20th Century Interior Paintings

Hortense DURY-VASSELON (1860-1924) Still Life with Roses and China Jewel Box Oil on canvas signed and dated 1905 low left DIm canvas : 63 X 50 cm Di...

A rural interior scene by Austrian artist Edmund Adler. The scene is typical of Adler's paintings of Austrian culture and rural life. It is full of gemütlichkeit.

This artwork "Two Nuns Facing the Ocean" c.1950 is an oil painting on hardboard by Australian artist Joan Wilkie, 1903-? It is signed at the lower right co...

Artist/ School: French School, mid 20th century Title: Flowers in Bowl Medium: oil painting on board, framed Size: frame: 12 x 14 inches painting: 8 x 9.5 inc...

Della-Volpe loved painting the figure and he loved approaching the structure of color in his work. The Garden Table was done at the strong point of his career where he combined real...

Large scale mid-century floral still-life of black-eyed susan (Rudbeckia) by listed El Paso, Texas artist Lois Coleman Denton (American, 1897-1980). Signed "Lois Denton...

Original Painting Cathedral Interior New Yorker Cover Proposal 1939 Jesus Church Antonio Petruccelli (1907 – 1994) Cathedral New Yorker cover proposa...

Signed lower right, 'Bertalan' for Albert Bertalan (Hungarian, 1899-1956) and dated 1929. Displayed in a period, birds-eye maple frame; frame size: 26 x 30 inches An elegant, oil st...

Framed Judaica oil painting of architecture interior of synagogue in Tzfat, Safed, Israel: by Raphaël Pricert. Born in 1903, Raphael Pricert is a listed Russian born Impressionist pa...

"Concrete and Nonchalant" Abstract Painting 67" x 59" inch by Gosha Ostretsov Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in Moscow. PUBLIC COLLECTIONS: The State Tretyakov Gallery, St. Petersburg, Russia The State Russian Museum, St. Petersburg, Russia The Moscow Contemporary Art Museum, Moscow, Russia The Saatchi Collection, London, England The Arctic and Antarctic Museum, St. Petersburg, Russia The Freud Museum of Dreams, St. Petersburg, Russia SOLO EXHIBITIONS: 2017 I’ve been abducted hundreds of times! Palazzo Nani Bernardo. 2016 I've been abducted hundreds of times! Triangle gallery, Moscow 2014 Autotrans NG. Zarya art center. Vladivostok 2010 Heavy Patients, Rabouan Mousson Gallery 2009 Apocalypse, Marat Guelman Gallery, Moscow Art Moscow, Triumph Gallery Banality and Eternity', Triumph Gallery Gosha for Kids, Triumph Gallery The Adventures of Robin Hood, Paradise Row, London 2008 Dead Souls...

Work on wood with frame. Total size with frame is 46x61x5 cm Roberto Gherardi is an Italian-Geneva painter born in 1933 in Ascensione in northern It...

Beautiful 1940's French post impressionist oil on board by Simon Simon-Auguste. The work depicts a simple bedroom interior with shoes, candle and a single picture on the wall. Signed lower left and presented in a swept impressionist style frame. Provenance: Chilham Castle, Kent Artist: Simon Simon-Auguste (French, 1909-1987) Title: Bedroom Interior Medium: Oil on board Size: 25.5 x 30.5 inches (65 x 77 cm) including frame Simon Joseph Simon-Auguste (20 April 1909 – May 1987) was a French artist, known for his intimate paintings, mainly portraits, nudes and still lifes. His production is characterized by a calm, intimate feel, and the effective use of glaze. Born in Marseille, Simon-Auguste was the son of Antonin Auguste, a cabinetmaker specialized in restoring furniture in the chateaux of the Provence. Simon studied at the École communale of his neighborhood at rue Eydoux, in Marseille, where he excelled in design. In 1931 Simon-Auguste finished his studies at the École des Beaux-Arts and won the Stanislas-Torrents award. He was commissioned to execute the mural decorations of the town hall in Allauch. He began exhibiting in Marseille where doctors and lawyers purchased his paintings. In 1932 he invested into a 6-month stay in Paris where he frequented the Louvre Museum and became specially interested in the Camondo Collection. At the invitation of art dealer Adolphe Basler, he took part in the Moins de trente ans exhibition, at the Galerie de Sèvres, along with Jacques Despierre, André Hambourg, Louis Dideron, Léon Couturier...

Signed lower right: Irving R. Wiles

Antique large modern interior scene oil painting. Oil on canvas, circa 1920. Unsigned. Image size 35.5L x47.5H.

R.P. Overmyer (American, 1948-2010). An original oil painting (this might be acrylic) on canvas. A figural Pop Art work painted in an abstract whimsical style, featuring an interior scene of bloody murder, with corpse figure, bullet riddled wall and chair, picture frame with photograph, and additional forms. Artist signature to bottom R.P. OVERMYER. The artist was a syndicated cartoonist and creator of the popular strip, "Hollywood Dog." Work Size: 29.5 x 39.5 in. Dimensions: 30 X 40.25 X 1.75 in. Overmyer was a longtime LA-based cartoonist and designer. His newspaper clients included LA Weekly and the San Jose Metro Weekly; his animation employers included Fox and Universal Studios. He may be best known for his Hollywood Dog feature, which was nationally syndicated in its current, political-cartoon illustration art form since I believe January 2006 and included the Los Angeles Times among its clients. The feature was originally a comic strip for the Los Angeles Reader, was trademarked for t-shirt production in 1989, and was briefly the basis for a television show in the post-Simpsons 1990s. That show appeared in 1993 and feature Simpsons utility performer Hank Azaria as the voice of the title character. He is from a long line of outsider, alternative, underground comics, cartoonist movement like Robert Crumb, Art Spiegelman, Chris Ware, Harvey Pekar, Ben Katchor, Ralph Bakshi...

Medium: Oil on Canvas Signature: Signed Lower Left

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

Ultra Realist Library Still-Life Books and Candles "Little Devil in the Details" Highly detailed library interior scene and still-life titled "Little Devil in the Detail" by Ken DeWaard (American, 20th-century). This intriguing artists performance in excellence piece, features realistically rendered books, paintings within paintings, candle light, and a devil or gargoyle sculpture. The artist creates a strong mood as well as interesting subject matter in this unique scene. Signed "Dewaard '99" upper right. Displayed in a wood frame. Image size, 13"H x 14"L. Frame: 20"H x 21"W x 2"D After receiving his Bachelor of Arts with honors, Ken began working in a commercial art studio in Chicago. He continued his studies at the American Academy of Art, where he studied with nationally recognized watercolorist, Irving Shapiro. Upon Irving's recommendation Ken joined the acclaimed Palette and Chisel Academy of Fine Art in Chicago, where he soon began studying with Scott Burdick as well as Dan Gerhartz...

Interior courtyard scene by Mary Scott (American, late 19th/early 20th C). Two large stone columns support an arch, framing the composition. Between the columns, some of the courtyard can be seen, including a tree and the edges of a grassy area. Across the courtyard, there is a small desk and chair...

Artist/ School: French School, signed and dated 1940's Title: Still Life of Roses in a Vase Medium: oil painting on board, unframed Size: board: 14 x 10.5 inches Provenance: pri...

Mid century portrait of two children, a young boy and girl in traditional dress, set in a rustic interior by M. Ray Stancliff (American, b. 1925). Si...

French Mid 20th Century oil on board Fauvist still life, flowers in a vase in an interior scene, by Hyppolite Roger. The painting is signed bottom righ...

Roses and vase by Bonnie Beach Ryan (American, 1901-1940). In 1933, Bonnie Beach Ryan held her first solo show of flower and still life paintings at the Dana Bartlett...

CARLOS NADAL Spanish, 1917 - 1998 TEATRO COMEDOR signed "Nadal" (lower right) titled & dated "Teatro Comedor / 1986" (on the reverse) oil on canvas 32 x 39-1/2 inches (81 x 100 cm.) framed: 40 x 47-1/2 inches (101.3 x 120.3 cm.) PROVENANCE Private Collection, Barcelona, Spain Carlos Nadal was born in Paris in 1917, in 1921 with four years he moved with his family to Barcelona. It is formed at the School of La Lonja. In 1935 he won three awards: the one of the Watercolors Association of Barcelona, ​​the Mural Composition Count Lavern and the Masriera prize. In 1936 he received a scholarship from the Barcelona City...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Mid 20th Century still life oil on canvas by noted French artist Jean Arène. Signed bottom middle, presented in fine wood frame with gilt filet. A very cha...

A vivid, multicolored expressionist depiction of a gracefully reclining female figure by Bay Area artist Rick Rodrigues (American, 20th Century). Signed with the artist's symbol lowe...

Initialed, twice, lower right, 'A.B' for 'Agnes B'' (American, 20th Century) and dated, twice, 1963. Bearing dedication, verso, dated October 19, 1963 from the artist, Agnes B. Previously with: Little Gallery, Birmingham, Michigan. A delicately painted oil still-life in the tradition of Edouard Vuillard and the Intimistes showing a pair of shoes crafted in vivid red calfskin and a silk tapestry hatbox contrasted against a background of rose and blue textiles and drapes. Established in 1950 by Marguerite DeSalle, the Little Gallery in Birmingham, Michigan was the first gallery in the region to deal in and exhibit contemporary art. Initially ,deSalle primarily handled the work of local artists starting out in their careers, and the work of faculty from the Cranbrook Academy of Art. DeSalle's ex-husband and close friend, artist Zoltan Sepeshy...

Harry McCormick (New York, b. 1942) "The Artist Studio" Original Oil Painting c.1970s Magnificent realist painting by New York artist Harry McCormick. Harry McCormick is a painter ...

Vintage American modernist abstract painting titled "Praying Mantis". Oil on canvas, circa 1970. Signed. Image size, 12L x 16H. Housed in a period wood frame.

This artwork "Nuns at the Museum" c.1950 is an oil painting on hardboard by Australian artist Joan Wilkie, 1903-? It is signed at the lower right corner by...

"Audience" Mid 20th Century American Figurative Theatre Performance Contemporary Leon Bibel (1912 - 1995) "The Audience," 52 ½ x 41 ¼ inches. Oil on canvas, c. 1963. Signed lower right. Framed. BIO Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...

Signed and dated post impressionist still life oil on canvas by French painter Paul Elie Gernez. The piece depicts a brown ceramic vase filled with se...

Leo Schutzman (1878 - 1962) The Marriage Proposal, circa 1958 Oil on canvas 24 x 20 inches Signed lower left Leo (Kyle) Schutzman (1878-1962) developed ...

"Very Large Oil On Canvas - Fricheteau René. French School Early Twentieth." FRICHETEAU Rene. FRENCH SCHOOL early 20th century. “Flower Pier and Still L...

Approximate Date: 1957 Medium: Oil and Pencil on Board Signature: Signed Lower Left Sight Size 23.50" x 20.75", Framed 29.50" x 26.50" Original cover illustration for The Saturday E...

Modernist interior scene with a kitchen still life by Johannes Gecelli (1925 - 2011) . Oil on board. Signed and dated lower right and verso. 24 3/8 x 32 1/8. Nicely framed.

This impressionist still life by French painter Léon Garraud depicts a table set with a plate of peaches and a vase of pink peonies and delicate white flowers. The warm palette of or...

Abundance of Blossoms by Lu Haskew Oil Painting Still life of Tulips and Lilacs in a purple vase. Overall colors are multiple hues of purple, violet 14x11" image size 22x19" framed ...

Antique impressionist still life painting by Irene ( I. Stry) Stry (1899/1904 - 1963). Oil on board, circa 1940. Signed. Image size, 24L x 20H.

Pötsch was an artist of the Austrian interwar period whose oeuvre can be found between moderate Expressionism and realistic tendencies. With his loosely and dynamically placed brushs...

Gorgeous and vibrant mid century spring garden still life of a vase of pink peonies with a pair of garden gloves in the foreground by listed artist Helen Gleiforst (American, 1903-19...

Into the tunnel is an original modern artwork realized by Isidore Odorico (1893-1945) in the early 20th Century. Oil on board. Hand signed on the lower margin. Includes frame

"Two Bottles" American Scene Realism Mid 20th Century Female Artist WPA 1940's Helen Clark Oldfield "Two Bottles," 1943. Signed “Helen Oldfield” lower right. Oil on canvas board, 18 x 14 inches. Provenance: Estate of the Artist. Helen Clark Oldfield was born in Santa Rosa. Her father, James E. Clark, invested in local hops farms. He was a director of the first Santa Rosa Bank. Oldfield lived at 547 Mendocino Avenue, in one of the finest custom-built homes in town. She was the oldest child of the family. They spent summers in their beach cabin at Jenner-by-the-Sea. She was a good student and graduated from DeWitt Montgomery High in Santa Rosa with college standard grades. Unfortunately, this idyllic situation tumbled down suddenly. due to a fraud scandal at the Bank, her father forfeited most of his assets in order to make good on his client's losses. At the time when her high school friends were going east to college, Oldfield followed her family to a new life of farming. She found this life frustrating as there was little time for her interests after conclusion of her daily duties. Here she developed her natural gift for sophisticated needle work. At the time she also took a correspondence course in industrial design and became an expert tailor. Her family was not happy with the farming arrangement. They decided to move to Oakland. In 1921 they purchased a home at 318...

After the Chores comes Cold Lemonade with Milking Stool Still Life Country Style Milk Stool and Hay Fork with the reward of cold lemonade after all the chores are done. P. Etheridge, a Pacific Grove art...

JOSÉ VILLEGAS CORDERO Spanish, 1844 - 1921 THE BARBER OF SEVILLE signed & dated "J. Villegas. / Junio 1913." (lower left) oil on canvas 19-3/8 x 28-3/4 inches (49 x 73 cm.) framed: 27-1/2 x 36-3/4 inches (69.5 x 93 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...

Early 20th Century Summer Floral Still Life - Zinnias, Delphiniums, Corn Flowers Substantial and gorgeous early 20th Century still life of summer flowers in cream bowl with Zinnia, Delphiniums, and Corn Flowers with pink candle by Volney...

Reference number F355 Framed with a ebony color floated frame 41 x 60 cm frame included (27 x 46 cm without frame) This work is painted with oil on a board. Stamp of the signature in...

Albert Pels (1910 - 1998) Three Engineers, circa 1935 Oil on board 10 x 13 1/2 inches Signed lower right Albert Pels was an art educator and painter of figures, genre scenes, urban ...

"Old Shoemaker" Ashcan 20th Century Modernism 1924 California WPA Realism Worker. Signed “Otis Oldfield” lower left. 14 x 12 inches. Exhibited: Galerie des Beaux Arts, San Francisco, CA, 1925 Provenance: Estate of the Artist Born in Sacramento, CA on July 3, 1890, Otis Oldfield left high school at age 16 to work in a local print shop. In 1909 he arrived in San Francisco and enrolled at the Best Art School. After working for two years as a bellhop at the Argonaut Hotel and as a hat check boy at the Cliff House, he had saved enough money for further studies in Paris. In 1911 he sailed for France and enrolled at Académie Julian. Caught up in the activities of wartime Paris, he was an apprentice for a book...

Cozy, warm interior of a home.

Alf Wallander (1862-1914) Sweden Café Scene (Café interiör) oil on board signed Alf Wallander frame 31.49 x 26.77 inches (80 x 68 cm) panel size 23.89 x 19.29 inches (60.7 x 49 cm) Provenance: Sothebys London, lot 178, 07 June 2011, Sale Number: L11112; Private Collection Sweden Alf Wallander was the son of the architect Adolf Wallander and Hildegard Sofia Blom. Wallander studied at the Stockholm Royal Academy of Fine Arts 1880–1885, where he had his uncle as a teacher for a while. He further studied for Aimé Morot and Jean-Joseph Benjamin-Constant in Paris 1885–1889, where he also participated in the Paris Salon in 1889. At the 1889 World's Fair in Paris, he was awarded first prize for his pastel painting Tiggargubbe (Today in Göteborgs Konstmuseum collection). When he returned to Sweden in 1890, he stood behind the controversial group "Opponenterna" and participated in the group's exhibitions during the 1890s. He began his artistic career as a painter and was a member of the Swedish Artists' Association. Under the influence of his friend Oscar Björck in the 1890s, he adopted a symbolist style, which later reappeared in his ceramics. From 1910 until his death, he was also curator of the Swedish General Art Association and, from 1908, headteacher of freehand drawing at the Technical School in Stockholm. With his wife Gerda Wallander, he exhibited at the Artists' House in 1910 and at the Swedish General Art Association in 1914 and with Oscar Björck, Bruno Liljefors...

Albert Dumoulin, around 1900, "La Curieuse", interior scene with a young lady Enchanting interior oil painting. Portrayal of an inquisitive young lady...

Artist/ School: French School, mid 20th century, signed lower left Title: Pink & White Flowers in a Blue Vase Medium: oil on board, framed framed: 15 x 12 inches board: 10 x 7 in...

Still Life of Fruit (apples, watermelon, oranges, banana) by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1993 oil painting on canvas, framed canvas: 18.5 x 24 in...

Mid century kitchen still-life with an antique coffee grinder, ladle, and measuring cup on a table by Maurice Blond (Polish, 1899-1974), c.1950s. Signed ...

Incredibly beautiful paint surface! Incredible French Gilt frame. René Demeurisse began his exhibition career at the Salon de la Societé Nationale de...

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...