Mixed Media Landscape Paintings

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 100 x 150 x 4 cm Acrylic on canvas 2023 There’s something ethereal, almost magical, abou...

This piece is a symphony of the ocean's soul, where tranquil hues dance with serene strokes. I've captured the sea's vast beauty through the interplay of acrylic, oil, and enamel, bl...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 100x100cm About this artwork In this piece, I sought to capture the serene and boundless ...

In creating this piece, I immersed myself in the serenity of the shores. The interplay of oils dances across the canvas, capturing the fleeting beauty of a sunset caressing the sea. ...

In this serene composition, I've harmoniously blended acrylics and oils, flirting with both realism and semi-abstract styles. The magic hours' warmth and the turquoise waves' gentle ...

By the sea. 2001, cardboard, author's technique, 17.5x25 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Sov...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 120x120cm About this artwork I was inspired to create this artwork by a lake among the mo...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 100x100cm About this artwork In this piece, I sought to capture the serene and boundless ...

Size: 80 cm x 100 cm Year: 2022 Media: acrylic on canvas This painting fits well into a spacious room with a minimalist modern interior, in a study, in a living room, in a beauty sa...

Size: 40 cm x 80 cm Year: 2024 Media: acrylic on canvas This painting fits well into a spacious room with a minimalist modern interior, in a study, in a living room, in a beauty sal...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 120x100cm About this artwork There’s something ethereal, almost magical, about contempora...

In this artwork, I've blended oil to cascade hues of tranquility and calm across the canvas. My brushstrokes dance between impressionism and minimalism, with a touch of realism and s...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 30x40cm About this artwork Abstract expressions of heaven and earth. Filled with movement...

Title: BLUE SUNSET WITH A PINK CLOUD Size: 30 H x 40 W x 2 D cm Year: 2021 Media: oil on canvas Style: modern, art deco, figurative, abstract. This painting depicted field, water, ri...

* Canvas stretched on a wooden frame. * At the request can ship the artwork in a tube (Unstretched canvas with the disassembled subframe in the tube). * The color rendition of comput...

In crafting this piece, I embraced the tranquility and depth of the sea, using acrylics and plaster to create a textured haven of calm. It merges abstract minimalism with an impressi...

'Glastonbury Nights' painted at Glastonbury Festival Mixed media signed original painting circa 2005. An amalgamation of experience in time and place. Painted in an Expressionist ...

In this painting, I have channeled the serenity of the sea, capturing the tranquil horizon where sky and water meet. Using oils, I blended impressionistic strokes with elements of mi...

In this serene composition, I've harmoniously blended acrylics and oils, flirting with both realism and semi-abstract styles. The magic hours' warmth and the turquoise waves' gentle ...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 120x120cm About this artwork There’s something ethereal, almost magical, about contempora...

Artwork details Acrylic on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 70x90cm About this artwork This canvas is, first of all, a beautiful seascape,...

This artwork is a profound exploration of abstraction through the utilization of a monochromatic blue palette. The artist masterfully manipulates tonal variations of blue to create a...

In creating this piece, I've poured my soul into capturing the essence of a serene horizon. Utilizing acrylics and oils, I blended abstract thoughts with impressionistic touches, cre...

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Paul Brown first began to paint in oils as a teenager and won several prizes for painting was still at school. His art teacher at the time felt that Brown was the most naturally gift...

This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then out at a horizon line with rust-colored mine trestles. Atherton hints at perspective with a broken white line that is wider in the foreground and tapers to a hairline as it recedes to the background. The work was done in 1951 at the height of America's most important art movement: Abstract Expressionism. John Atherton absorbs its influences but retains elements of representation. Atherton was an in-demand commercial artist who worked for most blue-chip clients. It is possible that this was an editorial assignment for Fortune Magazine. At the same time, Atherton was also a fine artist and the work could be an expression of pure creative pursuits. The work looks better in person and one can look at it for hours and not get bored. Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. A first prize award of $500 at the annual exhibition of the Bohemian Club in 1929, financed his one way trip to New York City, which helped to launch his career as an artist.[6] Atherton had aspired to be a fine artist, however his first paid jobs were for commercial art firms designing advertisements for corporations such as General Motors, Shell Oil, Container Corporation of America, and Dole. However, by 1936, encouraged primarily by friends, such as Alexander Brook, an acclaimed New York realist painter, he returned to the fine arts. Atherton continued to accept numerous commissions for magazine illustrations; such as Fortune magazine, and over the years he would paint more than forty covers for The Saturday Evening Post starting with his December 1942 design, “Patient Dog.” This picture is reminiscent of his friend Norman Rockwell ‘Americana style’ and captures a poignant moment of nostalgia, where a loyal dog looks toward a wall of hunting equipment and a framed picture of his owner in military uniform. Selected One person Exhibitions Atherton accomplished his first one-man show in Manhattan in 1936. His Painting, “The Black Horse” won the $3000 fourth prize from among a pool of 14,000 entries. This painting forms part of the Metropolitan Museum of Art collection in New York.[7] Atherton achieved recognition in New York City and elsewhere during the 1930s. Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited Atherton, as well as accomplished artists such as Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker, Norman Rockwell, Ben Stahl, Harold von Schmidt and Jon Whitcomb.[19] He collaborated with Jon Whitcomb with the book “How I Make a Picture: Lesson 1-9, Parts 1”.[20][21] Society of Illustrators Atherton as an active member from his arrival in New York. The society have owned many of his works. Ex-collection includes: Rocking Horse (ca. 1949) [22] Atherton, as his peers had many of his works framed by Henry Heydenryk Jr.[23] Personal On November 2, 1926, he married Polly “Maxine” Breese (1903-1997).[24][25] They had one daughter, Mary Atherton, born in 1932. Atherton's often chose industrial landscapes, however found himself spending considerable time in Westport, Connecticut, with an active artistic community, and it became home for him, and his family. He then moved to Arlington, Vermont.[26] Norman Rockwell enlisted Atherton in what was to be the only collaborative painting in his career.[27] He was part of a group of artists including a Norman Rockwell, Mead Schaeffer and George Hughes who established residences in Arlington.[28] Atherton and Mead Schaeffer were avid fly fishermen and they carefully chose the location for the group,[29] conveniently located near the legendary Battenkill River. In his free time, Atherton continued to enjoy fly-fishing.[30] He brought his artistic talent into the field of fishing,[31] when he wrote and illustrated the fishing classic, “The Fly and The Fish”.[32] He died in New Brunswick, Canada in 1952,[33] at the age of 52 in a drowning accident while fly-fishing.[34] Legacy The Western Connecticut State University holds an extensive archive on this artist.[35] His wife, Maxine also published a memoir “The Fly Fisher and the River” [36] She married Watson Wyckoff in 1960. Ancestry He is a direct descendant of James Atherton,[37][38] one of the First Settlers of New England; who arrived in Dorchester, Massachusetts in the 1630s. His direct ancestor, Benjamin Atherton was from Colonial Massachusetts...

In Thornton Dial's assemblage, masklike faces with staring eyes and open mouths emerge from a dense maze of layers streaked in red, white, blue, and black. Ropes painted brown snake over the surface, twisting into bodies that stretch from one side of the painting to the other. Additional objects have been attached to the surface—a paint-covered metal grill at the top and a wire rack on the right edge, for example—which accentuate the artwork's sculptural appearance. The resulting lattice of colors, forms, and objects gives the impression that, if the artwork's strata were excavated, much more could be discovered. In many respects, "excavation" is an appropriate way to approach Top of the Line (Steel).By layering paint and objects that Dial collects from around his home in Bessemer, Alabama, a suburb of Birmingham, the artist creates a series of evocative relationships. Dial encourages viewers to look closely at the artwork, excavating meaning from the interplay of forms and even from the title, which has several interpretations. For example, "top of the line" refers both to a position in an assembly line...

Transcending Canvases with Bespoke Frames The function of a picture frame is to encase a painting, providing it both protection against damage and a decorative touch to enhance its ...

Solitary Journey, Original Contemporary Abstract Coastal Landscape Painting 14" x 11" x 1.5" (HxWxD), Mixed Media on Canvas A lovely abstract seascape study by artist Julia Di Sano...

Paul Brown first began to paint in oils as a teenager and won several prizes for painting was still at school. His art teacher at the time felt that Brown was the most naturally gift...

Red sunset. The red color of passion, life, love. Red sunrises, red sunsets always delight. Sky, horizon, water, reflection, brown earth. Title: Dark cow by the road Size: 40 H x 50 ...

About this artwork Тhe work is devoted to environmental protection, problems of ecology, water, pollution. With my painting, I try to express how I see the world, and on an emotional...

________________________________________________ ⭐NOTE: * Ready to hang, unframed. * At your request can ship the artwork in frame. * The color rendition of computers and phones m...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 30x40cm About this artwork Abstract expressions of heaven and earth. Filled with movement...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 80x80cm About this artwork In crafting this piece, I layered acrylics and oils with a min...

I created this piece to evoke the vastness and serenity of the sea, marrying acrylic and oil to achieve deep, resonating hues of blue. My strokes blend abstract and impressionistic e...

In crafting this piece, I embraced the tranquility and depth of the sea, using acrylics and plaster to create a textured haven of calm. It merges abstract minimalism with an impressi...

This mesmerizing artwork exhibits a nuanced interplay between light and shadow through the use of varying shades of deep blues. The composition, reminiscent of a twilight ocean's sur...

Painted it trying to represent the emotion of seeing a magnificent seascape. There’s something ethereal, almost magical, about contemporary paintings. Due to the intense play of co...

Includes a Certificate of Authenticity

the painting is being offered with a work and authenticity certificate

MESTIA MOUNTAIN VALLEY 2 by artist Bill Claps is a white, gold, and brown contemporary landscape mixed media on canvas that measures 22 x 32 Visual artist and writer Bill Claps medi...

USHGULI WITH SHAKRA MOUNTAIN by artist Bill Claps is a white, gold, and brown contemporary landscape mixed media on canvas that measures 22 x 32 Visual artist and writer Bill Claps ...

MAROON BELLS, ASPEN I by artist Bill Claps is a white, gold, and brown contemporary landscape mixed media on canvas that measures 31 x 55 Visual artist and writer Bill Claps medita...