippe with their horses out Fox hunting. The piece is a fine quality watercolor, well framed in an Eng...

On offer is a timeless expression of social realism, in the style of the late American artist Ben Shahn. You sense the couple has shared a lifetime. Still standing close together, th...

PROVENANCE: The Gallery of Katarzyna Napiorkowska is one of the first commercial art galleries in Poland. For over 30 years, the gallery has been presenting contemporary paintings, g...

George Turner British, (1843-1910) Crossing the Ford Oil on canvas, signed, further signed & inscribed verso Image size: 15.5 inches x 25.5 inches Size including frame: 21.5 inches...

An Art Deco painting of a Fashionable Lady by contemporary artist Erik Freyman. Watercolor with pastel on paper, signed in pencil Size: 15 x 12 in. (38.1 x 30.48 cm)

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper inscribed verso stamped to the reverse Image : 19.5 x 25.5 inches Superbly decorative 196...

keywords; surrealism, humour, uncanny, animals, rabbit, terra cota, fire red, earth tones, indian red, oil painting, figurative painting, strangeness, contemporary surrealistic, un...

The painting "Onigele Yii" depicts a striking black African woman wearing a vibrant Ankara head tie, known as gele, in the Yoruba language. Rendered with oil on canvas, the artwork c...

Circle of Fred MORGAN (1847-1927) c1890 A sensitively painted portrait, possibly a study for a larger work, of a young country girl. Indistinctly signed ** Morgan, possibly Fred. Unfortunately Fred signed in a number of different ways depending on the grandeur of his work. However, a consistent element was the colour, a reddish brown similar to the colour of the signature on this painting. I can offer no provenance with this painting, so I am selling at as circle of Morgan rather than actually by him. “Frederick Morgan ROI was an English painter of portraits, animals, domestic and country scenes. He became known for his idyllic genre scenes of childhood. Morgan was born in London to John Morgan and his wife, Henrietta Hester Clare. His father was a successful genre artist sometimes known as 'Jury Morgan' (after one of his paintings The Gentlemen of the Jury). At the age of 14, he was taken out of school by his father who then tutored him in art. At the age of 16, while still studying with his father, his first picture, The Rehearsal, was exhibited at the Royal Academy, and, after a hiatus of several years, his paintings were shown there regularly. For a while he worked as a portrait artist for an Aylesbury photographer; this training proved to be crucial as it "taught him how to observe closely and to give the greatest attention to detail." Eventually he turned to other subjects for his art, in particular idyllic genre scenes of country life and childhood. For many years, starting in 1874, Thomas Agnew & Sons' purchased all the work he produced. Although an excellent portrait artist, Morgan had problems in depicting pets and barnyard animals - he enlisted the aid of either Arthur John Elsley...

This warm portrait looks like it could have been painted by Corot. Francis Luis Mora paints in that tradition. It's a small painting that invites the viewer to look closer. The art...

Henry Stacy Marks, English ( 1829 - 1898) was a leading London painter of life and historical scenes. He was a member of Royal Academy and St Johns wood clique. The painting measure...

Paris Boulevard. 20th century, canvas, oil, 60x90 cm Work exhibited and published: Zwolle, Museum de Fundatie, "Van Gogh to Cremer - Dutch artists in...

keywords; surrealism, pitbull, humour, uncanny, animals, purple, earth tones, oil painting, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figu...

This is a universal problem that needs to be addressed, firstly in law 70% of woman has no right, and moreover, in the past and in some culture, your parent choose who you ought to m...

Plough Horses Watering Circle of Samuel Joseph Clark (1841 - 1928) British oil painting on canvas, framed framed: 27.5 x 35 inches canvas: 21 x 28 inches provenance: private collecti...

This Piece was inspired by the story of the Bride of a King. She was so loved by the King because of her great beauty, but the people of the Land loved her so much, not just for her ...

This artwork titled "Porte Saint Denis, Paris" c.1935 in an oil painting on canvas by noted French artist Francois Gerome, born 1895 (The year of his death...

Artist: Varvarov Anatoly Viktorovich Title: Beyond Childhood Sise: 41.5x55 inches, (105x140 cm) Medium: Oil on Canvas Hand painted, original, one of a kind, He swims in the still blue water, his joy knows no bounds. The sun shines down on him and he is filled with the light of childhood. His wrinkles are gone, his hair is gone, but he is still young...

A charming scene of a man leading his horse down a country lane near a red barn in Volcano, CA by listed artist Frederick Colbus (American, 1917-1986). Signed and dated "F. Colbus, 1978" lower right. On verso titled "Days End" (Volcano, CA), signed F. Colbus, and dated July 30, 1978. Presented in a wood frame with linen liner. Image size: 12"H x 24"L Frederick Colbus was born in Daly City...

The Bar Interior French School, circa 1960's indistinctly signed oil on board, framed framed: 18 x 22 inches board: 12 x 16 inches provenance: private collection, France condition: v...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2012 Style: Impressionism Subject: Waiting, Size: 18" x 14" x 0.8'' ...

A splendid impressionist harbor scene with boats and figures by well-known Dutch / American artist Anthony Thieme (1888-1954). Thieme was born in Rotterda...

"Bimbo" by Aba Linus is an exquisite portrayal of timeless elegance and grace. The centerpiece of this enchanting artwork is a young woman, adorned with a stylish hat perched atop he...

A wonderful 19th century interpretation of a David Teniers tavern scene. Men sit around smoking and playing cards in the dimly lit room as some warm themselves by the fire. Unsigned....

The Flower Seller, a late 19th century figurative oil painting of a barefoot female figure in period dress standing outside of a doorway selling nos...

This superb Dutch Old Master Golden Age oil painting is attributed to Pieter Bodding van Laer. Painted circa 1635 the composition is a group of travellers who have stopped to rest. I...

A wonderful three quarter portrait of a boy in a straw hat peeling a piece of fruit, probably an orange, by Italian artist Eugene Von Blaas (1843-1942). Von Blaas was born to Austria...

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

"The Fisherman Fight" is a realist oil on linen painting. It depicts five figures heaving a rope towards the right end of the painting. A sixth man, the left-most figure, has lost his grip and fallen into the water, onto a rock in the waves, as the men behind him braces to pick up the slack, their muscles strained against the weight. The man behind him, centered in the painting an wearing a yellow...

Original oil on canvas of a beautiful girl wearing a summer hat seated at a table overlooking the water. Signed lower right. Condition is excellent. Done in a post impressionist st...

We should never forget our foreign religion was forced on our ancestors during slavery and the hatred for their beauty from hair to body. And till today how we continue to embrace th...

The work Fishing is an intimate evocation of the tranquility and calmness offered by the sea. It captures a moment of peace and contemplation in which a fisherman, abstracted from h...

We are please to announce that we are now exclusively representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been excited about the ...

Mitzy Renooy Together again Ø 80ccm Frame included in price, size with frame: 90 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art academy...

A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. A Great Battlefield oil on linen 60h x 35w in 152.40h x 88.90w cm WIL029 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

"Uncle Josh" by Akinboye Akinola Peter stands as a poignant testament to the artistry of portraiture and the depth it can achieve in capturing the essence of an individual. The title...