Eric Hesse

Dark Power

2017

Hesse describes of his work, "encaustic is the perfect paint with which to explore this balance between control and chaos. In trying to wrestle a recognizable image from a fluid and ...

Hesse describes of his work, "encaustic is the perfect paint with which to explore this balance between control and chaos. In trying to wrestle a recognizable image from a fluid and often incorrigible medium, a tension emerges, echoing the drama outside the window." Choosing to focus on the Los Angeles landscape, for Hesse, "the act of building is generally considered synonymous with growth and progress. In the cities I’ve called home, construction more often seems the imposition of one will upon another. Visually, the result is a sort of competition; angles wedge their way into vegetation and undaunted, the foliage always pushes back. All it takes is a look out of an airplane window...

Hesse describes of his work, "encaustic is the perfect paint with which to explore this balance between control and chaos. In trying to wrestle a recognizable image from a fluid and ...

Hesse describes of his work, "encaustic is the perfect paint with which to explore this balance between control and chaos. In trying to wrestle a recognizable image from a fluid and ...

Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. I...

A realistic and beautiful painting of a neighborhood.

original city at night oil on panel :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed:...

"Future Shadow" is of a scene in the woods. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...