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Mark WeberThe Grand Canyon
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
Mark Christopher Weber (b. 1949)
"The Grand Canyon"
Oil on Panel
approx 37 x 60 inches
Mark Christopher Weber is a master artist whose style and technique can only be compared to the Old Masters. Inspired by Vermeer and Caravaggio and motivated by his faith in God, Weber has developed an eye for the essence, the awesome, and the truth. Painting the beauty and suffering of all things created, Mark sees what is before all of our eyes, but does not let it pass unnoticed. He freezes on his canvas what the rest of us are often too busy or too burdened to contemplate. He gives us a second chance to look, to ponder, and to be filled with inspiration and wonder.
Mark resides in Kansas City, Missouri, where he began his career over thirty
years ago. He was quickly accepted into the more prestigious Southwestern art markets where he is known as a premier painter of the Grand Canyon. Mark has won numerous awards for not only his Grand Canyon pieces, but in every subject; Still life, Figures, Wildlife, and Landscapes. His varied subject matter is highlighted in his own book, Brushwork Essentials, published by North Light Books, currently in it's second printing.
- Creator:Mark Weber (1949)
- Dimensions:Height: 37 in (93.98 cm)Width: 60 in (152.4 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Missouri, MO
- Reference Number:1stDibs: LU74735159752
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Located in Missouri, MO
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BORN in Tokyo, Japan, Oct 31,1949, Joseph lived his first years in an orphanage sponsored by American Armed Forces. He was adopted April,1954 and came to the US at age 5 where he became an American citizen. As the Orr’s traveled for the US military Joseph enjoyed a childhood rich in experiences from Germany and back to California where he attended High School and started College.
Following his parents to Missouri In 1971 he took a job with Hallmark Cards as machine operator in the cardboard fold dept. It sparked an interest in art, so after a few months he sought out some of the Hallmark artists at their work for private lessons. He learned basic drawing and watercolor from Anthony Allison and, “Probably before I was ready”, he admits, Joseph was entering local art shows and even winning prizes. At that time Joseph also enrolled for art instruction under John Coleman at Longview Community College. He spent one semester there.
By the end of 1972 Joseph had quit his day job to become a full time painter, joining an art show tour group called Word Of Art, which was a new concept: culture meets promotion. Booking weekly art exhibits in the new indoor shopping malls across America, The idea transformed part of the art world by bringing art to the masses.
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Believing that acrylic, as a fine art painting medium, can be as viable as oil, Orr has always promoted it as the modern medium that it is.
In 1990 Joseph, along with his wife, Rita and two other artists, founded the National Oil & Acrylic Painter’s Society. The Orr’s brainchild, they were aided in founding NOAPS organization by local art patrons, Wm & Martha Mitchell and fellow artists Pete Peterson and Dennis T. Yates.
While traveling with the World of Art Tour Joseph had met Rita Mathews, an aspiring artist, in Columbia, MO. They were married in June 1974 and stayed in Missouri, traveling and exhibiting their art together. Orr had a brief encounter with printmaking in 1977. He took private instruction in stone lithography and copper plate etching from Frank Stack, professor of art at the Univ of MO, Columbia, but painting remained his principal devotion.
By 1999 Joseph had become proficient enough to have obtained Gallery representation with several Fine Art Galleries across the US.
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PHILOSOPHY:
For me the idea is that painting should follow some form of illustration and truth telling. Basically, the premise of my painting philosophy, is to build layers of narrative into my paintings. A place or landscape scene is never defined satisfactorily without it’s relationship to color and composition. It is important to balance fact with imagination.
“ART REFLECTS THE SOUL OF SOCIETY. A JUDGMENT CAN BE MADE FOR THE ATTITUDE OR CONDITION OF SOCIETY BY INSPECTING THE POPULAR ‘IDEAS’ OF ART OR, IN SOME INSTANCES, THE LACK OF ART.” (JOSEPH C. ORR)
NOTED SOLO EXHIBITS :
*BIRGER SANDZEN MEMORIAL, LINDSBORG, KS;
*HARWELL ART MUSEUM, POPLAR BLUFF, MO;
*ASHBY-HODGE GALLERY OF AMERICAN FINE ART, FAYETTE, MO;
*NORFOLK ART CENTER, NORFOLK, NE;
*KODNER GALLERIES...
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