George Shackelford

"Sedimentary Rock, Strata" Desert Landscape Painting

20th Century

Impressionistic sepia toned pastoral landscape painting by Dan Baker. The work features a sprawling hill country landscape dotted with trees. Signed by artist in front lower right co...

Blue toned impressionist pastoral landscape by Texas artist Chester Dixon Snowden. The work features a small figure dressed in red ski...

Green natural tonal impressionist painting of a landscape that is titled "Speeding". The painting appears to be a highway through the countryside with mountains and lots of green. Th...

Summer themed impressionist landscape of a river with boats. Has the artist signature in the bottom right hand corner. Framed in a wooden frame. Dimensions without frame: H 15.5 in....

Fall themed Landscape with a villa in the mid-ground. A path runs diagonally through the composition. In the background is a lake motif. Painting is signed W. Markell in the left bot...

Impressionist fall themed landscape painting in red, orange, and yellow tones. Framed in a nice wood frame with a green velvet matte. Dimensions without Frame: H 8.5 in. x W 11 in. x D .5 in. Artist Biography: Hazel Massey...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

"Afternoon in Abbazia" Oil on canvas on cardboard 34.5 x 60 cm Kolhammer & Mahringer Archive Leontine von Littrow WVLL No. 338 Literature: Barta, Dubrovic, Kolhammer & Mahringer Li...

Excellent example of the artist's work. Overall condition good. Early lining is also good. The sky was possibly repainted (probably by Champney 100+ years ago). Period frame 26 1/2in...

George Lambert (1863-1946) * Alternate title for painting is "Stonington Lighthouse". Signed lower right. Beautiful example of Lambert's best work. Painted very much in the style and...