Bruno Côté

Carleton, Quebec

1983

Roger Cantin, Canadian, 1930-2018 La maison, Gaspesie Oil on canvas 8 x 10 in signed and titled on the back framed

Albert Rousseau, Canadian, 1908 - 1982 Oil on panel 16 x 20 in signed and dated on lower right A. Rousseau 73 titled verso Framed

Marcel Fecteau, Canadian, b. 1927 Oil on canvas 24 x 30 in Signed lower left; signed, dated and titled on verso framed

Claude Langevin, b.1942, Canadian Quebec Landscape Oil on canvas 12 x 16 in signed lower right signed and titled verso Framed (options available)

Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929 Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene. Image, 10.25"H x 14.25"W Signed "J. F. Barker" dated "3/29" on Stretcher bar verso Signed James F. Barker on Linen verso James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making. Gravestone in Prospect Hill Cemetery, Nantucket He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal. He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...

Rain on the windshield falls in fat, colorful drops, and rivulets. Painted in layers and textured with thick and thin paint. This one in a series of "windshield paintings" is painterly, brushy, and slightly textured. It is painted on gallery wrapped linen over 1 1/2 inch deep stretchers, with color matched, hand painted edges, wired with finger friendly coated wire and ready for installation. From the artist: An unexpected, but welcome rain, as experienced from a place of comfort. My windshield paintings aim to capture these fleeting and intimate moments in time and reveal the serene center that can arise in the midst of natures turbulence. A childhood of moving and traveling around the United States has shaped Katherine Kean's vision, as have journeys to eastern Africa, Mexico, Scotland, France and painting jaunts all over Kean's now native California. Born in West Virginia, moving later to Ohio and New Jersey, but growing up mainly in Massachusetts, she attended Rhode Island School of Design, graduating with a BFA in Film, Video and Animation. Long fascinated by the intersection of order and chaos in the natural world, Katherine Kean skillfully uses observation, memory, and interpretation to translate her love of natures kinetic phenomena into paintings that capture the often turbulent emotions within light, weather, and landscapes. Her work has exhibited in museums and galleries across the United States, including the LACMA Art Rental and Sales Gallery and the Brand Library Art Gallery in Los Angeles...

An abstracted landscape of the artist's local pond.

Underwater painting is a new fast growing direction in contemporary art. Original Art Soft Coral was crated underwater at the depth of 7.6 meters, underwater painting session 76 minutes during scuba diving. Meterials: oil on cotton canvas, palette knife, stretched on wooden frame, ready to hand The genre is intuitive painting, based on feelings and emotions in the particular moment underwater. Bright abstract seascape painting will be a good addition to your original oil painting collection. Original art is painted on stretched canvas. The sides are painted. Ready to hang. What is special about underwater painting - color perception different to reality because color rays do not penetrate the water column...