Linda Yurgensen

Amber Breezes, Painting, Oil on Canvas

2020

This brook is only frozen on the edges so it looks dark and brooding as it passes through the winter wood. Done with quality oils on stretched linen. :: Painting :: Impressionist ::...

This very colourful and vibrant painting is a reflection of my walks during the early time of the pandemic. A hopeful and happy painting during a stressful time. The sides of the ga...

Landscape of Auvergne, in the very heart of France. View of the Loire river. Before being this majestic river bordered by the most beautiful castles of France, near its source th...

original landscape oil on panel painting in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by t...

Oil on linen mounted on gatorboard. It is available unframed. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Re...

My painting is about spring, spring is about flowers, strong colors and joy :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed b...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

"Afternoon in Abbazia" Oil on canvas on cardboard 34.5 x 60 cm Kolhammer & Mahringer Archive Leontine von Littrow WVLL No. 338 Literature: Barta, Dubrovic, Kolhammer & Mahringer Li...