Alfred Walter Williams

Alfred Walter Williams, Welsh Landscape With Figures Dragging Bracken

1849

This late 19th-century oil painting by Austrian artist Otto von Thoren (1828-1889) depicts three horses pulling a cart across a shallow ford. Von Thoren was a celebrated painter of l...

This late 19th-century oil painting by British artist Alfred Walter Williams (1824-1905) depicts an expansive view across Barmouth Sands in North Wales. The relaxed golden sands str...

This charming late 19th-century oil painting by English artist Alfred Augustus Glendening (1840-1921) depicts a picturesque woodland view with sheep. Glendening was a distinguished painter of landscapes. Amid the gentle golden glow of British summertime, sheep graze on a country track flanked by several mature trees. It’s likely to be a view in Sussex or Kent and possibly painted at Knole Park near Sevenoaks. Born in Hampton on Thames, London, Glendening was raised in an area popular with Victorian artists. The river, with its zig-zagging steamboats and silvery waters, provided ample inspiration for a young impressionable mind. This fascinating environment delivered the building blocks for his artistic development, and one can imagine him sketching on the riverbank along with other painters. It would take a little time before he turned to art as a career but, once he pursued his calling, success was inevitable. Travel during the mid-19th century was becoming a little easier thanks to the emerging rail network, and Glendening filled his sketchbooks on various cross-country trips. In 1864, he debuted at The Royal Society of British Artists with a view from Cumbria’s picturesque Lake District. The following year, exhibiting ‘A Cornfield, Kent’ at the Royal Academy. Many of his works were centred around shimmering water with the Isle of Wight another frequent destination. Soon, the rising middle classes took note and he became a firm favourite - views in North Wales, the Highlands, Surrey, and Devon captured with a deft touch. His approach was predominantly naturalistic and lacked the grandiosity of many early Victorian painters. His tranquil vignettes are skilfully observed with dapples of light dancing across reflected foliage. The occasional bird picked out with weight and movement. Glendening’s exquisite draughtsmanship was matched by a keen understanding of tone and value, resulting in balanced compositions with blissful moods. By 1903, he’d exhibited 47 works at the Royal Academy - quite an achievement for a late starter. Today, various museums hold examples including at Southampton and Newport. Signed/dated lower left and held within a later frame. Provenance: Private collection, UK. Artist’s auction maximum: £32,000 for ‘Bramber Castle’, Oil on canvas, Christie’s, 19th Century Pictures...

This fine mid-19th-century oil painting by British artist Thomas Sidney Cooper RA (1803-1902) depicts two cows and a sheep in a landscape. Cooper was a distinguished painter of the n...

Charming fine oil painting of pups and rabbit in a cabbage garden. Reminiscent of storybooks, the three animals are friendly, with one puppy looking at the rabbit and the other looki...

Fine landscape painting, this oil on canvas of Snowdonia, Wales is by 19th century British artist Thomas Huson, RI, (1844-1920). Signed by artist in lower left, Thomas Huson was a ...

Framed Size: 59 x 81 x 1 3/4 inches; Painting Size: 50 x 72 x 1 3/4 in. The work is in a mahogany stained wood frame that was custom designed by the artist. Signed on the Reverse. This work is from the artist earlier works from the late 1990's. It was exhibited in 2000 at James Graham...

William Gislander (1890-1937) Swedish Title: Landscape With Ducks oil on canvas signed and dated William Gislander 1934 canvas dimensions 25.98...