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Alfred Van Neste
Alfred Van Neste, 1874 – 1969, Belgian Painter, A View of Bruges

1874 – 1969

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Boats Approaching the Coast, Fritz Kohler, Moritzberg, 1887 – 1972 Düsseldorf
Located in Knokke, BE
Boats Approaching the Coast Kohler Fritz Moritzberg, Germany 1887 – 1972 Düsseldorf, Germany German Painter Signature: Signed bottom right and placed Medium: Oil on board Dimension...
Category

Early 20th Century Impressionist Landscape Paintings

Materials

Oil, Board

Terrace View dei Cappuccini, Convento di Amalfi, Charles Verbrugghe, 1877 – 1974
Located in Knokke, BE
Charles Verbrugghe Bruges 1877 – 1974 Paris Belgian Painter 'Terrace View dei Cappuccini, Convento di Amalfi' Signature: signed middle right Medium: oil on board Dimensions: image ...
Category

Early 20th Century Impressionist Landscape Paintings

Materials

Oil, Board

Along the Lake, Adolphe Keller, Brussels 1880 – 1968, Belgian Painter, Signed
By Adolphe Keller
Located in Knokke, BE
Along the Lake Keller Adolphe Brussels 1880 – 1968 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 51 x 61 cm Biography: Keller Adolphe was born on June 21 in 1880 in Brussels. He was a post-Impressionist painter of genre scenes and flower still lifes, but with a preference for landscapes. He was also draughtsman, watercolourist and pastelist. He studied at the Academies of Fine Arts in Brussels and Sint-Joost-Ten-Node with master teachers P. Braeke and H. Ottevaere. In 1910 he took part in the great Brussels Exhibition. He often paints around the Red Cloister (Auderghem) on the edge of the Sonian Forest, where he settled in 1934. He also painted in the South of France, in Saint-Tropez. Keller was a chairman of the Alfred Bastien...
Category

20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

A Coastal View with Agave, Julien Stappers, Chenee 1875 – 1950, Belgian Painter
Located in Knokke, BE
A Coastal View with Agave Stappers Julien Chenee 1875 – 1960 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 33,50 x 42 cm, frame size 44 x 52,50 cm Biography: Stappers Julien was born in Chenee, Belgium in 1875. He was a painter of landscapes and town views but is most noted for his still life and florals and southern landscapes. Sunny colour palette and impressionist rendition. From 1894 – 1899, he was a student of De Vriendt...
Category

Mid-20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

Georges De Sloovere, 1873 – 1970, Ruins in the Garden of Flowers, Oil painting
Located in Knokke, BE
"Ruins in the Garden of Flowers" by De Sloovere Georges Bruges, Belgium 1873 – 1970 Bruges School Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 92 x 66...
Category

Early 20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

California Coastal Scene, Daniel du Janerand, Le Marais, Paris 1919 – 1990
Located in Knokke, BE
California Coastal Scene Du Janerand Daniel Le Marais, Paris 1919 – 1990 Savigny-en-Véron French Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size...
Category

20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

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Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...
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Todd Carpenter's (US based) "Searching for Sunrise" is an oil painting that depicts a black and white landscape with vast mountains and valleys echoing the swirling motion of the clouds overhead Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in...
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