Master of Landscapes Correr

18th Century Architectural Capricci Correr Landscapes Nature Oil on Canvas White

Painting, oil on canvas, measuring 100 x 80 cm without frame and 125 x 100 cm with frame depicting the Piazzetta of Cogne by the painter Leonardo Bazzaro, signed and dated 1927. The...

The "Rural Scene" (oil painting on canvas, 90 x 113 cm without frame and 110 x 125 cm with coeval frame) as it hinges only on the presence of animals - an ox, a cow, two sheep and a goat - may constitute an exception in this specific vein, but it reflects the prevailing and constant practice of Philipp Peter Roos known as "Rosa da Tivoli...

Oil painting on canvas measuring 85 x 110 cm without frame and 103 x 126 cm with frame depicting a landscape with figures along the path. In the work in question, depicting a large ...

I examined with keen interest this pair of paintings depicting pleasant and tasty "Country Scenes " (Paintings oil on panel, 33 x 26 cm without frames and 50 x 42 cm with beautiful p...

Flemish painting measuring 44 x 30 cm without frame and 53 x 39 cm with frame depicting a landscape with figures, in soft tones and with a strong sense of perspective; elegant, fluid...

Pair of oval paintings measuring 66 x 89 cm without frame and 90 x 115 cm with coeval frame depicting two gallant moments during a rest from hunting by painter Hendrik Van Limborch (...

Giovanni (Nino) Costa (Rome 1826 – Marina di Pisa 1903), The ‘Alba’ study for The awakening of nature Oil on canvas cm 25 x 53 signed lower left. Provenance: Reverend Stopford Br...

Scipione Compagno (active in Naples in XVII century) Crucifixion Oil on canvas, cm. 64 x 52,5 - with frame cm. 80 x 67 Antique wooden cassetta frame carved, sculpted and gilded by Mecca technique Expertise: Nicola Spinosa Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...

Attributed to Carl-Wilhelm GÖTZLOFF (Dresden, 1799 -Naples, 1866) The Bay of Naples and Vesuvius from the Pausilippe Oil on canvas H. 66 cm; L. 98.5 cm Trained in Dresden by Caspar ...

ROME - Oil on canvas cm.40x60 by Ettore Ferrante, Italy 2003 . In this precious oil painting Ettore Ferrante is inspired by the views of the Dutch neutralized Italian painter Gaspar Adriaensz van Wittel, known as Casper, and known in Italy as Gaspare Vanvitelli...

Rome - Ettore Ferrante Italia 2002 - Oil on canvas cm. 45x95 In this precious oil painting Ettore Ferrante is inspired by the views of the Dutch neutralized Italian painter Gaspar Adriaensz van Wittel, known as Casper, and known in Italy as Gaspare Vanvitelli. In particular this is a reinterpretation of the painting "View of the Tiber with Castel Sant'Angelo and San Pietro in the background" by Vanvitelli. Taken from the left bank of the river, the view has its focal point in the circular mass of Castel Sant’Angelo, the pontifical fortress built on the central core of Hadrian's mausoleum and enriched with ramparts and patrol paths overlooking the water. In the background of the view, the Vatican basilica with the papal palaces responds to the vestiges of imperial power, while in the center the Sant'Angelo bridge, adorned with statues painted between 1669 and 1671 by Gian Lorenzo Bernini and his pupils, connects the two banks replacing the ancient Aelius bridge built by Hadrian. No less interesting is the minor urban fabric...

Rome - Vincenzo Montella Italia 2009 - Oil on canvas cm. 40x50. In this precious oil painting Vincenzo Montella is inspired by the views of the Dutch neutralized Italian painter Gaspar Adriaensz van Wittel, known as Casper, and known in Italy as Gaspare Vanvitelli. In particular this is a reinterpretation of the painting "View of the Tiber with Castel Sant'Angelo and San Pietro in the background" by Vanvitelli. Taken from the left bank of the river, the view has its focal point in the circular mass of Castel Sant’Angelo, the pontifical fortress built on the central core of Hadrian's mausoleum and enriched with ramparts and patrol paths overlooking the water. In the background of the view, the Vatican basilica with the papal palaces responds to the vestiges of imperial power, while in the center the Sant'Angelo bridge, adorned with statues painted between 1669 and 1671 by Gian Lorenzo Bernini and his pupils, connects the two banks replacing the ancient Aelius bridge built by Hadrian. No less interesting is the minor urban fabric...