Interior Paintings

French School, late 19th century circle of Vincent van Gogh oil on canvas, framed framed: 12.5 x 15 inches canvas: 7.75 x 10 inches provenance: private collection, London condition: ...

Ceremonial Portrait of Noble German Lady - amazing discovery of hidden monogram "J.E. 1826" disclosing Great American portraitist Jacob Eichholtz (17...

Bedouin girl posing for the painter in late sunlight (sunset). Was painted by Cavaliero Antonio Scognamiglio ca. 1870-1880, most likely in Cairo as similar work of smaller size was i...

'A Game of Cards' George Goodwin Kilburne (1839-1924) British watercolor on board, framed framed: 10 x 11 inches board: 9.5 x 10.5 inches Provenance: private collection, England Cond...

Signed. Oil on Panel. Signature lower right. It is framed in the original antique gold leaf frame. HENRIETTE RONNER-KNIP Amsterdam 1821 - 1909 Brussels Henriette Ronner-Knip is ...

Jacques Martin-Ferrières was born on August 6, 1893 in Saint-Paul, France. He studied under the French academic painter Frederic Cormon (1845-1924) and with his father, the notable F...

Alexis Pierre MILON (Rouen, 1784 - After 1858) View of one of the aisles of the apse of Saint-Germain-des-Prés Oil on canvas Signed and dated lower left 50.5 x 34.5 cm 1838 Exhibi...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 CONVERSANDO signed "Cortellini" (lower right) oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

Work on canvas Molded frame in plaster and gilded wood 59 x 49.5 x 5 cm

Antique impressionist nude interior portrait painting. Oil on canvas, circa 1950. Housed in a vintage frame. Image size, 14L x 20H.

Beautiful painting depicting a gallantry scene, an officer and a young lady sitting on a pool table inside a Tavern. Signed lower right Rigot and dated 1874. Austrian or German Sc...

Charming example of nineteenth-century genre painting depicting a young girl, her doll, and sewing.

A wonderful depiction of a dapper Parisian dandy, dating from 1848. I love his air of decadence! It is a work by F de Korff, a mysterious French aristocratic portrait artist who had ...

French school of the first half of the 19th century Oil on canvas 45.5 x 60 cm (59.5 x 74 cm with frame) Beautiful 19th century carved and gilded wooden frame Good condition (a few r...

Benjamin VAUTIER (Attributed to) Morges (Switzerland), 1829 – Dusseldörf, 1898 Oil on canvas 43 x 37 cm (58 x 52 cm with the frame) Beautiful 19th century frame in carved and gilded ...

This work by Frederick E. Wright is set in an exceptional original Doll & Richards, Boston, frame. The framed dimensions are 16' x 13 1/3" x 1". A hand-written label verso (likely th...

'A Game of Cards' George Goodwin Kilburne (1839-1924) British signed watercolor on board, framed framed: 10 x 11 inches board: 9.5 x 10.5 inches Provenance: private collection, Engla...

Hound dog stood in a stable 19th Century Primitive By Rambler and initialled RM oil on board, antique oak frame framed size: 10 x 12 inches conditi...

View over the French Riviera French Post Impressionist painter, circa 1950’s oil painting on canvas, unframed painting: 13.5 x 9.5 inches provenance: private collection, France con...

This painting by Henri Brispot stands out amongst many pieces that he ever painted. It was sold in New York for $20 000 and is a wonderful example of his satirical nature shown throu...

Signed lower right - Jacques - Joseph Lécurieux (Jacques - Joseph Lecurieux, 1801-1867). "Rituel du Serpent. Bou Saada" ("Snake Ritual. Bou Saada") - highly informative and masterly painted picture of Algerian street scene by acknowledged and talented 19th century french artist. His genre scenes, his landscapes and his still lifes are particularly remarkable, as well as his engravings. His life nonetheless remains mysterious, but until now his work continues to be studied and appreciated by art enthusiasts around the world. Antique oil painting on wood panel...

French oil on panel still life of sunflowers in a typical provencal glazed vase by Deldos. The work is signed and dated bottom right and presented in a wood, plaster and gilt frame. ...

A Meal Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Attributed to Charles Van Den Eycken Medium: Oil on panel Dimens...

Approximate Date: 1957 Medium: Oil and Pencil on Board Signature: Signed Lower Left Sight Size 23.50" x 20.75", Framed 29.50" x 26.50" Original cover illustration for The Saturday E...

Drummers were often thought of as young soldiers, joining the Army as young as 12 years old. The idea of young boys marching into battle was loved by the Victorians, and several roma...

Frank Cassell (British 19th century) signed oil painting on canvas, framed framed: 18.5 x 22 inches canvas: 12 x 16 inches provenance: private collection, England condition: overall...

Signed bottom right: Jozef Israëls (1824 – 1911). Painting was certified by Pierre Noelmans of Reveil Galerie in Maastricht in early 1970s. Jozef Israëls, was best-known second hal...

19 century, pairs, oil on canvas, probably the most important pairs painted by Paredes.

Artist/ School: French School, late 19th century Title: Still life of a jug and plate within an interior, beautifully executed work. Medium: oil on board Size: 14 x 10.5 inches ...

Signed: Augusto Corelli (1853 - 1918). Superbly and professionally painted Italian landscape. A narrow path, an alley hanging over it with centuries-old oaks, a sea bay...

Antique American school dog portrait oil painting. Oil on board. Framed. Image size, 9L x 9H.

Alfred Provis British, (1818-1890) By the Fireside Oil on canvas, signed & dated 1869 Image size: 10.5 inches x 15.5 inches Size including frame: 21.5 inches x 26.5 inches This charming cottage scene by Alfred Provis features a woman preparing supper by a fire with her young daughter. As the mother peels the turnips and places them in the pot, the girl’s attention is drawn to the kitten feeding from a saucer. The dress and hat of the woman bears a similarity to those found Provis’s other scenes of Welsh cottage interiors. The artist was known to have visited North Wales around the time this painting was produced. In 1869, he exhibited a work entitled ‘Interior of a Welsh Farmhouse’ at the Royal Society of British Artists. Given the level of detail in the painting and the fact that it is in such an impressive original frame, it is possible this is the same painting as the one exhibited. Alfred Provis was a genre painter born on 18 February, 1818 in Chippenham, Wiltshire. He was the son of John Provis, a timber merchant and his second wife Ann Banks. He spent time in London being tutored by the historical and portrait artist John Wood (1801-1870) before returning to Chippenham. He began exhibiting at the Royal Society of British Artists in 1843, continuing to exhibit there regularly until 1886. He made his debut at the Royal Academy in 1846 with a work entitled ‘A Cottage Door...

French expressionist artist, 1955 signed oil painting on canvas, framed dated 55' framed: 22 x 29 inches canvas: 15 x 22 inches provenance: private collection, France condition: ove...

Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century. She came from a family of creative people and took to painting at a...

Oil on panel Panel size: 7 x 5 inches Signed and date '1859' lower left

Trying on the Latest Dress French School, circa 1800 oil painting on canvas, unframed canvas: 19 x 24 inches the painting is in overall very good and sound condition provenance: priv...

Terriers Ratting in Barn Interior English School, 19th century oil painting on board, framed framed size: 9.5 x 11 inches condition: good condition, a few signs of age but basically ...

Charles Blauvelt The Doubtful Bill, 1868 Signed and dated lower left Oil on canvas 12 1/4 x 9 1/2 inches Provenance: Private Collection, Connecticut...

ROGELIO DE EGUSQUIZA Spanish, 1845 - 1915 A REVERIE DURING THE BALL signed and dated "Rogelio Egusquiza, 1879" (lower right) oil on canvas 21-3/4 X 3...

Signed lower right: Irving R. Wiles

Artist/ School: David Wilkie Wynfield, (British 1837-1887) Title: Elegant Ladies in a Drawing Room interior scene Medium: oil on panel, framed Framed: ...

Portrait of a Man in a Polka Dot Clown Suit - Oil on Canvas Portrait of a man in a white and red polka dot suit by a Joan Tidwell (American, 1930-2005...

A fine impressionist oil painting of the artist’s studio interior by American artist Charles Herbert Woodbury (1864-1940). Woodbury was born in Lynn, MA, and sold his first painting when he was fifteen years old and became the youngest member elected into the Boston Art...

A very characterful image of a farrier or blacksmith enjoying a drink in an interior. Alfred H Green (working 1844-1878) A farrier in an interior enjoying a drink Signed Oil on boar...

This mid-19th-century oil painting by German artist Heinrich Spiess (1832-1875) depicts a young lady reading a love letter. It’s an accomplished work by an artist with a profound admiration for the old masters. Once again, she’s returned to her jewellery box to unearth a treasured letter from an admirer. Every time surreptitiously tucking it away from prying eyes inside a lockable jewellery box. There’s a chill of excitement as she delicately holds his words with both hands. A shudder of emerging romance, a dream unfolding. She’s not wearing a wedding ring - but for how long? Whatever happened to love letters? Such a pleasing way of conveying one’s feelings. Heinrich Spiess was immersed in the illustrious world of the old masters from an early age. His father, August Fred Spiess (1806-1855), was a notable draughtsman and produced numerous engravings after eminent Renaissance luminaries. They worked together on various projects. As a child, the young Heinrich would’ve been surrounded by old master prints. Here, we see a subtle nod to the Dutch masters of the 17th century, such as Johannes Vermeer (1632-1675) and Gabriël Metsu...

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

Antique American realist flower still life oil painting. Oil on board, circa 1900. Unsigned. Image size, 10L x 14H. Housed in a period giltwood frame.

'Love lyrics,' a romantic Italian genre painting by Antonio Paoletti Italian, Late 19th Century Panel: height 40cm, width 50cm, depth 1cm Frame:...

An original oil on canvas painting measuring 17 x 8 inches by F.S. Muschamp, signed lower right. In the nineteenth century, the Neo-Classical movement bloomed, bringing forth a new style and interpretation of the past. F. Sydney Muschamp...

Ditlev Martens was a Danish artist who lived from 1795 to 1864, creating a series of impressive paintings that continue to captivate and inspire viewers today. One of his beautiful c...

Antique American school realist fruit still life oil painting. Oil on board. Unsigned. Framed. Image size, 16L x 16H.

Middle Eastern Indoor Scene, watercolor of a man and a reclining woman. Artist: Giuseppe Aureli (1858 - 1929) Origin: Italian Date: 19th Century Medium...

A gorgeous floral still life which marries the depth and the richness found in the work of the Flemish old masters with the elegance and light of French painting. As you will see, th...

Artist/ School: French School, late 19th century/early 20th century, signed by Barthelemy Title: Profusion of flowers in a deep blue vase. Medium: oi...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

Confrontation Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 28 x 21,50 cm, frame size 36 x 30 cm Biography: Van Den Eycken Charles (alias Charles Duchene) was born in Brussels in 1859. He was an animal painter, mainly dogs and cats and interiors. He was the son of Charles Van Den Eycken...

Richard Andres (American, 1927-2013) White & Yellow, c. 1953 oil on canvas signed lower right, signed and titled verso 30 x 20 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Wallpaper design by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 16 x 16 inches good condition provenance: from the artists estate, France ...