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Michael PembertonHuman Frequency 6 - Contemporary Artwork, Oil on Canvas2021
2021
About the Item
Michael Pemberton (b. 1974, England) is an emotive abstract painter, focussing on the energy and form of the human subject. Michael was educated at Chelsea School of Fine Art in London and later studied at Slade School of Fine Art, University College London and The Ruskin School of Art, University of Oxford.
In 'Human frequency 6', we again see the use of the totem like shape of the figure. Whereas in Human Frequency 2, there is black, red and cream blocks of colour, here we have an achromatic space. This becomes less about temporal qualities of the division of space, and more about a neutral palette for comparison. Grey has the ability to absorb colour in the phenomenon called Successive Contrast. Whether this is a purely visual play, or a reference to the 'grey area' in ethical discourse is unclear but its neutral position hones the focus for contemplation.
- Creator:
- Creation Year:2021
- Dimensions:Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2039215969132
Michael Pemberton
Michael Pemberton is a painter based in Venice, California. He was educated at Chelsea School of Fine Art in London and later studied at Slade School of Fine Art, University College London and The Ruskin School of Art, University of Oxford. In 2006, Pemberton presented “The Toxic Series,” his first solo exhibition in Mayfair, London, at The Music Room Gallery. Several years of commissions from the London studio took him deeper into this way of working. In 2010, a relocation to New York shifted explorations into a new abstract language. After some time between New York, London and Los Angeles, the studio permanently moved to Los Angeles in 2015. An investigation into the thirst for journey in our lives and the impermanence of the destinations, resulted in a series of large-scale paintings; Uninhabitable Land. These works were first shown in a solo exhibition in Los Angeles at Husar Fine Arts in 2015. Following in 2016, a series of large-scale abstract paintings and paper works, Forms of Ambiguity shown at three LA galleries all operated by Husar Fine Art in 2016 and 2017.
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