Mid-20th Century Interior Paintings

The Artists Atelier by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed framed: 37 x 32 inches canvas: 29 x 24 inches Colors: Green colors, beige, blue and gr...

The Musical Band French Cubist artist, indistinctly signed and dated 1962 watercolour on artist paper, unframed Painting: 15 x 22 inches Provenance: Private collection, France Condi...

Geometric Composition by René GUINAND (French, 1892-1983), signed oil on canvas, in a wooden frame - left side missing Framed: 26 x 32 inches Canvas : 25.5 x 31.5 inches Inscribed ve...

Bell Ringing Guy Nicod (French 1923 - 2021) gouache on artist paper, unframed painting : 16 x 20 inches provenance: artists estate, France condition: very good and sound condition

This charming and exuberant posy of peonies immediately made me think of similar works by Marcel Dyf - but it is actually a work by the ultimate master of art deco...

Floral Abstract Still LIfe by René GUINAND (French, 1892-1983), signed oil on canvas, unframed canvas: 21.5 x 29 inches Provenance: private collection of the artists work, Normandy, ...

If Carom Billards is your game, this is the ultimate painting for you. If it is not, you will simply marvel at the artist's playfulness, adventurousness and style. Large and bold, the artwork includes a Margritte-esque surrealist figure with a bowler hat, grattage - note the intricate herringbone structure of the background - and sculptural fissure of the red ball to represent the end grain. The result is breathtaking. If you want a focal point for a room, this one is for you. Guy Bourdin, the ground breaking fashion and advertising photographer, specialised in fascinating narratives, dramatic effects with intense color saturation, hyper-realism and cropped compositions. He often incorporated fantastical elements, vivid colors, and bold compositions into his images, creating a captivating, dreamlike atmosphere Bourdin's style was influenced by his background in surrealism and painting...

Ornate Flowers in Glass Vase Pair of original French paintings, circa 1950's period 2 x oil paintings on unframed board, with added collage/ mixed media each of the boards measures: ...

Ornate Flowers in Vase Pair of original French paintings, circa 1950's period signed with monograme 2 x oil paintings on unframed board, with added collage/ mixed media each of the b...

Antique American modernist interior scene with two monkeys. Oil on canvas. No signature found. Framed. Image size, 39H x 26L.

Unique still life of a table with geraniums and a lit cigar, with a framed painting of a nude in a forest setting in the background by an unknown artist (American, 20th Century). Pre...

Artist/ School: J.Darras, French 20th century, signed Title: Still Life of Grapes and Fruits net to a basket, beautiful deep shades of green colors. Medium: oil painting on canvas...

Purple Flower Bunch by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 10.75 high by 13 inches wide condition...

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

This captivating mid-century Spanish painting by Alfredo Opisso immerses the viewer in the lively atmosphere of a café or bar, where figures gather to drink, sing, and dance. Rendere...

Wonderfully vibrant floral still life of petunias in bowl with brass candle stick by Jennie Thatcher Crawford (American, 1890 - 1958), circa 1930. Signed lower left corner. Condition: good; missing paint professionally repaired and inpainted. Unframed. Image size: 24.25"H x 30"W. Born in St Louis, MO on Jan. 25, 1890. Crawford studied at the St Louis School of Fine Arts from 1907-20. Moved to Los Angeles, California 1921. She was active as a lecturer and demonstrator until 1958. Her specialty was floral still lifes. Jennie Crawford, a painter of floral still lifes, was born in St. Louis, Missouri and studied at the ST. Louis School of Fine Arts from 1907 to 1920. She moved to Los Angeles, California in 1921, becoming a Resident of El Monte in 1931. She was a member of Women Painters of the West and exhibited at Palos Verdes Art...

Elegant floral still life of a vase of roses. Oil on canvas measures 24 x 20; frame dimensions measure 30 3/4 x 26 3/4 x 2 3/4. Artist's signature, lower right. Housed in a decorativ...

French Landscape signed by Y. Blanchon, French 1950's Impressionist gouache on board, unframed painting: 16.5 x 12.5 inches provenance: from a large private collection of this artis...

Signed lower left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. Precocious as a child, Victor Isbrand painted professionally from a young age and was...

Large scale mid 20th Century French, oil on board, still life, tablescape, interior view, by Claude Barthélémy. Signed bottom left, presented in fine carved wood and gilt frame, with...

A Room With a View Stig Wernheden (1921-1997) signed oil painting on canvas, in a wooden frame framed: 28 x 24 inches canvas: 27.5 x 23.5 inches provena...

Signed lower left, 'Millicent Tomkins' for Millicent Hanson Tomkins (American, 1930-2021) and dated 1959. Millicent Tomkins began painting at a young age and, as a child, was awarde...

Artist/ School: French School, circa 1970's Title: Reclining Nude Model on a Red Sofa within an interior setting Medium: oil painting on canvas, unframed Size: painting: 19.75 x ...

Artist/ School: J.Darras, French 20th century, signed Title: Still Life Medium: oil painting on board, unframed canvas : 7.5 x 9.5 inches Provenance: private collection, France ...

Artist/ School: French School, mid 20th century, signed Title: Still Life of Flowers in a Vase, beautifully thickly painted oil creating a dramatic surface texture. Medium: oil on...

French Mid 20th Century oil on board Fauvist still life, flowers in a vase in an interior scene, by Hyppolite Roger. The painting is signed bottom righ...

The Cottage Interior French, signed and dated signed oil on board, framed dated 1952 framed: 9 x 13 inches board: 8 x 12 inches private collection, France the painting is in overall...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

French Interior Table signed by Y. Blanchon, French 1950's Impressionist oil on board, unframed painting: 13 x 16.5 inches provenance: from a large private collection of this artist...

The Chair by the Window Surrealist School, circa 1970's signed lower left, indistinctly (see photos) framed: 24 x 30.5 inches provenance: private collection, London Superb Surreali...

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

A Vibrant, Expressive Mid-Century Floral Still Life Painting by Rudolph Pen. Artwork size: 15” x 10"; Framed size: 19 1/2” x 14 1/2”. Signed Pen, lower right. Provenance: Esta...

Courtyard with Fountain - Interior Landscape in Oil on Canvas Moody interior scene by Muriel Kittock (American, 1919-1996). Against a far wall, there is an ornate bench...

Stargazer Lilies Annie Faure (French 1940-2021) signed oil on canvas canvas: 24 x 19.5 inches Provenance: private collection Condition: very good condition For more any more informa...

Mid Century Floral Still-Life in Oil on Canvas-Wrapped Illustration Board Classic mid century floral still-life with impasto in warm, autumn colors by Frances Christensen American, ...

Oil Painting on plywood realized by Miloslava Vrbova (1909-1991) in the mid-20th Century. Good condition.

Classic mid century still-life of a green drape with vase, by W. Gray (American, 20th Century). Dated and signed by the artist lower right, "57 W. Gray." ...

Red Tulips in Interior by Marcel Chesneau (French 1902 - 1975) signed oil on canvas, framed framed: 26 x 19 inches canvas: 22 x 15 inches provenance: private collection, France condi...

Still Life of Fruit by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 18 x 22 inches very good condition provenance: from the art...

Francisco Chico da Silva was born in 1910 in Alto Tejo, Brazil. He started his career in 1935 in the city of Fortaleza. The artist grew up with north B...

SUNLIT STILL LIFE Oil on canvas Size: 63 x 54 cm (including frame) A cosy and intimate mid-century still life composition that captures a warmly lit interior scene, executed in oil ...

'Bouquet on an entablature' by Denise Dardel (French, mid 20th century) signed and dated 1944 oil on board, framed framed: 23 x 29 inches board: 19.5 x 26 inches provenance: private ...

French Expressionist by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 12.5 x 9.5 inches provenance: artists estate, France condition: very good and ...

Still Life, Bread, Fig and Walnut signed by Jacob Markiel (Polish 1911-2008) *See notes oil on board, unframed board: 17 x 13.5 inches provenance: private collection condition: very...

Expressive Mid-Century figural painting of two women and child in pastel hues by Harold Kitner (American, 1921 - 2004). Image, 33"H x 48"W Walnut frame, 34"H x 49"W x 2"D Harold Kitner was born on May 18, 1921 in Cleveland, Ohio and was the son of Isaac and Frieda Kitner. He obtained his MA from Case Western Reserve University in 1947. Kitner was a postgraduate from Cleveland Institute, Ohio University, Cleveland College, Washington and Lee University. He obtained his Doctorate from Kent State University. Exhibition: Harold Kitner - Active / Figure / Exaltation at Kent State School of Art Gallery in Kent, Ohio in 2014. Harold Kitner taught for over 30 years at the Kent State University School of Art. Harold Kitner began teaching art and art history at Kent State University in 1947. During his career, he served as Director and Chairman of the Fine Arts Division. Kitner played a significant role in creating the Art School’s core program, organizing the Kent State Arts Festival, and the Blossom Festival School. He also served as President of the Kent chapter of the American Association of University Professors, and was an art critic for the Akron Beacon Journal. In 1967, Kitner became Kent State University’s first Faculty Ombudsman, officially titled Dean for Faculty Counsel. He held this position until 1974. At the time of the Kent State shootings, Kitner’s position as Ombudsman meant that he was involved in many of the decisions regarding University administration in the weeks and months following the Kent State shootings. Kitner began a partial retirement in 1980, and left Kent to become the director of the Institute of the South Florida Art...

Abstract by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 19.5 inches good condition provenance: from the artists estate, France Josin...

Cubist Modernist Still Life of Fruit in an Interior by Marguerite Lacroux (French/ Swiss 1898-1972) signed oil on canvas board, unframed painting: 18 x 24 inches provenance: private...

Still Life by Josine Vignon (French 1922-2022) signed on front and back inscribed verso oil painting on canvas, unframed canvas: 21.5 x 18 inches Colors: Red colors, brown , yellow...

Bouquet de Roses by Leon Garraud (French 1877-1967) signed oil on board, framed framed: 19 x 16 inches board: 15.5 x 12 inches inscribed verso to label provenance: private collection...

Jean - Luc Mauger (1952) French School, 20th century signed oil on board, framed framed: 18.5 x 14.5 inches board: 15 x 12 inches Provenance: private collection, Paris Condition: v...

Wonderful art deco style still life of yellow and lavender tulips in vase with sugar bowl by Hamlin (American, 20th Century), circa 1935. Signed lower right "Hamlin" Condition: Good;...

Woman reading after Henri Matisse by Claire Ragueneau Impressionist seated woman reading a book after Henri Matisse by San Francisco artist Claire Ragueneau (American, 1901-1971). Cl...

Open window to the city in spring, light, roofs, City, Interior MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of ...

Vibrant, colorful still-life of fruit arranged in front of a bowl and pitcher by Joseph Yeager (American, 20th Century). Circa 1940. This piece is partially incomplete. Unsigned, but...

Antique American modernist signed monkey drawing by Aurion M. Proctor (1909 - 1983). Drawing and charcoal on paper. Signed. Framed.

Interior Scene by Jacob Markiel (Polish 1911-2008) *See notes below oil on canvas, unframed canvas: 34 x 30 inches provenance: the artists estate, south ...

Artist/ School: French School, circa 1970's Title: Orange Flowers and green plant within an interior setting Medium: oil painting on canvas, unframed canvas: 24 x 20 inches Prov...

Artist/ School: Robert Sales, French second half 20th century, signed Title: Still Life Medium: oil painting on canvas, unframed Size: painting: 28.75 x 23.75 inches Provenance: ...