Andrew Thomas Schwartz

Mountain Landscape signed by Andrew T. Schwartz

Alfred Juergens (American, 1866 - 1934) Signed: Alfred Juergens (Lower, Left) " Indian Creek " (Michigan) Oil on Board 14 1/2" x 19" Housed in a 3...

Outstanding Oil on board a snow-covered Canadian landscape of the Haliburton Highlands near Ontario. Andrew B Phin is a painter, who is listed as a 20th-century Canadian painter of ...

An oil painting on board by Irving Manoir depicting a California landscape with hay shocks circa the 1940s. Irving Kraut Manoir earned a reputation as painter and art teacher, and ...

The present artwork is an unusual example of the paintings of Fritzi Brod. It is painted on both sides: on one side, an image of three Native Americans on ...

Serene landscape by notable billboard artist Art Pastusak (American, b. 1950). A small dock just out over glassy water, rendered in dark grey-green and bright cyan, where the sky is reflected. The shore is rendered in tones of yellow, tan, and green, with some water lapping up towards the viewer. Signed and dated "Art Pastusak 18" in the lower left corner. Titled "Solitude" on verso. No frame. Board size: 11"H x 14"W Art Pastusak (American, b. 1950) is an artist and billboard painter originally from Portland, OR. Pastusak began outdoor painting in 1977, focusing on billboards. He learned from Mario Rueda, Bernardo Sepulveda, and Tim Solliday. Pastusak has been commissioned by major brands like Apple, Nike, Red Bull, Subaru, and Spotify. In 1992, Pastusak stopped painting billboards to focus on larger scale public murals, mostly in Oregon and Los Angeles. He now focuses on smaller fine art...

"Pilgrimage", a mid century figurative landscape by Carmel, California artist Mary Miller (Klepich) (American, ? - 1957). Presented in a rustic giltwood frame. Signed "Mary Miller" lower right. Titled "Pilgrimage," dated "1952" and signed "Mary Miller" on logo on verso, with Santa Cruz Art League Twenty Third Statewide Art Exhibition Label. Image, 18"H x 24"L. Framed size: 22.5"H x 28.5"W. Mary Miller (Klepich) exhibited in the Twenty-Third Annual Santa Cruz State-Wide Art Exhibition. She and her husband Fred Klepich studied at Bellas Artes, San Miguel de Allende in Mexico. Fred and Mary Owned Carmel Craft Studios, later (SAS) Studio Art Supplies...

Beautiful plein air landscape of an old Mendocino country house by listed artist Jon Blanchette (American, 1908-1987). Signed "Jon Blanchette" lower right. Presented in a giltwood ...

Mid Century Lotus Still Life Floral / Bangkok Landscape on Verso (Double Sided) Mid-century lotus flower composition by Marge Quate Burt (American, 1896-1984). This unique piece, dated 1949-1950, is a two-sided painting on artists cardboard. While on side depicts a botanical lotus flower, the verso features a lush tropical landscape painting...

Serene landscape of the Putah Creek Bridge (now submerged, also known as Monticello Bridge) by Frank Willson Judd (American, 1864-1940). The Putah Creeks flows beneath an old Closed-spandrel red stone arch bridge 1896-1957 submerged intact beneath Lake Berryessa in 1957. When built this bridge was reputed to be the longest stone arch bridge in California and quite possibly the largest West of the Rockies. Signed and dated "Frank Willson Judd 1937" in the lower left corner. Presented in an antique, distressed frame...

Gorgeous early 20th Century American Impressionist landscape of Connecticut red house by George M. Bruestle (American, 1871 - 1939), November 1914. Signed lower left and on verso. Dated on verso. Presented in gilt-toned wood frame. Image size: 8"H x 10"W. George Matthew Bruestle is an American Realist/Impressionist painter known for his intimate landscapes. Born and raised in New York City, Bruestle studied at the Art Students' League of New York in 1886 at the young age of fifteen and later in Paris. That same year, Bruestle visited Essex, CT and eventually purchased a second home in Hadlyme, Old Lyme as the Art Colony formed. Bruestle's main studio was in New York City. Inspired by Jean-Baptiste-Camille Corot [1796-1875] and other French landscape painters, Bruestle's style was a mix of Early Realism and Early Impressionist techniques. He was an adept draftsman and his paintings favored earlier European examples but, later took on a brighter Impressionist palette and brushy quality of the Old Lyme Art...