Mixed Media Landscape Paintings

A Brave New World by Elaine Ford [2020] original Acrylic and Mixed Media on Canvas Image size: H:90 cm x W:90 cm Complete Size of Unframed Work: H:90 ...

Rising 1 by Marilyn Simler [2021] original mixed media on paper Image size: H:76 cm x W:57 cm Complete Size of Unframed Work: H:76 cm x W:57 cm x D:0.2cm Sold Unframed Please note t...

Sun’s Fiery Kiss by Annie Green [2021] original Mixed media on wood panel Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:3cm Frame Size: H:43 cm...

Cathryn Jeff Pastel Meadow Original Mixed Media Painting on Deep Canvas Canvas Size: 25 cm x 25 cm x 3.5 cm Sold Unframed Free Shipping Please note that ...

Dusky Shore and Peach Panorama Diptych [2021] original Acrylic on unstretched canvas and mixed media on gessoed cardboard Image size: H:23.5 cm x W:47.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Dusky Shore and Peach Panorama Diptych is a collection of work by Luisa Holden...

Magdalena Morey Ocean Light 1 Original Cubist Inspired Landscape Painting Mixed Media on Canvas Canvas Size: H 50cm x W 50cm x D 4cm Sold Unframed (Please note that in situ images ar...

Transcending Canvases with Bespoke Frames The function of a picture frame is to encase a painting, providing it both protection against damage and a decorative touch to enhance its ...

Undisturbed Calmness by Christina Sadler [2021] original Mixed Media on Canvas Image size: H:40 cm x W:80 cm Complete Size of Unframed Work: H:40 cm x W:80 cm x D:2cm Sold Unframed ...

Isolated Retreat Diptych [2021] original Mixed media on canvas Image size: H:25.5 cm x W:20 cm Complete Size of Unframed Work: H:25.5 cm x W:40 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Isolated Retreat Diptych is a pair of original...

Quiet Haze by Alison Britton-Patterson [2021] original Mixed media on canvas Image size: H:30.5 cm x W:30.5 cm Complete Size of Unframed Work: H:30.5 c...

This oil painting vividly captures the essence of a dense, flourishing natural scene of an uncut meadow during the summer. The artwork is rich in texture and color, combining abstra...

Beyond the Obelisk, Ballard Down, Mixed Media Painting by Peter Joyce B. 1964, 2023 Additional information: Medium: Mixed media Dimensions: 77 x 112 cm 30 1/4 x 44 1/8 in Signed and...

Carrowteige I Mixed Media on Board 54.6 x 75.9 cm 21 1/2 x 29 7/8 in "I want to celebrate the subtlety and nuance, the sense of timelessness, strength and fragility, and to convey t...

Amy Dixon’s loose, spontaneous canvases are full of life, energy and a glorious palette that warm the soul. Mostly her paintings convey this artist’s infectious joie de vivre and the...

Interconnectedness: Paintings of Trees Throughout my career, which spans more than two decades, I have explored various subjects and themes, but the theme of connectedness ties them ...

This artwork is a profound exploration of abstraction through the utilization of a monochromatic blue palette. The artist masterfully manipulates tonal variations of blue to create a...

Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 60x80cm About this artwork This landscape features a gentle cumulus cloud. Title: SUMMER LANDSCAPE...

Semi-abstract  Landscape. Mixed media with oil on canvas.

This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then out at a horizon line with rust-colored mine trestles. Atherton hints at perspective with a broken white line that is wider in the foreground and tapers to a hairline as it recedes to the background. The work was done in 1951 at the height of America's most important art movement: Abstract Expressionism. John Atherton absorbs its influences but retains elements of representation. Atherton was an in-demand commercial artist who worked for most blue-chip clients. It is possible that this was an editorial assignment for Fortune Magazine. At the same time, Atherton was also a fine artist and the work could be an expression of pure creative pursuits. The work looks better in person and one can look at it for hours and not get bored. Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. A first prize award of $500 at the annual exhibition of the Bohemian Club in 1929, financed his one way trip to New York City, which helped to launch his career as an artist.[6] Atherton had aspired to be a fine artist, however his first paid jobs were for commercial art firms designing advertisements for corporations such as General Motors, Shell Oil, Container Corporation of America, and Dole. However, by 1936, encouraged primarily by friends, such as Alexander Brook, an acclaimed New York realist painter, he returned to the fine arts. Atherton continued to accept numerous commissions for magazine illustrations; such as Fortune magazine, and over the years he would paint more than forty covers for The Saturday Evening Post starting with his December 1942 design, “Patient Dog.” This picture is reminiscent of his friend Norman Rockwell ‘Americana style’ and captures a poignant moment of nostalgia, where a loyal dog looks toward a wall of hunting equipment and a framed picture of his owner in military uniform. Selected One person Exhibitions Atherton accomplished his first one-man show in Manhattan in 1936. His Painting, “The Black Horse” won the $3000 fourth prize from among a pool of 14,000 entries. This painting forms part of the Metropolitan Museum of Art collection in New York.[7] Atherton achieved recognition in New York City and elsewhere during the 1930s. Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited Atherton, as well as accomplished artists such as Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker, Norman Rockwell, Ben Stahl, Harold von Schmidt and Jon Whitcomb.[19] He collaborated with Jon Whitcomb with the book “How I Make a Picture: Lesson 1-9, Parts 1”.[20][21] Society of Illustrators Atherton as an active member from his arrival in New York. The society have owned many of his works. Ex-collection includes: Rocking Horse (ca. 1949) [22] Atherton, as his peers had many of his works framed by Henry Heydenryk Jr.[23] Personal On November 2, 1926, he married Polly “Maxine” Breese (1903-1997).[24][25] They had one daughter, Mary Atherton, born in 1932. Atherton's often chose industrial landscapes, however found himself spending considerable time in Westport, Connecticut, with an active artistic community, and it became home for him, and his family. He then moved to Arlington, Vermont.[26] Norman Rockwell enlisted Atherton in what was to be the only collaborative painting in his career.[27] He was part of a group of artists including a Norman Rockwell, Mead Schaeffer and George Hughes who established residences in Arlington.[28] Atherton and Mead Schaeffer were avid fly fishermen and they carefully chose the location for the group,[29] conveniently located near the legendary Battenkill River. In his free time, Atherton continued to enjoy fly-fishing.[30] He brought his artistic talent into the field of fishing,[31] when he wrote and illustrated the fishing classic, “The Fly and The Fish”.[32] He died in New Brunswick, Canada in 1952,[33] at the age of 52 in a drowning accident while fly-fishing.[34] Legacy The Western Connecticut State University holds an extensive archive on this artist.[35] His wife, Maxine also published a memoir “The Fly Fisher and the River” [36] She married Watson Wyckoff in 1960. Ancestry He is a direct descendant of James Atherton,[37][38] one of the First Settlers of New England; who arrived in Dorchester, Massachusetts in the 1630s. His direct ancestor, Benjamin Atherton was from Colonial Massachusetts...

In this painting, I've captured the tranquility of the sea at the cusp of dusk. The interplay of acrylic and oil paints creates a dynamic texture that evokes the ebb and flow of wave...

Amy Dixon’s loose, spontaneous canvases are full of life, energy and a glorious palette that warm the soul. Mostly her paintings convey this artist’s infectious joie de vivre and the...

Amy Dixon’s loose, spontaneous canvases are full of life, energy and a glorious palette that warm the soul. Mostly her paintings convey this artist’s infectious joie de vivre and the...

This artwork is a profound exploration of abstraction through the utilization of a monochromatic blue palette. The artist masterfully manipulates tonal variations of blue to create a...

Abstract landscape painting by British contemporary artist Alanna Eakin. Alanna Eakin (b.1988) is a British painter. She lives in London and works from her studio in Wimbledon. Gra...

I created this piece to evoke the vastness and serenity of the sea, marrying acrylic and oil to achieve deep, resonating hues of blue. My strokes blend abstract and impressionistic e...

Claire's abstract landscape paintings, inspired by the Norfolk countryside in England, are uplifting and soulful paintings brightening walls and homes with their vibrancy of colour a...

Interconnectedness: Paintings of Trees Throughout my career, which spans more than two decades, I have explored various subjects and themes, but the theme of connectedness ties them ...

In creating this piece, I immersed myself in the serenity of the shores. The interplay of oils dances across the canvas, capturing the fleeting beauty of a sunset caressing the sea. ...

This piece is a symphony of the ocean's soul, where tranquil hues dance with serene strokes. I've captured the sea's vast beauty through the interplay of acrylic, oil, and enamel, bl...

This painting is part of the 'Sorrowful City' series. This work is part of a series that was stimulated by visits to several ancient cities that reflected on the juxtaposition of anc...

The warm reds, oranges, and pinks in the upper left corner depict the intense, vibrant colors often associated with summer heat. These colors can represent the scorching sun, the hea...

This mesmerizing artwork exhibits a nuanced interplay between light and shadow through the use of varying shades of deep blues. The composition, reminiscent of a twilight ocean's sur...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 60x70cm About this artwork Red sunset. The red color of passion, life, love. Red sunrises...

Your Flowers Have Faded, Original Contemporary Abstract Mixed Media Painting 48x60x1.5 (HxWxD), Mixed Media A minimalist abstract work, this large format painting by artist Stacey Warnix...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 200x300cm About this artwork In my creation, I blend the fervent vibrancy of acrylics wit...

Mixed media painting by Rajan Seth. Inspired by the movement beneath the earths surface, as tectonic plates move, this is a visual representation of my understanding of this process,...

It only took us a second to fall in love with Amy Sullivan's abstracted barns and structures. Oozing with texture and media, her large-scale and slightly off-kilter renditions of the...

Diptych of abstract paintings by Rajan Seth comprising of Mocha and Dark Knight. These are two original paitings, the width of the two paintings side by side is 200cm and the height...

Size: 40 cm x 80 cm Year: 2024 Media: acrylic on canvas This painting fits well into a spacious room with a minimalist modern interior, in a study, in a living room, in a beauty sal...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 100x100cm About this artwork In this piece, I sought to capture the serene and boundless ...

Semi-abstract landscape. Mixed media with oil on canvas.

Transcending Canvases with Bespoke Frames The function of a picture frame is to encase a painting, providing it both protection against damage and a decorative touch to enhance its ...

Size: 80 cm x 100 cm Year: 2022 Media: acrylic on canvas This painting fits well into a spacious room with a minimalist modern interior, in a study, in a living room, in a beauty sa...

Mixed media painting by Rajan Seth. This painting is made with ink in the colours of Prussian blue, and shimmering metallic gold. The idea behind this work ...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 30x40cm About this artwork Abstract expressions of heaven and earth. Filled with movement...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 100x80cm About this artwork Green sea. The green color of life, spring, grass, energy, an...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 100x150cm About this artwork There’s something ethereal, almost magical, about contempora...

In crafting this piece, I embraced the tranquility and depth of the sea, using acrylics and plaster to create a textured haven of calm. It merges abstract minimalism with an impressi...

At the top. 2007. Canvas, mixed media, 40x50 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an artist ...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 30x40cm About this artwork Abstract expressions of heaven and earth. Filled with movement...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 30x40cm About this artwork Abstract expressions of heaven and earth. Filled with movement...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 100 x 150 x 4 cm Acrylic on canvas 2023 There’s something ethereal, almost magical, abou...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 120x100cm About this artwork There’s something ethereal, almost magical, about contempora...

In this serene composition, I've harmoniously blended acrylics and oils, flirting with both realism and semi-abstract styles. The magic hours' warmth and the turquoise waves' gentle ...

Interconnectedness: Paintings of Trees Throughout my career, which spans more than two decades, I have explored various subjects and themes, but the theme of connectedness ties them ...

Medium Size artwork Mix Media on Canvas. Framing options available. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earliest inspiration was the landsc...

Transcending Canvases with Bespoke Frames The function of a picture frame is to encase a painting, providing it both protection against damage and a decorative touch to enhance its ...

In this serene composition, I've harmoniously blended acrylics and oils, flirting with both realism and semi-abstract styles. The magic hours' warmth and the turquoise waves' gentle ...