
Diamond Dust - Original, Abstract Expressionist, Landscape Painting, Mixed Media
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Dairo VargasDiamond Dust - Original, Abstract Expressionist, Landscape Painting, Mixed Media2018
2018
About the Item
- Creator:Dairo Vargas (1980)
- Creation Year:2018
- Dimensions:Height: 26.78 in (68 cm)Width: 26.78 in (68 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU95013987471
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Mod Abstract Expressionist Modernist Oil Painting Edward Avedisian Color Figure
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 )
8 X 9
Oil paint on wood plank panel with gold and purple figure
This is not signed on front. It bears his name verso.
Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021)
Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism.
He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975.
During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons.
Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience.
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