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Bea Sonnenberg
'Evening Waves', Pacific Coastal Seascape

Circa 1965

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'Old Carmel', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and dated 1964. A large, mid-century oil townscape showing a view of the old town of Carmel, California, with ...
Category

1960s Post-Impressionist Landscape Paintings

Materials

Oil, Masonite

'Surf and Rocks at Sunset', Oakland College of Arts and Crafts, Oakland Museum
Located in Santa Cruz, CA
Signed lower right, 'C. Sideman' for Carol Joy Sideman (1925-2021) and painted circa 1975; titled, verso, on old artist's tape, 'Surf and Rocks'. Carol Sideman received her Bachelor of Arts degree from the University of California at Berkeley and, subsequently, attended the Oaklands College of Arts and Crafts. Sideman specialized in architectural illustration...
Category

1970s Post-Impressionist Landscape Paintings

Materials

Masonite, Acrylic, Tissue Paper, Oil

'Wenceslas Castle, Prague', California Post-Impressionist, Sausalito, De Young
By Wedo Georgetti
Located in Santa Cruz, CA
Partially signed, lower left, 'Georgetti' for Wedo Georgetti (American, 1911-2005) and painted circa 1955. Accompanied by an Certificate of Authenticity. A substantial, mid-century Post-Impressionist oil cityscape showing a view of Prague Castle, the hereditary seat of King Wenceslas and the Kings of Bohemia. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young...
Category

1950s Post-Impressionist Landscape Paintings

Materials

Oil, Plywood

'Tuscan Landscape', California Fauve, Paris, De Young & Oakland Museums, SFAA
By Wedo Georgetti
Located in Santa Cruz, CA
Signed, lower left, 'W. Georgetti' for Wedo Georgetti (American, 1911-2005) and painted circa 1955. Additionally signed, lower center. Born in Italy, Wedo Georgetti came to the Uni...
Category

1950s Post-Impressionist Landscape Paintings

Materials

Plywood, Oil, Laid Paper

'Dawn, Lilac and Rose', American Expressionist Oil Seascape
Located in Santa Cruz, CA
Painted by Hugh McChesney (American, 20th century) circa 1991. Stamped, verso, with certification of authenticity and bearing old labels. A dramatic, Expressionist style oil showing...
Category

1990s Post-Impressionist Landscape Paintings

Materials

Plywood, Oil

'Hills of Marin', Large American Expressionist, Carmel, Stanford, San Francisco
By Robert Canete
Located in Santa Cruz, CA
Signed lower right, 'Canete', for Robert Canete (American, born 1956) and painted circa 2010; additionally signed, verso, 'Robert Canete' and titled 'Marin, Blue Hills' A substantia...
Category

2010s Post-Impressionist Landscape Paintings

Materials

Oil, Board, Mixed Media, Watercolor

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"Spring in Central Park" after Adolf Arthur Dehn, Midcentury Modern Manhattan
By Adolf Arthur Dehn
Located in Soquel, CA
A spectacular mid-century modern Manhattan figurative landscape oil painting, after the renowned artist Adolf Arthur Dehn's 1941 watercolor "Spring in Central Park", by an unknown artist (American, 20th Century). In this vibrant and expressive circa 1960 rendition of Dehn's famed painting, New Yorkers are depicted as tiny figures milling about the park in springtime, dwarfed by fluffy pink trees in bloom and the towering New York City skyline in the distance. Unsigned. Presented in a wood frame. Image size: , 29"H x 36"L. Framed: 32"H x 39"W. This painting is after the prestigious watercolor of the same title, painted in 1941 by Adolf Arthur Dehn (American, 1895 - 1968). The original piece is in the collection of the Metropolitan Museum of Art in New York City. It was exhibited at the Met's "26th Annual National Exhibition of Advertising and Editorial Art" in 1947, and then again at the 1950 exhibition titled "20th Century Painters: A Special Exhibition of Oils, Water Colors and Drawings Selected from the Collections of American Art in the Metropolitan Museum". More recently, "Spring in Central Park" was exhibited at Fairfield University Art Museum for the 2017 exhibition "Adolf Dehn: Midcentury Manhattan". Visiting, and then living in New York City, Dehn captured the essence of the city in his paintings, prints and drawings of the landscapes of Central Park, and of the city's burlesque and night club scenes...
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1960s Post-Impressionist Landscape Paintings

Materials

Masonite, Oil

Vintage Oil Painting of Venetian Fishing Boats.
Located in Soquel, CA
Wondefully vintage oil painting of venetian fishing boat in fauvist style, circa 1970. Unsigned. Unframed. Image size: 15"H x 21"W.
Category

1970s Fauvist Landscape Paintings

Materials

Masonite, Paper, Oil

"Portal View-Sailboats in Harbour", 20th C. Oil on Masonite by Ism. de la Serna
By Ismael de la Serna
Located in Madrid, ES
ISMAEL GONZÁLEZ DE LA SERNA Spanish, 1898 - 1968 "PORTAL VIEW - SAILBOATS IN HARBOUR" unsigned oil on masonite 25-1/4 x 22-1/2 inches (64 x...
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1950s Post-Impressionist Figurative Paintings

Materials

Oil, Masonite

“Sunset Topeka, Kansas”
Located in Southampton, NY
Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. Recently professionally cleaned. Newly framed in a custom gallery frame. Overall framed measurements are 17.5 by 20.5 inches. Provenance: A Long Island, New York collector. Pauline Haynes Shirer (1894 - 1975), American Born in Topeka in 1894, Pauline is said to have been at least partially raised by her aunt, Hannah Haynes Headlee (Pauline’s mother died when she was 8 years old). By 16, she was living as a ward in the Topeka home of Elizabeth Cunningham, a dressmaker. After graduating from Topeka High School, she attended the New York School of Fine and Applied Art (later Parsons School of Design), completing a two-year course in one year (1913-1914). At the same time, she took weekend classes at the Art Students League. Returning to Topeka, she studied and taught at Washburn College (now University) from 1914 to 1915 and instructed summer sessions at Kansas State Teachers College, Pittsburgh, during the same period. Afterward, she returned to the New York School of Fine and Applied Art, where she taught and took classes (1915-1918). She spent the summer of 1916 as an instructor at the Skidmore School of Art, Saratoga Springs, New York. In 1917, Pauline married Hampton F. Shirer, an architect from MIT, who was also an artist and came from a prominent Topeka family. The couple later settled in Wellesley, Massachusetts in 1921, living in a house which they built and decorated themselves. During the next 16 years, they raised two children and Pauline also found time to illustrate promotional brochures and primary school texts. During the early years of her career, Pauline focused on the applied arts – such as watercolor designs for curtains, silk fabrics, wallpaper as well as poster designs, theater backdrops and book covers. Later she would transition into creating her own representational works of art. Shirer returned to Topeka in 1937. During her career as a painter in oils and watercolors, she sketched in Europe four times and did paintings of New England subjects. However, most of her paintings were of the West. She executed Kansas views first, and they continued to hold her interest throughout her life. Typical were her studies of rustic buildings on the plains, glimpses of the prairie country, and the historic buildings of Topeka. She also painted New Mexico landscapes and Colorado mountain scenes. Among her exhibitions, mostly solo but occasionally with her husband, were those held at the Harlow and Harland’s Gallery, Boston (1922); The Scattery, Wellesley, MA (1925); Vose Galleries, Boston (1931); Topeka Art Guild (1952); Copley Society...
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1950s Post-Impressionist Landscape Paintings

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Masonite, Oil

The Old Sawmill at Westminster, Impressionist Oil Painting by Wally Ames
By Wally Ames
Located in Long Island City, NY
Artist: Wally Ames, American (1942 - ) Title: The Old Sawmill at Westminster, Vermont Medium: Oil on Masonite, signed l.r. and verso Size: 20 x 24 inches
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1980s Post-Impressionist Landscape Paintings

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Large-Scale Tropical Secret Garden, Mid-Century Botanical Diptych with Waterfall
Located in Soquel, CA
Large-Scale Tropical Secret Garden, Mid-Century Botanical Diptych with Waterfall A stunning large-scale, substantial diptych depicting a post-impressionistic tropical nocturnal garden scene by an unknown artist, c.1960s. This diptych is comprised of two pieces; the first panel depicts a group of blooming orchids surrounded by glossy tropical leaves, big boulders, and trees, under a blue night sky. The lush garden continues onto the second panel, which reveals a gorgeous waterfall. In the style of Paul Gauguin's Tahitian period. Unsigned. Measurements: This diptych (2 panels) measures in total: 48"H x 100.50"W. Orchid panel measures 48"H x 52.50"W. Waterfall panel...
Category

1960s Post-Impressionist Landscape Paintings

Materials

Masonite, Tempera

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