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Christopher Reilly
Generations, encaustic and mixed media painting, butterflies, turquoise, yellow

2021

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  • Expedition II, acrylic on canvas painting, underwater, green, fish, red, tigers
    By Ben Darby
    Located in San Diego, CA
    Expedition II, depicts an underwater ocean scene. Acrylic on canvas painting by Ben Darby, with raised texture throughout. Tigers have been added for ...
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    21st Century and Contemporary Contemporary Animal Paintings

    Materials

    Cotton Canvas, Mixed Media, Acrylic

  • Protea Ball, acrylic on canvas large painting by Ben Darby, bright, texture
    By Ben Darby
    Located in San Diego, CA
    Protea Ball, an original artwork by the artist Ben Darby. Acrylic on canvas, with large multi color protea flower center, foliage, raised texture and high gloss finish. Signed on bot...
    Category

    21st Century and Contemporary Contemporary Landscape Paintings

    Materials

    Textile, Cotton Canvas, Mixed Media, Acrylic

  • One Of The Ways
    Located in San Diego, CA
    "One Of The Ways" depicts a densely populated grove. As with other of Carpenter's paintings, this scene invites viewers to look closer and also to go out to explore nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...
    Category

    2010s Contemporary Landscape Paintings

    Materials

    Oil, Wood Panel

  • Future Shadow
    Located in San Diego, CA
    "Future Shadow" is of a scene in the woods. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...
    Category

    2010s Contemporary Landscape Paintings

    Materials

    Oil, Wood Panel

  • Head In The Clouds
    Located in San Diego, CA
    "Head in the clouds" depicts skyscrapers and a waterway. This scene is of no particular place, but rather his interpretation and compilation of var...
    Category

    2010s Contemporary Landscape Paintings

    Materials

    Oil, Wood Panel

  • Through Shadows Cast By Falling Snowflakes
    Located in San Diego, CA
    "Through Shadows Cast By Falling Snowflakes" depicts snowy mountain scene. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...
    Category

    2010s Contemporary Landscape Paintings

    Materials

    Oil, Wood Panel

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    Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...
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  • Open Seating, Encaustic Landscape, Figures, Mother and Child, Blue, Yellow
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    In this square encaustic (pigmented beeswax) painting on panel, a peaceful landscape scene in shades of pale blue, canary yellow, light orange, and pale maroon red is accented with s...
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  • Branches Everywhere, Blue, Ivory, Yellow Children, Trees, Circular Encaustic
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    A peaceful landscape scene is set in shades of pale yellow with light blue in this encaustic (pigmented beeswax) painting with oil, pigments from Morocco and India, volcanic ash from...
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  • "TEMPLES REVISITED #2", Encaustic and Mixed Media, Black, Red, White and Tan
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  • Covert Lyrics
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  • "Afterglow" Mixed Media Painting
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