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Janet Downie
"Bluebonnets" Texas Hill Country

Circa 1930

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"Hill Country Pond" Texas Hill Country
By Roland D. Enright
Located in San Antonio, TX
R.D. Enright "Hill Country Pond" (1921 - 1983) Texas Image Size: 24 x 30 Frame Size: 31 x 37 Medium: Oil Biography R.D. Enright (1921 - 1983) Roland...
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1960s Impressionist Landscape Paintings

Materials

Oil

"RANCHERS REWARD" COWBOYS, HORSEBACK, FRAMED 41 X 59 G. HARVEY TEXAS ARTIST
By G. Harvey
Located in San Antonio, TX
G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 48 Frame Size: 41 x 59 Medium: Oil "Ranchers Reward" Dated 1975 Mr. Geral...
Category

1970s Impressionist Landscape Paintings

Materials

Oil

"Crashing Waves" Impasto Oil Painting GALVESTON TEXAS SEASCAPE OIL ON CANVAS
By Paul Schumann
Located in San Antonio, TX
Paul Schumann Has been professionally cleaned and framed. 1876-1946 Galveston Artist Image Size: 9 x 12 Frame Size: 13.75 x 16.75 Medium: Oil "Crashing Waves" Paul Richard Schumann (December 13, 1876 – April 29, 1946) was a Texas...
Category

1930s Impressionist Landscape Paintings

Materials

Oil

"HAPPY STAGING" STAGECOACH FRAMED 18.5 X 22.5
By Marjorie Reed
Located in San Antonio, TX
Marjorie Reed a.k.a. Harvey Day (1915-1996) California, Arizona Artist Image Size: 12 x 16 Frame Size: 18.5 x 22.5 Medium: Oil on Board "Happy Staging" Biography Marjorie Reed a.k.a. Harvey Day (1915-1996) Born in Springfield, Illinois and raised in Los Angeles, Marjorie Reed gained a reputation for paintings of western scenes, particularly Butterfield Overland Stagecoaches and other scenes of cowboys, horses and figures associated with the Overland Mail Route. Sometimes she signed her paintings with men's names including Harvey Day and Fred Day. At age three, she began art lessons from her father, Walter Stephen Reed, a commercial artist, whom she later assisted in the designing of Christmas cards and with illustrations for the Mickey Mouse Beverage Company, affiliated with Walt Disney. In fact, she was so accomplished that shortly after, she was hired by Walt Disney Studios to do animation. But she did not like the regimentation of that work. In the mid-1930s, she studied at the Chouinard Art School and took lessons from Jack Wilkinson Smith, a renowned landscape painters who was a key artist in establishing the Biltmore Salon in Los Angeles. Knowing her love of the outdoors and horses, he encouraged her to roam the countryside. She became a friend of Captain William Banning who had been a stagecoach driver for his father Phineas Banning. She learned the romantic story of the Butterfield Overland Mail Stage, which, from 1857 to 1858, ran from San Francisco to the Yuma crossing on the Colorado River. In her Model-T Ford with her Alaskan Husky dog, she, based in Los Angeles from the late 1930s to late 1940s, traveled the stage-coach route and sketched for the paintings of her project to learn about and sketch various points along the route. Her travels included Palm Springs, which she visited many times after her first stop in 1937, and she also spent time in Julian, a California mountain town. Her "Butterfield Stage" series, about the 1858 Butterfield Overland Stage from St. Louis to San Francisco were completed in 1957 after years of travel and research, and a book titled The Colorful Overland Stage was published with twenty of her color reproductions and text by Richard Pourade. In 1967, she finished a second set of Overland Stage illustrations focused on Arizona. A third set was then devoted to New Mexico and Texas and a fourth set to Oklahoma, Arkansas and Missouri. In her later years, she and her fourth husband, Cecil Creese, a miner, became residents of Tombstone, Arizona in 1963 after living in northern California on the Placer River. According to her daughter, Judy Morris, Marjorie Reed died in 1997, living in the desert near the Butterfield Stage Station in California. Exhibition venues included the Biltmore Salon and Ebell Salon in Los Angeles, the Heard Museum in Phoenix, the Desert Inn Gallery in Palm Springs, and the Palm Desert Art...
Category

20th Century Impressionist Landscape Paintings

Materials

Oil

"IN THE LAND OF THE SPANISH OAK " TEXAS HILL COUNTRY DATED 1910
By Julian Onderdonk
Located in San Antonio, TX
Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 20 x 30 Frame Size: 29 x 39 Medium: Oil Dated 1910 "In The Land Of The Spanish Oak" Spectacular larger scene by Julian...
Category

1910s Impressionist Landscape Paintings

Materials

Oil

"LAS FLORES DE IXTAPAN" MEXICO FLOWER VENDOR STREET SCENE 1985 LOTS GOING ON!
By G. Harvey
Located in San Antonio, TX
G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 18 x 24 Frame Size: 30 x 36 Medium: Oil on Canvas Dated 1985 "Las Flores De Ixt...
Category

1980s Impressionist Landscape Paintings

Materials

Oil

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Mid Century Sunset on the Inlet Landscape
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Beautiful sunset landscape of an old fishing boat, fishing shacks and the golden sun setting over a coastal inlet by listed artist Rod Quesada (American, 20th century). Signed "R. Quesada" lower left. Presented in a new bronze colored frame. Image size: 23.5"H x 29.5"W. Quesada studied at the Otis Art Institute, San Francisco Art Institute, Art Students' League New York City, University and La Esmeralda School of Fine Arts, Mexico City. He painted portraits of Dorothy Lamour...
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The Calf, Chilean Artist, Livestock, Landscape, Emerging Artist 24 x 31 oil
Located in Houston, TX
The Calf is an oil painting by Chilean artist Viviana Ovando. At this time it can be rolled and shipped. Waiting to be picked up by framer. Viviana Ovando Cid Visual Artist and Painter. She studied Visual Arts at the University of Chile and specialized as a Painter at the Martín Soria Academy of Fine Arts. Awarded by the Chilean-Japanese Cultural Institute and the National Society of Fine Arts. Viviana has participated constantly in group and individual exhibitions nationwide, Thanks to her constant concern she handles different painting techniques, from those coined by the Classic Academy to digital techniques, participating in 2D and 3D animation projects, exploring new representation techniques. Who are your biggest influences? Are you inspired by the work of your colleagues or someone else in particular? Antonio López, Goya, Rembrandt, Velásquez, Sorolla, Caravaggio, Franz Marc, Muñoz Vera, Sergio Castillo...
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