Guy Maccoy

Guy Maccoy "City Beyond the Bluffs" Cityscape Oil on Board MCM

1950 - 1975

"The Model #5" is a pastel on paper showing a nude female figure emerging from what appears to be an evening darkening mist where a distant landscape is suggested or perhaps she is e...

SALE ONE WEEK ONLY “Springtown Reflections No. I” depicts the moment of change in the weather moving from harsh winter to the first warming days of spring melting the snow. The title suggests a moment to pause in farm life before the coming spring planting and also suggests a time of mental reflection on life and work. The puddles of melting snow reflect the buildings in the scene. The muted colors and slightly off kilter structures cause the buildings to appear worn but sturdy, a soft idyllic scene of rural life. Helmut Gransow...

SALE ONE WEEK ONLY The untitled oil painting of a quiet country winter scene is a typical subject matter for T. M. Nicholas who is considered by many to be among the most prominent painter of his generation and specifically of the Rockport School of Art. Painting is signed in the lower right front corner. He grew up admiring the rugged beauty of the U.S. northeast coastline especially the landscapes of coastal New England. His father, esteemed painter, Tom Nicholas...

Impressionist Landscape" is an exquisitely peaceful late summer scene along the banks of a quiet river. The dappling yellow and green leaves and the spots of blue sky give the perfect impressionistic feel to the scene. Impressionism was a style or movement in painting originating in France in the 1860s, characterized by a concern with depicting the visual impression of the moment, especially in terms of the shifting effect of light and color. Methven captured this impression perfectly. It is as fresh today as when it was painted in 1902 so much so that you can almost hear the rustle of the leaves and see the shifting light. The gold gilt frame is original to the piece. Without the frame the piece measures 20 h x 16 w. It is signed by the artist. Methven was born in Philadelphia, Pennsylvania. In the 1930's he moved to Chicago, Illinois, where he painted with other area Chicago artists and showed at The Art Institute of Chicago. He spent his summers in Benton Harbor, Michigan, along Lake Michigan. He is known for his landscapes and water scenes. Michigan has numerous rivers, creeks and small lakes and Methven would have had a wealth of scenes to draw upon for his numerous oil paintings. He studied under Henry Fenton Spread who taught at the School of the Art Institute of Chicago and later founded Spread's Art Academy. In 1902, this academy became the Chicago Academy of Fine Arts. Spread was named the first president of the Chicago Society of Artists in 1889. Known primarily as a portraitist, Spread also painted landscape and genre scenes. Although a skilled artist, he did not exhibit widely; his primary legacy being fostering a love of art in Chicago. Fellow artist (and former student of Spread), Ralph Clarkson, the noted Chicago society portrait painter, stated that Spread' s "fine and advice formed the careers of the men who were not only to achieve prominence as artists, but to occupy leading places as art teachers". Harry Wallace Methven...

Peck Slip, 1950, oil on cardboard, 15 x 20 inches, exhibition label verso reads: “Oil on cardboard, 20 x 15, 1950 / Title: Peck Slip / Price: $100 / Artist and Owner: Fiske Boyd / 30...

Highway Derelict, May, 1939, oil on canvas board, signed upper right, 18 x 20 inches, exhibited 1) Society of Independent Artists, American Society of Fine Arts (Art Students League), New York, NY, April 19 – May 12, 1940, no. 535 (noted verso, listed in catalog, and see Kantner, Dorothy, Palette Palaver, Pittsburgh Sun Telegraph, April 19, 1940 – “Helen F. Price and Ethel M. Dean, the former of Johnstown, the latter of this city, are two members of the Associated Artists of Pittsburgh who are represented in the Independent Artist’s Exhibition which opens today in New York. Miss Price is represented by . . . ‘Highway Derelict’ . . . .”), 2) Solo Exhibition of Log Cabin Paintings...

Untitled (Houses and Railroad Tracks), c. 1940s, oil on canvas board, signed lower right, 16 x 20 inches, presented in a newer frame This work is part of our exhibition America Coas...

My Only Working Tool, 1949, oil on panel, signed and dated lower right, 16 x 12 inches, remnant of exhibition label verso, exhibited at the Art News Second Annual National Amateur Competition, National Academy of Design, New York, NY, December, 1950 (see The Best Amateurs, Art News, volume 49, issue 8, December 6 to 20, 1950, p. 65 – 66), presented in a period frame Fausto Sansone...