Benedicte Maria Bech Pedersen

Extra Large Relief With Dramatic Structured Surface By Danish Benedicte Pedersen

2019

Extra-large dramatic painting from 1985 by Francois Boissiere (1956 - )

Presenting a charming and decorative composition painted in 1943 by Danish artist Evan Wulff. This stilleben painting unveils a rustic table adorned simply with a wine bottle and two...

An extra-large red abstract composition that invigorates the bystander with its powerful red and black color play. This oil painting is an exquisite example of a mid-century modern a...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

"Venturi Scott Brown Design for Gianni Versace" (2023) by artist Julia Policastro is a sculptural oil painting on canvas with three dimensional columns in the foreground, set in fron...

This 31.5" x 39.4" acrylic on canvas landscape painting by Ewa Miazekk-Mioduszewska depicts the deteriorating structure of a small chapel with a black rectangular scaffolding structu...

This 30" x 24" acrylic on panel painting from 2013 by John Wolfe depicts a rural church in Davidson, Oklahoma. Wolfe's depiction focuses on the profile of the stark white church against a stark blue sky. The side angle of the one story view features three windows underneath a gabled roof. Above the church is an an expansive cloudless cobalt blue sky. John Wolfe was born in Vernon, Texas, in 1947. He attended public school in Davidson, Oklahoma, and graduated from Southwestern Oklahoma State...

Landscape painting, evening road scene titled "Long Pond Road Again" by Edie Nadelhaft - oil on canvas, 12 x 16 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...