Gunnar Bundgaard

Last of the Sunlight

A dramatic oil seascape showing a view of translucent, gray-green waves rolling in towards a rocky coastline, with the first light of the day showing golden through dark clouds overh...

Signed lower left, 'F. Laval' for Fernand Laval (French, 1886-1966) and dated 1948. Born in Dordogne, Fernand Laval arrived in Paris at the age of 26 to study art and, during the e...

Signed lower left, 'Henri Buron' for Henri Lucien Joseph Buron (French, 1880-1969) and dated lower right 1927; additionally signed verso and dated. The painting is displayed in a cu...

Signed lower right 'F.H. Cutting' and dated '1932-1948'. Born in Iowa in 1872, Francis Harvey Cutting moved to San Jose, California in 1893 where he st...

A substantial oil landscape showing a view of a sunlit courtyard with a fountain and blossoming perennials in earthenware pots, and a view beyond towards a neo-classical villa. Sign...

Signed lower left, 'Milton W. Holm' (American, 1903-1999) and painted circa 1960. This notable American Impressionist was a long-time member of the Rochester Art Club and served as president of the Genesee Group of Painters. The Genesseeans sought to capture the Spirit of Place in their rendering of regional landscapes, and were dedicated to resisting the incursions of European modernism. Holm later became involved with the Rationalists, who he helped to organize in 1939, also in Rochester, and whose artistic goal was "orderly creation and craftsmanship plus individuality." He remained a central figure in the Rochester art colony and served as president of the Rochester Art Club between 1957 and 1959. Holm exhibited nationally with success including at the National Academy of Design...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

"Afternoon in Abbazia" Oil on canvas on cardboard 34.5 x 60 cm Kolhammer & Mahringer Archive Leontine von Littrow WVLL No. 338 Literature: Barta, Dubrovic, Kolhammer & Mahringer Li...

Excellent example of the artist's work. Overall condition good. Early lining is also good. The sky was possibly repainted (probably by Champney 100+ years ago). Period frame 26 1/2in...

George Lambert (1863-1946) * Alternate title for painting is "Stonington Lighthouse". Signed lower right. Beautiful example of Lambert's best work. Painted very much in the style and...