Clarence Holbrook Carter

On the Great Lakes

1953

A watercolor painting by Clarence Holbrook Carter circa 1950. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scene...

Artist: Yohanan Simon (1905-1976) Title: Landscape Medium: Gouache on paper laid to card Date: 1962 Signature: Signed and dated in Hebrew Paper Size: 16.75 x 21 inches Frame Size: 24...

A watercolor painting by Clarence Holbrook Carter from 1955. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes...

Artist: Charles Levier, French (1920 - 2003) Title: Marseilles Harbor Year: circa 1960 Medium: Watercolor, signed Size: 22 x 30 in. (55.88 x 76.2 cm)

A watercolor painting by Charles Burchfield from 1935. An impressionist landscape of green foliage and a grassy hill in soft earth tones. Signed and dated in the lower right, beautif...

A watercolor painting by Charles Burchfield from 1931. A still life botanical painting of a skunk cabbage in natural setting. Signed and dated in lower right, beautifully matted and framed in gold ornate frame. The painting has an excellent provenance through top New York Galleries including DC Moore...

A large scale French Mid Century watercolour painting of a stylish late 1950s villa and its garden in the South of France. This painting was acquired with another by the same artist...

Mid Century Fauvist view of a port and seascape by Verquin Henri. Signed bottom right, titled, located and signed to the backboard. Presented in period mid century gilt wood and clot...

'Winter in Provence', gouache on art paper, by Raymond Debiève (circa 1970s). There is both beauty and melancholy in this delightfully charming artwork. The artist's naive style is at odds with the refinement, poise and sophistication of the painting. Perhaps the artist was making a statement as well with the broken wall...

Born in 1922 and dying in 2003, the work of Ohaly-Ruckhaus became popular in Israel after his first exhibit in 1957. HaAretz spoke of some of his oil paintings being reminiscent of Dutch masters. His landscapes were known for their excellent composition, structure, and color, and their overall balance, despite the drama of the subject matter depicted. Ohaly Shaul, Teacher and Painter. born in 1922. Studies in "Gimnasia Herzlia" School in Tel Aviv; and the American University in Beirut. From 1972 art...

Abstract watercolor or gouache composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

Badri Narayan - The Celestial Garment - 6.5 x 11 inches ( unframed size) Watercolor on paper This work features in the Book on Badrinarayan Written by Ms. Prema Vishwanathan & Publis...