Goyo Dominguez

Surcos amarillos

2010

Ciberurban in "tondo". Architectural colorful landscape inspired in the Bauhaus School. Acrylic paint, mixed media on panel. 2021 Dimensions in cm.: 132 x 129 x 4 cm. In inches: 51.9...

A breath of fresh air (Un soplo de aire fresco). Symbolic acrylic paint on panel Colorful Folk Art Landscape with figure. Dimension art cm.: (H) 43 x (W) 53 x (D) 6 cm. The pictu...

"The way home" (El camino a casa), Symbolic Folk Art, Acylic and mixed media on wood panel. Dimensions cm : (H) 90 x (W) 122.5 x (D) 4 cm. The colors are a little bit stronger and greener than they appear in the photo. The pictures of Raquel Fariñas...

"It is more than a fruit" (Es más que un fruto), Acrylic on Wood Panel, H 56 x W 45 x D 3 cm. Symbolic, Colorful, Folk Art Landscape with figure. The pictures of Raquel Fariñas are ...

"If it was wind, I would bathe in your breeze", symbolic figurative landscape with figures. Acrylic and mixed media on wood panel. Dimesions: (H) 44 x (W) 57 x (D) 5 cm. The picture...

"Cemented". (Cimentada). Acrylic and mixed media on wood panel, 54x40x4 cm. The pictures of Raquel Fariñas are presented before our eyes with an almos...

Acrylic & ink on wooden panel

Acrylic & oil on wooden panel

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

"Moonlight Magnolia" (2020) by Gail M. Boykewich Acrylic on wood panel, figurative, outdoors, landscape, skyscape, waterscape, portrait, two women holding one another, in the backgro...