Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 14

Yoshio Aoyama
Japanese Fauvist Colorful Oil Painting Chinese Ceramic Jars with Fan and Apple

1981

About the Item

Yoshio Aoyama (Japanese, 1894-1996) "Nature Morte". Oil on canvas. 1981. Signed 'Aoyama' (upper left). Signed and titled 'Nature Morte' verso. 15" x 18" without the gold gilded frame. Yoshio Aoyama is a character of great importance in painting of the early twentieth century in France, little known in the history of art, Aoyama was studied by the Spanish historian Luis Pérez Nieto, given his friendship with the widow of the artist, Marie Madelaine Lyvan. Aoyama has a totally different style of painting than his Japanese predecessors like the painter Fujita, following a different path, because instead of introducing recognizable Japanese elements into his work, Aoyama chose to use them in a subtle way all along of her career. He never wanted to give up their tradition, yet Aoyama was able to adapt to Western culture by becoming an important part of the history of French painting of the twentieth century, forming part of the School of Paris . Because of its longevity (Yokosuka 1894 - Tokyo 1996), Aoyama's work spans most of the twentieth century. One could say that in his painting there is an abstraction of a certain ideal transmitted by his ancestors, an ideal that manifests itself in the "joie de vivre" which is also present in painters like Pierre Bonnard , Raoul Dufy or his master Henri Matisse . Aoyama's style discovers a law that gives constant power and great intensity. A beach, a garden, a street. these scenes are adapted to his own vision of the world full of spiritual values ​​from their Eastern roots. There is a double choice: on the one hand the characters, and on the other hand the spiritual objective. The first stage of formation of Yoshio Aoyama took place under the influence of the Japanese master Oshita Tojiro in 1911, Aoyama becomes orphan of father and mother, adopted by Tojiro like son and like apprentice. He was admitted in the school Nihon Suisaiga Kenkyusho . From an early age, he devoted himself entirely to painting, in a quasi-self-learning. After he studied Fine Arts at the University of Tokyo. His first teacher was Oshita Tojiro of a Western style, watercolor specialist (being promoter of the art magazine Mizu-e). This internship at the Tojiro workshop was devoted to copying classical studies and nudes and landscapes. He received a solid background in Western art and drawings, made with a firm and secure line. His early works show a thick oil traits, typical of his training as an artist, which define the outlines, and a range of dark Asian colors such as brown, green, brown, ocher ... that give a cold melancholy to the first step of Aoyama. At other times in its first phase the colors make the limits of the figures, creating very marked and delimited shapes, with a lack of color mixing. A technique that is linked to the traditional Japanese Oriental painting Ukiyo-e , literally ' floating painting' , where the backgrounds are completely flat and the figures seem to float on stage. There is also a clear influence of the kano- style screens and the screens of the Namban period ( 16th - 17th centuries). In this type of Japanese screens appear funds with golden clouds that fill the scenes with a mystical air. Yoshio Aoyama came to Europe to complete their training. The passion for Europe was inherited from his father, who came from a samurai family who became secretary of the Japanese Navy Ministry. It was his father who instilled in him the love of travel and visiting foreign countries. The first European city where he settled was Paris, recommended by one of the first collectors, the Japanese Fukushima. Moreover, Paris was the capital of the world of art, where he had the seat of an international community called School of Paris created in 1910 by artists such as Raoul Dufy , the Spaniard Pablo Picasso, the Italian Amadeo Modigliani, the Belarusian Marc Chagall and of course the Japanese and the great ambassador of oriental art Tsuguharu Fujita, and the disciple of Renoir who Aoyama met in this period, the Japanese Ryuzaburo Umehara. The School of Paris, located in the bohemian quarter of Montmartre, could be considered a real artistic tower of Babel, where mixed styles as diverse as Cubism, Modernism, Futurism, Primitivism etc. but with common features like fascination for the exotic, colorful. So Aoyama has come into close contact with the European avant garde. After his stay in Paris, he decided to move, for health reasons, to a warmer place, the capital of the French Riviera, Nice. Aoyama continued his painting, and it was at one of his exhibitions that he met Henri Matisse. Matisse fascinated by his color, calmed calling Aoyama a marvelous colorist. Yoshio Aoyama becomes a disciple of the great French master. From 1926, his lessons with Matisse made a big change in the technique used. He began to create a new style full of originality, to recreate a fascinating and impressive world. Now, his figures will acquire the volume and the depth of the compositions. There is the impression of an eternal flux, the figures belong to his works, there is a superior Being who directs everything. It gives them a sense of lyricism, poetry awash with a certain mystery that is still incomprehensible to the viewer. This change in Aoyama painting is being done gradually, in the precepts of Fauvism, leaving behind their Japanese tradition. Now, the colors pink and blue are a constant in his work. This step is still a step in forming a personal style. Bibliography Dictionary Bénézit , Critical and documentary dictionary of painters, sculptors, draughtsmen and engravers of all times and all countries , vol. 1, Gründ editions (es) Luis Pérez Nieto, Yoshio Aoyama. A painter of european inspiration. (in) Roberts, Laurence, P., A dictionary of japanese artists: paintings, Scultures, Ceramics, Prints and Lacquers. , Weatherhill New York, 2000
  • Creator:
    Yoshio Aoyama (1894 - 1996)
  • Creation Year:
    1981
  • Dimensions:
    Height: 21 in (53.34 cm)Width: 24 in (60.96 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    good. frame has minor wear.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU3824912412
More From This SellerView All
  • French Post Impressionist Oil Painting Floral Roses, Vase Gaston Sebire Flowers
    By Gaston Sebire
    Located in Surfside, FL
    Les Roses Mixed bouquet of roses, Oil painting PROVENANCE: Purchased at Findlay Galleries in Chicago, Illinois late 1960’s bears their label verso and has their original price tag ...
    Category

    1960s Post-Impressionist Still-life Paintings

    Materials

    Canvas, Oil

  • Bold Folk Art Modernist Floral Bouquet Oil Painting Flowers in Vase Gilt Frame
    By Samuel Rothbort
    Located in Surfside, FL
    SAMUEL ROTHBORT (Russian-American, 1882-1971), still life with wild flowers, oil on canvas board, signed lower left. Framed 25.5 X 30, board 18.5 X 23 Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught, naive, outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's artwork and helped further his career. Rothbort received much recognition for his naive folk art paintings...
    Category

    20th Century Post-Impressionist Interior Paintings

    Materials

    Oil

  • Israeli Folk Art Oil Painting Pomegranates Naive Style Still Life Hedva Yardeni
    Located in Surfside, FL
    Framed 29.5 X 37.25 sight 28.5 X 36.25 Hedva Yardeni was born in 1969 in Jerusalem to a traditional jewish family. She grew up in Jerusalem, Israel. During 2004 yardeni settled in los angeles, on this time Yardeni's work was based on images, landscapes and jewish symbols taken from her childhood in Jerusalem. The dominant motif in her work is the pomegranate. In the jewish – Israeli tradition, a myriad of symbolic meanings has been ascribed to the pomegranate. This humble fruit signifies the land of israel and the revival of the jewish people. It is the symbol of the land's wealth and prosperity. Yardeni returned to Israel in 2005, settling in the galilee. She rediscovered the exquisite beauty of her home land and let the full expression of her deep love to Jerusalem from her soul and onto the canvas.Her recent work is full of light and joy reflect an inner spirit that is always reaching towards the Almighty. They are more abstract, pure and radiant with light. Her work has a naive, whimsical, folk art quality to it. Yardeni grew up in Jerusalem and completed her BA in art at Kay academy Beer Sheva, and my MA at Schechter Institute of jewish Studies...
    Category

    21st Century and Contemporary Folk Art Interior Paintings

    Materials

    Canvas, Oil

  • Apple Still Life Oil Painting Betsy Podlach American Post Feminist Modernist Art
    By Betsy Podlach
    Located in Surfside, FL
    Betsy Podlach (American, born 1964.) Still life with Fruit, a Bowl of Apples Framed 25 X 26 24 X 25 inches Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...
    Category

    1990s American Modern Still-life Paintings

    Materials

    Canvas, Oil

  • American Impressionist Fruits, Vegetables and Bottle Oil Painting
    By William Schultz
    Located in Surfside, FL
    William J. Schultz, American (1919 - 2005) William J. "Bill" Schultz had been a renowned American Impressionist artist and teacher for over sixty-five years. Co-Founder, and Director of the AIS had inspired numerous professional artists and teachers through his teaching. He also was a Master Pastelist in the Pastel Society of America and had won many awards for his oil and pastel paintings. Born in Pittsfield, Massachusetts in 1919, he died in Vero Beach, Florida in 2005. He served in the Army in World War II including duty in Europe. He was discharged in 1946 with rank of First Sergeant. Schultz began his art studies with Martin C. Hoy, a fine artist and student of Robert Henri and William M. Chase. He graduated from The Vesper George School Of Art in Boston, Massachusetts in 1949. He then studied under National Academicians Jerry Farnsworth...
    Category

    20th Century American Impressionist Interior Paintings

    Materials

    Canvas, Oil

  • American Impressionist Fruits Oil Painting Vivid Apples and Grapes
    By William Schultz
    Located in Surfside, FL
    William J. Schultz, American (1919 - 2005) William J. "Bill" Schultz had been a renowned American Impressionist artist and teacher for over sixty-five years. Co-Founder, and Director of the AIS had inspired numerous professional artists and teachers through his teaching. He also was a Master Pastelist in the Pastel Society of America and had won many awards for his oil and pastel paintings. Born in Pittsfield, Massachusetts in 1919, he died in Vero Beach, Florida in 2005. He served in the Army in World War II including duty in Europe. He was discharged in 1946 with rank of First Sergeant. Schultz began his art studies with Martin C. Hoy, a fine artist and student of Robert Henri and William M. Chase. He graduated from The Vesper George School Of Art in Boston, Massachusetts in 1949. He then studied under National Academicians Jerry Farnsworth...
    Category

    20th Century American Impressionist Interior Paintings

    Materials

    Canvas, Oil

You May Also Like

Recently Viewed

View All