Adam Gunn

By the LaHave River

2023

This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...

This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...

This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...

This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...

Isca Greenfield-Sanders Lake Cove, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid Gallery, Sydney, Australia; “Let’s Be Still,” Berggruen Gallery, San Francisco, CA; “If I Could Go Back,” Baldwin Gallery, Aspen, CO; “You’re My Favorite Thing by Far,” Wetterling Gallery, Stockholm, Sweden; “Today and Everyday,” Galerie Klüser, Munich, Germany; “Inherited Landscape,” Berggruen Gallery, San Francisco, CA, among others. Recent group exhibitions include “Unnatural Nature: Post-Pop Landscapes,” Acquavella Galleries, New York, NY; “COMPETERE: An Exhibition of Artist Couples,” Bo Bartlett Center, Columbus, GA; “Landscape & Memory,” Pamela Salisbury Gallery, Hudson, NY; “Deep Blue” (curated by Katherine Bradford...

Lunenburg Brilliance 24.0 x 18.0 x 0.25, 10.0 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: “'Lunenburg Brilliance' is a vivid portrayal of the quintessentia...

Originally from Chattanooga, Tennessee, Oehmig now resides in Brunswick, Maine. He holds a B.A. in Studio Art and Art History from Principia College, Elsah, Illinois, as well as an M.F.A. with Distinction in Fine Art from Pratt Institute, Brooklyn, New York. Oehmig's works are infused with light and color, and his painterly style is well suited to capturing the natural landscape throughout Maine, along the Eastern seaboard, and the French and Italian countryside. Oehmig has shown his work in solo and group exhibitions across the United States including the New Britain Museum of American Art, New Britain, Connecticut; Bates College Museum of Art, Lewiston, Maine; the Hunter Museum of American Art, Chattanooga, Tennessee; the Portland Museum of Art, Portland, Maine; the Wood Museum and Library, Chicago, Illinois; Albany Fine Arts, Albany, New York; Art Boston, Boston, Massachusetts; Bay View Gallery, Camden, Maine; Clarke Galleries, Palm Beach, Florida; J. Todd Galleries, Wellesley, Massachusetts; the Maine State House, Augusta, Maine; and the Wiscasset Bay Gallery...

Alfredo Gisholt's understanding of composition shines through here. Adhering to principles of design, the visual language employed is enough to convey a sense of landscape without gi...