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J. Duncan Gleason
The USS OHIO Leaving San Pedro, 1849

Circa 1939

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SAPPHO, DAUNTLESS and GRACIE Racing at Cape May 1871
By James Edward Buttersworth
Located in Costa Mesa, CA
James E. Buttersworth's most sought-after artworks emerge from his depictions of American racing yachts going head to head in the major regattas...
Category

1870s American Realist Paintings

Materials

Canvas, Oil

The Five-Masted Schooner ELINOR H.
Located in Costa Mesa, CA
This attractive portrait features the five-masted schooner ELINOR H. at full sail in an active sea. The ship has crisp lines and a sharp sense of detail, likely because it was painte...
Category

1920s Other Art Style Paintings

Materials

Canvas, Oil, Board

USS CHICAGO Off Castle Williams and Governor's Island, New York Harbor
By Granville Perkins
Located in Costa Mesa, CA
Maritime paintings of the late 19th Century often give great insight into the massive transition which happened in shipbuilding in that period: the end of the sailing ships as mercha...
Category

1890s Other Art Style Paintings

Materials

Canvas, Oil

The Hudson River Sidewheel Steamer J.M.A.
Located in Costa Mesa, CA
This small and finely painted piece depicts the sidewheel steamer J.M.A. underway carrying passengers along the Hudson River. With flags snapping in the wind and whitecaps on the riv...
Category

1890s Other Art Style Paintings

Materials

Canvas, Oil

Distant Island
By Frederick Waugh
Located in Costa Mesa, CA
Frederick Waugh was a prolific seascape artist who generated 2,500 paintings of the sea and shore. Although it was never published, he penned a ten chapter book on marine painting. S...
Category

1920s American Realist Landscape Paintings

Materials

Canvas, Oil

Printemps
By Charles Levier
Located in Costa Mesa, CA
A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...
Category

Mid-20th Century Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

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