Fireplace Interior Paintings

A charming interior scene depicting a pot-au-feu ion a roaring fire. Signed to the lower left. On board.

Portal 1956. Paper, watercolor, 75x55 cm The central focus of the artwork is on an old town, a historic district known for its antiquated architecture, cobbled streets, and a sense...

Sleeping Spaniel in the Hearth Italian Figural Dog Painting oil on Linen Exceptional painting of a sleeping Spaniel in a Hearth by Italian artist Tito Corbella (Italy, 1885-1966), we...

The Salon Interior French Impressionist artist, circa 1930's oil on canvas, framed framed: 26 x 22 inches canvas: 22.5 x 18 inches provenance: private collection, France condition: v...

This gentle 20th-century interior scene by Bernhard Oscarsson (1894-1977) depicts a woman knitting within a farmhouse kitchen. It carries a relaxing mood and celebrates the joys of rustic simplicity. Established in 2017, Brave Fine Art...

J. Paul Sartre in his Studio in Paris is an original oil on canvas realized as a portrait of fantasy (base on vintage images) by the russian painter Ale...

"Interior with Bed, Table & Fireplace 1918" Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed and dated "1918" 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 frame) This painting and its mate "Interior with Chair and Vanity...

JOSÉ BENLLIURE Spanish, 1855 - 1937 TIME FOR DISCUSSION signed "J. Benlliure" (lower left) oil on wood panel 5-1/8 x 8 inches (13 x 20 cm.) framed: 12-1/2 x 14-3/4 inches (31.5 x 37.5 cm.) PROVENANCE Private Spanish Collection José Benlliure Gil (30 September 1855, Valencia – 5 April 1937, Valencia), was a Spanish painter. He was born at Cañamelar, Valencia, studied painting under Francisco Domingo Marqués, and showed from the first such marked talent that he was sent to the Spanish school in Rome. From 1903 to 1913, he was director of the Spanish Academy of Fine Arts. He was one of the select circle pensioned by the Spanish government for residence in Italy and executed several state orders for the decoration of public buildings; but he owes his chief fame to his large historical paintings, notably the "Vision in the Coliseum." He became the leader of the Spanish art colony in Rome, where he practised as painter and sculptor. He married Maria Ortiz...

When she wasn’t in Washington, society hostess par excellence Evangeline Bruce lived for several months a year at one of London’s most desirable, or p...

Paintings by van Dyck and Tintoretto, marquetry cabinets by André Charles Boulle, silver acquired from France’s royal family: Robert Zellinger de Balkany (1931–2015) collected at the...

British School Oil Painting on Canvas Signed "Southam" Dated 1907 After the original by Antoine Joseph Wiertz (1806 –1865) Oil on canvas 10.6 x 6.75...

Henri Adolphe Laissement French, (1854-1921) Let Him Sit Oil on canvas, signed Image size: 30.5 inches x 43.5 inches Size including frame: 41.5 inches x 54.5 inches Henri Laissement was a portrait and genre painter born in Paris in 1854. In 1872, at the age of 18 he enrolled at the Ecole des Beaux-Arts studying under Alexandre Cabanel (1823-89) who greatly influenced his drawing technique. He made his debut at the Paris Salon in 1879 and continued to exhibit there regularly until 1912. He received a number of accolades over the years including honourable mention awards in 1882 and 1889, a third class medal in 1898, a bronze medal in 1900, and a second class medal in 1905. In 1884 he became a member of the Salon des Artistes Francais. After initially focusing on portraits, around the late 1880’s or early 1890s Laissement started to produce genre scenes featuring Cardinals of the Catholic Church. His humorous and gently satirical paintings proved a popular subject with his French audience and he became one of the leading painters of these types of works. In addition to paintings, he also produced a number of etchings for a collection of poems. His works became popular in the United States, selling many through the American Art Association Galleries in New York. Laissement died in Paris on 12 April, 1921. A number of his works can be found in private and public art collections including the Musée d’art Roger-Quilliot, Clermont-Ferrand, France, the Louvre Museum, Paris and Syracuse University Art Collection, USA. The inscription ‘Au Docteur Desnos’ (to Doctor Desnos) most likely refers to the eminent physician Ernest Desnos (1853-1925) who probably commissioned the painting. Laissement has also included him in the scene, situating him between the two cardinals...