
Outside the Synagogue Russian Judaica Oil Painting
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Emmanuel SnitkovskyOutside the Synagogue Russian Judaica Oil Paintingc.1980s
c.1980s
About the Item
- Creator:Emmanuel Snitkovsky (1933 - 2005, Russian)
- Creation Year:c.1980s
- Dimensions:Height: 12 in (30.48 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. minor wear. surface grime.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3823725402
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This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City.
Emmanuil Snitkovsky is an internationally known artist, sculpture and poet.
Emmanuil Snitkovsky was born into a family of artists and scholars from the Odessa Art College in Russia. Immersed in the traditions of Russia art, he approaches form, line, space and color with relentless vision and impeccable technique.
Two highly successful artists, the husband and wife team of Emmanuil and Janet Snitkovsky have exhibited a selection of eight large Judaic paintings at the Chabad Chassidic Art Institute (Chai Gallery) in Crown Heights. Three of those paintings are truly singular visions of Jewish Art that cause us to stop and reassess our preconceptions about the meaning and importance of their subjects. Emmanuil and Janet Snitkovsky were both born in the Ukraine in the 1930′s. Emmanuil was trained in Odessa in public monument art, and Janet majored in fashion at the Lvov Decorative Art Institute. After both narrowly survived the devastation of the Second World War in Stalin’s Russia, they began to collaborate on state sponsored art works in 1962. For ten years, they worked on grandiose public sculptural projects to commemorate the fallen Russian heroes of the Second World War in Moscow, Kiev, Tula and Kazan. They were
exemplary Soviet Realists working for the Soviet regime. Eventually, this career became untenable for them, both as artists and as Jews, when they clashed with Soviet officialdom over a commission to commemorate the Babi-Yar massacre. The Soviets refused to acknowledge this massacre of 100,000 Jews and eventually suppressed the memorial. In 1978, Emmanuil and Janet arrived in New York and began to recreate their artistic lives. In the ensuing 25 years, they have been quite successful, exhibiting widely in the United States and Europe. They have nurtured a hybrid style of painting and sculpture called “Renaissance Revival” combining contemporary and classical subjects in a stylized realism that evokes both the American regionalist Thomas Hart
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Janet, a graduate of the Lvov College, was invited- by virtue of the high honors she
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Emanuel Glicen Romano was born in Rome, September 23, 1897.
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In 1926 Emanuel Glicenstein Romano and his father sailed for New York. They briefly visited Chicago. Romano's sister, Beatrice, and mother only joined them in New York years later.
Romano changed his name on his arrival to America and some have erroneously speculated that this was to avoid antisemitic discrimination. In truth, as the son of a highly-regarded artist, Romano changed his name to ensure that any success or recognition he would later attain, would be the result of nothing other than his own merit as an artist, and not on account of his father's fame.
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