Landscape Paintings

The Lake Landscape French School, circa 1950's oil on board, unframed double sided board: 18.5 x 14 inches the painting is in overall good and sound condition, some surface scuffs.

Victorian Newlyn School Landscape Oil painting of Newlyn Bay Cornwall in hazy sunshine. Though Cooper Gotch is also very much associated with the Pre Raphaelite movement, and these a...

This is an original unique oil painting by the artist, Marcel Gatteaux. He was born in London in 1962 and started drawing and painting from an early age. Following studies at Camber...

ARTIST: Peter Kenneth Cowley Jackson (1930-2006) British TITLE: "Top Withens Yorkshire" (Withering Heights, Haworth) MEDIUM: oil on board SIZE: 89cm x 55cm inc frame CONDITION: exce...

"Strech the Noise" is an evocative acrylic painting measuring 60 x 73 cm that encapsulates the essence of serenity and harmony between humans and nature. At the forefront of the canv...

Rafael Duran Benet (1931-2015) - Port Lligat Cadaques Spain - Oil Oil on canvas glued to cardboard. Measures work 50x61 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona...

Rafael Duran Benet (1931-2015) - Landscape - Oil on canvas Oil measurements 60x73 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

Title: French Mid 20th Century Pastel of Château de Bénéauville in Normandy by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on paper, with paper mounting S...

The Old Harbour by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 10.5 x 16 inches condition: the painting is in very sound and presentable ...

Signed oil on canvas landscape circa 1940 by French post impressionist painter Raymond Thibesart. The piece depicts a lake on a grey misty day. There is a bare tree in the front of t...

Provencal Landscape by Louis Bellon (French 1908-1998) signed and dated 46' From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed meas...

This painting depicts a colorful landscape scene by Pont Neuf with Notre Dam in the distance behind the bridge. The attractive perspective is what makes this painting so interesting ...

With Standing Tall, Lesley Powell turns her gaze skyward to explore verticality, light, and the quiet elegance of built form. This 12 x 12 inch (unframed size) oil on panel features ...

Farm Landscape, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower left hand corner, Oil painting on canvas, unframed canvas size: 31...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

This lovely British 1970's Post Impressionist landscape oil painting is by noted artist Laurence Henry Irving. Painted in 1972 it is signed with his monogram lower right. The view is...

Artist/ School: Suzanne Crochet (French c. 1930 female French Impressionist artist) Title: The Old Provencal Village Medium: oil on board, unframed board: 13 x 9 inches Provenan...

Paris, Montmartre Sacré Coeur in Winter Oil on canvas signed low left Framed by Gault (Paris) Dim canvas : 46 X 55 cm Dim frame : 68 X 76 cm AMEGLIO Mério...

Here we have a beautiful period 1921 charming oil painting by Emile Ancelet. Painting depicts a mother and child in a landscape. Painted almost Like a ...

Abstracted landscape by California artist Devon Brockopp-Hammer (American, b. 1986). The bold orange underpaint has been allowed to shine through the co...

In my creation, I've captured the essence of holiday delight. Through the vibrant strokes of oil, I've woven a tale of innocence and joy. The snowman, adorned with a playful red scar...

"Still Life" by Louise-Jeanne COTTARD-FOSSEY (1902-1983) signed lower right oil painting on canvas, framed framed: 18.5 x 15 inches Stunning Post-Impressionist oil by the well list...

Ker-Xavier Roussel Lorry-les-Metz 1867 – 1944 Etang-la-Ville French Painter 'L’après-midi d’un faune' Signature: signed lower left and right Medium: pastel on paper mounted on boar...

Artist/Designer; Manufacturer: Francis Newton Souza (Indian, 1924-2002) Marking(s); notes: signed; 1975 Materials: acrylic on canvas Dimensions (H, W, D): 30"h, 49.75"w image; 35.5"h...

The Old Mediterranean Village by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 29 x 36 inches Very good condition Provenance: from the artists es...

No In this vibrant oil painting, I've captured the essence of a sprawling poppy field, evoking a sense of freedom and renewal. Utilizing impressionistic techniques, I've focused on l...

I poured my soul into this canvas, capturing the raw beauty of nature's dance between flora and sea. My brushstrokes sing with the rhythm of the waves, and the vivid blossoms echo li...

The Oxen Cart French Impressionist artist, 1960's signed oil on canvas, framed dated 68' framed: 19 x 28 inches canvas: 15 x 23 inches provenance: private collection, France conditio...

A modern Abstract painting by French artist, Roger Derieux, French (1922). Date: circa 1955 Oil on Paper mounted to Canvas, signed l.r. Size: 9 x 11 in. (22.86 x 27.94 cm)

A substantial mid-century, pointillist oil cityscape showing a view of San Francisco with Coit Tower overlooking the neighborhood of Telegraph Hill looking ...

Windy Day in Provence by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 23 x 32 inches Colors: Green colors, beige, blue and grey Very good condi...

Quietly Reading by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed measures: 16 x 13 inches condition: the painting is in very sound and presentable c...

ANNE DE SAEGER (20th Century) Lunch on the Grass Oil on wood panel signed low left Old Golden Frame Dim wood panel : 50 X 65 cm Dim frame : 68 X 83 cm Certificate of Authenticity ANNE DE SAEGER (20th Century) Belgium painter born in Buenos Aires in Décember 1947 ● Beaux Arts School prilidiano Pueyrredon à Buenos Aires ● Beaux Arts School Torres Garcia...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

"Blue Sky" captures the vibrant colors of summer wetlands in post-impressionist style. The dynamic blue and pink tones evoke warmth and natural beauty, making it a striking addition ...

In this oil painting, I've captured the awe-inspiring power and serene beauty of the ocean. The expressionist strokes convey the dynamic movement of the waves, while the impressionis...

Hilltop Fortress by Max Toutain (1935-2006) oil painting on board, unframed board : 20 x 24 inches Provenance: all the paintings we have by this artist have come from the artists est...

Masterfully designed scene of an attractive young Redhead sitting by a canoe under a tree with hanging Spanish moss. It is rendered in a quick Arts and Crafts style that is as abstract as it is representational. The viewer can stare at it endlessly and still discover new pictorial relationships. Every brush stroke and every dap a paint is perfectly placed. Signed lower left. Most likely for Saturday Evening Post or Colliers. Louderback is a painter/illustrator of the Golden Age of Illustration...

Title: Mid-20th Century Post-Impressionist Pastel Landscape of La Bourboule France by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: ...

EMILIO GRAU SALA Spanish, 1911 - 1975 BOULEVARD OF PARIS signed Grau Sala (lower right) oil on canvas 25-1/2 X 32 inches (65 X 81 cm.) framed: 36-1/4 X 42-1/2 inches (92 X 108 cm.) PROVENANCE Sale: Sotheby´s Olympia London, 20 October 2006 Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. In this work Grau Sala has a loose, subtle brushstroke, in which the color shapes the entire work. The bright and transparent whites that give life to young schoolgirls contrast with the brushstrokes of blacks from the nun who accompanies them. The explosion of greens is refreshing, it surrounds us and transports us to an idyllic place, even if it is a citizen boulevard, which becomes friendly and beautiful. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

A strong modernist oil painting depicted in 1971 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his landscape paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

"Magical Sky" brings a surreal atmosphere to life, inspired by the serene beauty of Dutch wetlands. With dynamic pink and green tones, this post-impressionist oil painting creates a ...

Signed lower right and dated 1917 Overall size in original Newcomb Macklin frame 27.5 x 31.25 in.

Picturesque Village by Max Toutain (1935-2006) oil painting on board, unframed board : 16 x 20 inches Provenance: all the paintings we have by this artist have come from the artists ...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour/gouache size: 7.75 x 11 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French painter...

The Old French Town by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 13 x 16 inches condition: the painting is in very sound and presentabl...

One of the greatest and most famous American urban landscapes, the city of Chicago, is bold, brassy, diverse and wild, resplendent with the latest theatrical productions, live music...

This painting depicts a whimsical seascape of a Connecticut town with the village houses and buildings ashore, with a few boats anchored in the area. The bright colors and quick brus...

A Quiet Read by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed measures: 13 x 16 inches condition: the painting is in very sound and presentable cond...

"One day I was walking along a narrow path through a wheat field to the train station." said Anna Shesterikova about this painting. "It was a bright sunny day. The larks...

Marcel COSSON (1878-1956) Vue du Casino de Juan les Pins, les régates Oil on panel Size : 46 x 61 cm Signed lower left Painting in perfect condition Beautiful carved and gilded fram...

Georges Charles Dufresne Millemont 1876 – 1936 La Seyne-sur-Mer French Painter 'Le Jugement de Pâris – The Judgment of Paris' Signature: signed lower right 'dufresne' Medium: oil o...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour, signed board size: 6.5 x 9.75 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French...

Artist/ School: French School, circa 1960's, signed and dated lower right Title: Sleepy coastal town, South of France, painted in soft muted green tones. Medium: oil painting on b...