Ciro De Rosa

COUNTRY SCENE - In the Manner of Julien Dupre' -Italian Oil on Canvas Painting

2008

The shepherdess of cows - Oil on canvas cm.24x30 by Ciro De Rosa Italy 2008. in this beautiful oil on canvas depicting a shepherdess with cow, Ciro De Rosa drew inspiration from peasant-inspired paintings, such as those of the great French painter Julien Dupre '. Working during the last half of the 19th century, Julien Dupré was an artist, considered by most, to be one of the leading exponents of the second generation of Realist painters; a group that also includes Leon Lhermitte...

Country landscape - Emilio Pergola Italia 2006 - Oil on canvas cm.50x130 Pergola's works reveal the touch of antiquity that recalls the past where shapes and colors are happily combined. A well-harmonized painting that draws inspiration from the paintings of the French master Leon Augustin Lhermitte. Lhermitte preferred to portray rural scenes and the peasants at work, so much so that he was called "the painter of the reapers". In this beautiful oil on canvas we admire some scenes of life in the fields, some women work while others prepare their lunch. In each painting, Pergola observes the world with deep care, outlining the most important values, the essence and the cosmic symbolism of nature. Pergola's creative technique is a touch of art, its rural landscapes, cottages, its beloved animals, such as horses and cows...

Country landscape - Emilio Pergola Italia 2006 - Oil on canvas cm.40x80. The painting by E. Pergola is a painting inspired by the rural realism works of Julien Dupré French painter. Dupret was one of the main exponents of French realism, an accurate observer of the landscape and of the life of peasants in the countryside. The painting depicts a scene in the fields where some women milk the milk from a goat, others work on the hay bales. The creative technique of Pergola is a touch of art, his rural landscapes, the cottege, his beloved animals such as horses and cows...

Country Landscape - Emilio Pergola Italia 2005 - Oil on canvas cm.50x100. Pergola’s works reveal that touch of antiquity that recalls the past. A well-harmonized painting that draws inspiration from the paintings of the French master Leon Augustin Lhermitte. Lhermitte preferred to portray rural scenes and peasants at work, so much so that he was called “the painter of the reapers”. In this beautiful oil on canvas we admire some scenes of life in the fields, a woman works in the fields, another woman carries freshly milked milk. The creative technique of Pergola is a touch of art, its rural landscapes, the cottege, his beloved animals, such as horses and cows...

View of a Mediterranean Harbor - Angelo Granati Italia 2009 - Oil on canvas mis. cm. 90x110. This is his reinterpretation of painting "Seaport 1763" by gratest old master Claude Jo...

Country Scene - Emilio Pergola Italia 2006 - Oil on canvas cm.50x130 The painting by E. Pergola is a painting inspired by the rural realism works of Julien Dupré French painter. Dup...

Maurice LOBRE (Bordeaux 1862 - Paris 1951) Le goûter Huile sur toile H. 87 cm ; L. 91,5 cm Format peint d’origine, H. 101 cm ; L. 96 cm, disposé sur un châssis plus petit par l’artiste lui-même. Signée et datée 1888 en bas à droite Provenance : Collection privée, Lyon Exposition : 1889, Salon des Artistes Français, n°1719 « Intérieur », (ou 1720 nommé également « Intérieur ») Œuvres en rapport : Le Cabinet de toilette de Jacques-Emile Blanche, (titre erroné) H. 80 cm ; L. 85 cm, HST, Museo Thyssen-Bornemisza, Madrid, pendant de notre toile. Maurice Lobre a-t-il connu Marcel Proust ? On ne peut encore l'affirmer, bien qu'il ait eu de nombreux amis en commun avec l'écrivain. Mais sa peinture intimiste pourrait illustrer certaines pages de Du côté de chez Swann. Trois citations dues à des proches de Proust, l'une de l'écrivain Léon Daudet, la seconde du peintre Jacques-Emile Blanche, la dernière du poète mondain Robert de Montesquiou, donnent un aperçu de ce que fut la renommée de Maurice Lobre en son temps : "Il en va autrement de Lobre, le Vermeer français, le peintre exquis des intérieurs et des palais de Versailles, des reflets sur les meubles rares, de la lumière prisonnière des miroirs, des laques et des cuivres polis. Lobre est joyeux comme un coup de vent, qui fait envoler les préjugés et les poncifs, éloquent, passionné, ivre de la couleur et des formes, charmant et conquérant de toutes les matières. Il se promène ici-bas ainsi que dans un musée en plein-air, s'amuse de tout, rejette et maudit le laid et le vil, accueille et bénit le beau et le bien…" Léon Daudet L'Entre-deux-guerres. Souvenirs des milieux littéraires, politiques, artistiques et médicaux de 1880 à 1905. "Voici le patient, appliqué, sage M. Lobre. Il est difficile de mettre plus d'honnêteté à peindre des intérieurs sans figures. Je préfère ses petits salons de Versailles à ses cathédrales… Nous lui devons des petits bijoux d'émotion et de large fini." Jacques-Emile Blanche "Il a recueilli sur des toiles le visage du vieux Versailles (…). Il a peuplé de visions impalpables des chambres " où il s'est passé quelque chose ", et il en a saturé l'atmosphère de particules historiques. Donner une telle impression avec certitude, avec vérité, c'est plus difficile que de faire évoluer des personnages costumés, dans ce qu'on appelle bêtement "une reconstitution historique"." Comte Robert de Montesquiou Maurice Lobre commence sa carrière au Salon de 1882 où il expose deux portraits, dont celui de son camarade de l'atelier Carolus-Duran, le peintre espagnol Ramon Casas...

Antoine-Claude PONTHUS-CINIER (Lyon, 1812 - Lyon, 1885) Lake Albano, Castel Gandolfo and the Roman countryside Oil on canvas mounted on cardboard H. 38 cm; L. 55 cm Signed lower left Ponthus-Cinier belongs to what could be defined as the third (and so to speak last) generation of neo-classical or historical landscape painters, born in the years 1810/1820, like Félix Lanoüe, Achille Bénouville...

French School Honfleur Follower of Frank Myers BOGGS (1855-1926) A pleasing harbour scene depicting Honfleur in Northern France. Painted in an impressionistic style with great spontaneity using the dark brooding colour palette reminiscent of the work of Frank Boggs. Honfleur was the centre of a small artist’s colony during the late 19th and 20th centuries. Boggs concentrated on painting marine...

Guillaume-François Colson (1785-1860) Sur la plage oil on canvas 35 x 65 cm signed 'Colson' (lower right) Price: £18,000 GBP Provenance: MacConnal-Mason Fine Paintings Private coll...

This luminous landscape is perfectly capturing the light of early spring. A boy is climbing over wooden farm gates, with a backdrop of rolling hills. The painting has a gloriously fr...

A wonderful and idyllic, mid 19th Century summery village scene, where a pretty young girl stands, knitting (perhaps she is secretly waiting for someone?), village women eat and work...