Catherine Picard-Gibbs

"Ablaze", abstract, landscape, autumn, yellow, orange, red, oil painting

2014

“Embers of the Day Diptych” by Catherine Picard-Gibbs is an abstract textural landscape of a brilliant sunset breaking through the trees and is painted in rich yellows, oranges, and ...

'Woodland Water Flood' by C. Clinton is a fresh, contemporary take on landscape painting that explores subtle variations of color and transparency reflected as abstract forms. This 3...

Cheryl Clinton's 'Woodland Water 2' is a 36 x 36 x 2 inch fresh contemporary take on landscape painting in acrylic on canvas in deep rich browns and blues, and is part of the artist'...

"Sprit Map 1", is a 48 x 50 inches, acrylic on canvas painting, by contemporary Boston artist, C. Clinton. It is an abstract painting in blue, green, white and subtle interference go...

“High Tide” by Catherine Picard-Gibbs depicts the rich color palette of a New England beach at high tide. This dynamic, gestural oil painting on line...

Marcia Wise’s oil painting titled “My World” is 16 x 20 inches, glowing with colors from the darkest greens and blues to the lightest yellows, and flows reminiscent of a patchwork qu...

Step into the world of abstract contemporary art with Joyce Weinstein's "City-Morning-Skyscape", a captivating painting from 1982 that flaunt the artist's early brilliance and creati...

"My life as a painter began in the late 1950s when abstraction was “The only game in town”. I followed and progressed through gesture, organic and finally, geometric non-objective painting. The radical move for me was to discover that the real world of landscape lurked behind all that past work. My childhood in the mountains of Pennsylvania pervaded my “way of seeing” and I wanted to investigate and celebrate the infinite variety of tone, color and composition that I found around me. Sky, the structure of trees, mist and water appeared to fill a hunger to look again and again. There was mystery and danger lurking behind the beauty, and my aim was to try to avoid the cliché and explore the infinite structure of the visual landscape. Now I use my camera as a sketchbook and search for images that seem to offer odd structure and “mystery”. I shoot multiple points of view, cull, crop, and mostly discard. The surviving photographs become the catalyst for the paintings and the process is always a mediation between memory and the small image pinned to my easel...

Original semi abstract oil painting of the coast around North Cornwall, United Kingdom. The use of palette knives as well as large brushes have created texture in the piece and bold ...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Oil, acrylic, spraypaint on canvas. Bridge to a friend of the artist's house.

Oil, spray paint, acrylic on canvas. Bridges.