French Fauvist

1950's French Fauvist Signed Oil View of Village Houses & Gardens

c. 1950's

The French Town French School (Fauvist), mid 20th century indistinctly signed lower front oil painting on artists board, unframed size: 15 x 18 inches condition: very good provenance: from a private collection in Paris Superb mid 20th century French Fauvist...

St. Tropez French School (Fauvist), mid 20th century indistinctly signed lower front oil painting on artists board, unframed size: 15 x 18 inches condition: very good provenance: from a private collection in Paris Stunning mid 20th century French Fauvist...

Artist/ School: Marie Louise Eber (French mid 20th century), signed lower front, dated 1958 verso. Title: "La Serenite", a beautiful Post-Impressionist m...

Garden Flowers by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on board, unframed board: 29 x 21 inches Colors: Green colors, pink, white and red Very goo...

Pink and White Flowers by Josine Vignon (French 1922-2022) stamped verso oil painting on canvas, unframed canvas: 22 x 18 inches Colors: Pink colors, white, green, blue, white, gre...

Artist/ School: French School, indistinctly signed, circa 1944 Title: Flowers and Fruit, remnants of old label verso Medium: oil on canvas, unframed Painting: 24 x 20 inches Prov...

Unframed Ramón Moscardó studied at the Sant Jordi School of Fine Arts and La Lonja School, both in Barcelona. In 1971 he received the Santiago Barceló prize in the young painters c...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Garden Series: Garden Behind Studio, 1991 Oil on canvas Signed lower right 36 x 42 inch...

Brilliantly-colored bouquet of flowers in a landscape, set against a dramatic sky. Oil on canvas measures 16 x 12; frame dimensions measure 24 x 20 x 1 1/2. Housed in a soft-gold to...

Colorato prato fiorito, Pittore Italiano

Anders Ståhl, Swedish painter, born 1966. Since modernism, outdoor painting has largely been forgotten by professional painters, but the Swedish artist Anders Ståhl keeps the historical tradition of Plein Air alive. Not least when it comes to partly lost working methods in the field. For Anders, this has been a most natural way of creating since childhood; to interpret what he sees and feels, by drawing and painting.  Quickly capturing impressions in the field is one of the most demanding ways of painting you can imagine, since you are simultaneously fighting against both time and the elements. Back in the comfort of the studio, there is so much more time to interpret and perhaps work with larger formats. Anders has a strong artistic relationship with painters from the mid-1800s to the early 1900s, especially the French impressionists and Nordic landscape...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Terrace in Shade, 1980 Oil on canvas Signed and dated upper right 48 x 60 inches Joseph...