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David SalleTree of Life, Friends2024
2024
About the Item
About the Tree of Life Series:
These works feature a cast of cartoon characters, bisected in each painting by an eponymous tree of life, and accompanied by various gestural abstractions. Salle's style here is influenced by the New Yorker cartoonist Peter Arno, who helped establish the magazine’s reputation for arch humor. In this way, Salle makes us consider the inescapably narrative impulses behind figuration, and hints at the absurdities and hypocrisies of the New York elite.
About David Salle:
A member of the influential Pictures Generation, Salle combines popular, or commercial imagery with images made from direct observation and a range of art historical references to create a personal pictorial language. His work features a sophisticated and highly intuitive approach to composition, one that suggests new associations and relationships between familiar (or un-familiar) subjects. Salle’s multi- layered works do not rely on subject matter alone, however—his paintings pack an immediate formal impact and present multiple points of entry for the viewer. Built to draw the eye through and across the picture plane, they reward close looking and prolonged contemplation.
- Creator:David Salle (1952, American)
- Creation Year:2024
- Dimensions:Height: 40 in (101.6 cm)Width: 30 in (76.2 cm)
- More Editions & Sizes:UniquePrice: $125,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: LM368991stDibs: LU944314762992
David Salle
David Salle, (born September 28, 1952, Norman, Oklahoma, U.S.), American painter who, together with such contemporaries as Julian Schnabel and Robert Longo, regenerated big, gestural, expressionist painting after years of pared-down minimalism and conceptual art. Salle is known for mixing modes of representation and appropriated ready-made motifs in a single canvas, suggesting but defying any legible narrative. Employing the postmodern technique of pastiche, where the close display of disparate images and styles tends to reduce everything to equivalent signs, Salle’s paintings function as metaphors for the dizzying onslaught of media culture.
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