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Dean Cornwell
Land Where Men Forget the Past, The Coconut Pearl

1925

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Tending the Garden
By Robert Elton Tindall
Located in Missouri, MO
Robert Elton Tindall (1913-1983) "Tending the Garden" (Girl with a Hoe) c. 1940 Egg Tempera with Resin Oil Glazes on Panel Signed Lower Left Site: 10 x 9 inches Framed: 15 x 14 inch...
Category

Mid-20th Century American Modern Figurative Paintings

Materials

Egg Tempera, Wood Panel

Breton Chores
Located in Missouri, MO
Clement Nye Swift "Breton Chores" 1870 Oil on Canvas Signed and Dated Lower Right Canvas Size: approx 27 x18 inches Framed Size: approx 34 x 35 inches Provenance: Private Midwes...
Category

1870s Victorian Figurative Paintings

Materials

Canvas, Oil

A Place in the Sun
By Carl Ivar Gilbert
Located in Missouri, MO
Carl Iver Gilbert (1882-1959) "A Place in the Sun" Oil on Canvas Signed Image: 10 x 12 inches Framed Size: 15 x 18.5 inches Carl Ivar Gilbert was a...
Category

Mid-20th Century American Impressionist Figurative Paintings

Materials

Canvas, Oil

Le Panier de Fleurs, L'Arc de Triomphe
By Francois Gerome
Located in Missouri, MO
Francois Gerome (b. 1895) "Le Panier de Fleurs, L'Arc de Triomphe" c. 1950 Oil on Canvas Signed "F. Gerome" Lower Right Canvas Size: 20 x 24 inches Framed Size: approx. 26 1/2 x 30 ...
Category

Mid-20th Century Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

Quai de Louvre
By Antoine Blanchard
Located in Missouri, MO
Antoine Blanchard "Quai de Louvre" Oil on Canvas Signed Canvas Size: approx 13 x 18 Framed Size: approx. 22 x 26
Category

Mid-20th Century Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Boulevard de la Madaleine sous la Neige
By Antoine Blanchard
Located in Missouri, MO
Antoine Blanchard "Boulevard de la Madeleine sous la Neige" Oil on Canvas Signed Canvas Size: 13 x 18 inches Framed Size: approx 18 x 23 inches Antoine Blanchard French (1910-1988)
Category

Mid-20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

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The Market #2 - by Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
The universal farmers market is bustling with action. Geometric stalls with intense color coupled with contrasting blue arches creates the dynamism in this work of art. The Market #...
Category

2010s American Modern Figurative Paintings

Materials

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"Little House Lambertville, Public Sale"
By Joseph Barrett
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed lower middle. Artist designed frame. Joseph Barrett (b. 1936) Joseph Barrett was born in Midland, North Carolina, in ...
Category

20th Century American Modern Landscape Paintings

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Fish Story oil painting by Williams Charles Palmer
Located in Hudson, NY
This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...
Category

Mid-20th Century American Modern Figurative Paintings

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Six O'Clock
Located in Los Angeles, CA
Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...
Category

1940s American Modern Landscape Paintings

Materials

Canvas, Oil

Summer Resort in Michigan -Modernist Mid-Century Saugatuck Oil Painting
Located in Marco Island, FL
Summer Resort in Michigan is an exceptional work painted by the Chicago Modernist, William Schwartz. He studied at the Art Institute of Chicago shortly ...
Category

1940s American Modern Landscape Paintings

Materials

Canvas, Oil

NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century
Located in New York, NY
NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century Eugene Savage (1883 – 1978) 1939 World’s Fair Mural Study 45 x 30 inches Oil on Canvas Signed lower right The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available. Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting. BIO Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy. While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States. After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild.. Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions. By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack. However the mural images were reproduced and distributed by the shipping company including nine of the mural scenes that were made into lithographed menu covers in 1948. The American Institute of Graphic Arts awarded certificates of excellence for their graphic production, and the Smithsonian Institute exhibited the works in 1949. Today Savages' Hawaiian Art production is held in high regard by collectors of Hawaiian nostalgia. In later years the artist focused his attention on a theme that dealt with the customs and tribal traditions of the Seminole Indians of Florida. He produced many variations of this theme throughout his lifetime, and the pictures were usually modest scale easel paintings, precise and carefully delineated. Many of these pictures incorporate Surrealistic elements and show some minor stylistic influences of the painters Kay Sage...
Category

1930s American Modern Figurative Paintings

Materials

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