Mixed Media Landscape Paintings

Sunset by the Dunava. 2022, canvas, author technique, 60x80 cm “I get inspiration from the nature. I need the presence of the nature, at least behind the window”, says Maija Berzina...

Transcending Canvases with Bespoke Frames The function of a picture frame is to encase a painting, providing it both protection against damage and a decorative touch to enhance its ...

Your Flowers Have Faded, Original Contemporary Abstract Mixed Media Painting 48x60x1.5 (HxWxD), Mixed Media A minimalist abstract work, this large format painting by artist Stacey Warnix...

Transcending Canvases with Bespoke Frames The function of a picture frame is to encase a painting, providing it both protection against damage and a decorative touch to enhance its ...

Awakening [2022] original Acrylic & Mixed Media on Canvas Image size: H:100 cm x W:80 cm Complete Size of Unframed Work: H:100 cm x W:80 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A bright and uplifting mixed media painting on canvas inspired by Spring and the feeling of new life and abundance. The painting comes signed and titled on the reverse & strung ready to hang. Original abstract painting depicting the season of spring. Impressionistic art for sale. Painting By Laura Menzies

Drift [2022] original Acrylic and Mixed Media on Canvas Image size: H:102 cm x W:102 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:2cm Frame Size: H:102 cm x W:102 cm x D:3cm Sold Framed Please note that insitu images are purely an indication of how a piece may look A soft and calm mixed media painting inspired by the Cornish Coast. The painting comes professionally framed and is signed and titled on the reverse. Painting by Laura Menzies

Transcending Canvases with Bespoke Frames The function of a picture frame is to encase a painting, providing it both protection against damage and a decorative touch to enhance its ...

Wish you were here, is evocative of my time spent painting at Cape Cornwall over many years as artist in residence , at Brisons Veor. It references the colours and emotions felt, the...

Christina Craemer is a Los Angeles-based artist who travels the world photographing nature in its many forms, especially trees and waterfalls. She combines countless images to create...

Jon Rowland – Burned Gold was the Colour – Expressionism [2021] Please note that insitu images are purely an indication of how a piece may look Jon Rowland - Abstract expressionism. Imagine coming across a wood full of bluebells adjacent to flowering rapeseed. Stunning! Together with the painting 'Gleaming in Purple and Gold' this provide a colourful juxtaposition and makes a splendid pair. Discover new paintings by Jon Rowland and his abstract expressionism with Wychwood Art. Each work has been carefully selected by Deborah Allan our Chief Art Curator. Wychwood Art have exhibited Jon Rowland in London during a pop-up exhibition of theirs at the Darren Baker Gallery. His paintings have been displayed at the Royal Academy and at the Berthold and Darren Baker Gallery in London. He has also exhibited in group exhibitions at Linacre and Green Colleges, at Swann Gallery in Woodstock, and with Wychwood Art at Battersea Art Fair. He was one of six contemporary artists who took part in an exhibition of views of Blenheim Palace, juxtaposing the original visions with today's, as part of the celebration of the 300th anniversary of Capability Brown's birth. Solo exhibitions have been at the Said Business School, Wolfson College in Central Oxford, and most recently at the Sewell Centre Art Gallery and Cornerstone Art Centre in Oxfordshire, and the Boiler Room...

Solitary Journey, Original Contemporary Abstract Coastal Landscape Painting 14" x 11" x 1.5" (HxWxD), Mixed Media on Canvas A lovely abstract seascape study by artist Julia Di Sano...

Unearthed [2022] original Mixed media on wood panel Image size: H:67 cm x W:67 cm Complete Size of Unframed Work: H:51 cm x W:51 cm x D:2cm Frame Size: H:67 cm x W:67 cm x D:2.8cm Sold Framed Please note that insitu images are purely an indication of how a piece may look "Unearthed" is part of my Tapestry series of semi abstract paintings that explore the simplification of shape and texture in the places I have visited over the Summer months. Tapestry-like landscapes with bold colour blocks and a warming palette are evident as the seasons change. Muted shades of teal, chocolate and moss with undulating textural layers. Change always sparks new ideas. Tamara Williams...

Rain storm approaching by Nicola Wiehahn [2019] Watching a massive storm approaching and only just had time to collect my paints and run from the coast pat...

Osea II by Luana Asiata [2021] original and hand signed by the artist Acrylic & Oil Paint with Oil Pastel on Canvas Image size: H:50 cm x W:50 cm Comp...

Wild Ride [2022] original and hand signed by the artist Acrylic on canvas Image size: H:57 cm x W:57 cm Complete Size of Unframed Work: H:50 cm x W:50 cm...

Zennor Calling (III) By Mary Scott [2022] original and hand signed by the artist Acrylic and pencil on cradled panel Image size: H:51 cm x W:61 cm Complete Size of Unframed Work: H:...

The Causeway by Luana Asiata [2022] original and hand signed by the artist Acrylic and Oil Pastel on Canvas Image size: H:70 cm x W:60 cm Complete Size o...

Wild, and Full of Summer 3 by Maria Pierides [2021] original Oil, oil stick, pastel and wax on deep edge cradled panel Image size: H:40 cm x W:40 cm Complete Size of Unframed Work...

Summer Mists, Winter Squall and Offshore Light by Elaine Fox [2020/21/22] original Mixed Media on Paper Image size: H:60 cm x W:77.5 cm Complete Size of ...

Stealing Moments by Elaine Ford [2021] original Acrylic and Mixed Media on Canvas Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:30 cm x ...

Pink Moon by Annie Green [2021] original Mixed media on wood panel Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:4cm S...

Visions of Paradise [2020] original Mixed media on canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:3cm S...

At the top. 2007. Canvas, mixed media, 40x50 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an artist ...

Quiet Haze by Alison Britton-Patterson [2021] original Mixed media on canvas Image size: H:30.5 cm x W:30.5 cm Complete Size of Unframed Work: H:30.5 c...

Semi-abstract landscape. Mixed media with oil on canvas.

Country Lane II [2021] Original Landscape Mixed media Image Size: H:18 cm x W:28 cm Framed Size: H:35 cm x W:45 cm x D:3cm Sold Framed Please note that insitu images are purely an i...

Maggie LaPorte Banks. The Witchbeam Tree, Haytor 2. Acrylic, collage and spray paint on canvas. W. 50 cm x H. 50 cm x D 2 cm. unframed . (Please note that in situ images are purely a...

Cathryn Jeff Pastel Meadow Original Mixed Media Painting on Deep Canvas Canvas Size: 25 cm x 25 cm x 3.5 cm Sold Unframed Free Shipping Please note that ...

'Glastonbury Nights' painted at Glastonbury Festival Mixed media signed original painting circa 2005. An amalgamation of experience in time and place. Painted in an Expressionist ...

Medium Size artwork Mix Media on Canvas. Framing options available. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earliest inspiration was the landsc...

This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then out at a horizon line with rust-colored mine trestles. Atherton hints at perspective with a broken white line that is wider in the foreground and tapers to a hairline as it recedes to the background. The work was done in 1951 at the height of America's most important art movement: Abstract Expressionism. John Atherton absorbs its influences but retains elements of representation. Atherton was an in-demand commercial artist who worked for most blue-chip clients. It is possible that this was an editorial assignment for Fortune Magazine. At the same time, Atherton was also a fine artist and the work could be an expression of pure creative pursuits. The work looks better in person and one can look at it for hours and not get bored. Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. A first prize award of $500 at the annual exhibition of the Bohemian Club in 1929, financed his one way trip to New York City, which helped to launch his career as an artist.[6] Atherton had aspired to be a fine artist, however his first paid jobs were for commercial art firms designing advertisements for corporations such as General Motors, Shell Oil, Container Corporation of America, and Dole. However, by 1936, encouraged primarily by friends, such as Alexander Brook, an acclaimed New York realist painter, he returned to the fine arts. Atherton continued to accept numerous commissions for magazine illustrations; such as Fortune magazine, and over the years he would paint more than forty covers for The Saturday Evening Post starting with his December 1942 design, “Patient Dog.” This picture is reminiscent of his friend Norman Rockwell ‘Americana style’ and captures a poignant moment of nostalgia, where a loyal dog looks toward a wall of hunting equipment and a framed picture of his owner in military uniform. Selected One person Exhibitions Atherton accomplished his first one-man show in Manhattan in 1936. His Painting, “The Black Horse” won the $3000 fourth prize from among a pool of 14,000 entries. This painting forms part of the Metropolitan Museum of Art collection in New York.[7] Atherton achieved recognition in New York City and elsewhere during the 1930s. Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited Atherton, as well as accomplished artists such as Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker, Norman Rockwell, Ben Stahl, Harold von Schmidt and Jon Whitcomb.[19] He collaborated with Jon Whitcomb with the book “How I Make a Picture: Lesson 1-9, Parts 1”.[20][21] Society of Illustrators Atherton as an active member from his arrival in New York. The society have owned many of his works. Ex-collection includes: Rocking Horse (ca. 1949) [22] Atherton, as his peers had many of his works framed by Henry Heydenryk Jr.[23] Personal On November 2, 1926, he married Polly “Maxine” Breese (1903-1997).[24][25] They had one daughter, Mary Atherton, born in 1932. Atherton's often chose industrial landscapes, however found himself spending considerable time in Westport, Connecticut, with an active artistic community, and it became home for him, and his family. He then moved to Arlington, Vermont.[26] Norman Rockwell enlisted Atherton in what was to be the only collaborative painting in his career.[27] He was part of a group of artists including a Norman Rockwell, Mead Schaeffer and George Hughes who established residences in Arlington.[28] Atherton and Mead Schaeffer were avid fly fishermen and they carefully chose the location for the group,[29] conveniently located near the legendary Battenkill River. In his free time, Atherton continued to enjoy fly-fishing.[30] He brought his artistic talent into the field of fishing,[31] when he wrote and illustrated the fishing classic, “The Fly and The Fish”.[32] He died in New Brunswick, Canada in 1952,[33] at the age of 52 in a drowning accident while fly-fishing.[34] Legacy The Western Connecticut State University holds an extensive archive on this artist.[35] His wife, Maxine also published a memoir “The Fly Fisher and the River” [36] She married Watson Wyckoff in 1960. Ancestry He is a direct descendant of James Atherton,[37][38] one of the First Settlers of New England; who arrived in Dorchester, Massachusetts in the 1630s. His direct ancestor, Benjamin Atherton was from Colonial Massachusetts...

Medium Size artwork Mix Media on Canvas. Framing options available. Contact Gallery for Options. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earliest inspiration was the landscape—the indigenous pines and oak trees, and the waters of Mobile Bay...

By the sea. 2001, cardboard, author's technique, 17.5x25 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Sov...

Includes a Certificate of Authenticity

Small Size artwork Mix Media on Stretched Canvas. Framing options available. Contact gallery for options. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earliest inspiration was the landscape—the indigenous pines and oak trees, and the waters of Mobile Bay...

Medium Size artwork Mix Media on Canvas. Framing options available. Contact Gallery for Options. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earlie...

Born in Emelle, Alabama in 1928, artistic giant Thornton Dial - who never learned to read or write - rose to the pinnacle of contemporary art history over a thirty year trajectory th...

Includes a Certificate of Authenticity

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 30x40cm About this artwork Abstract expressions of heaven and earth. Filled with movement...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 120x100cm About this artwork There’s something ethereal, almost magical, about contempora...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 80x80cm About this artwork In crafting this piece, I layered acrylics and oils with a min...

Medium Size artwork Mix Media on Stretched Canvas. Framing options available. Contact Gallery for options. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertso...

I created this piece to evoke the vastness and serenity of the sea, marrying acrylic and oil to achieve deep, resonating hues of blue. My strokes blend abstract and impressionistic e...

In crafting this piece, I embraced the tranquility and depth of the sea, using acrylics and plaster to create a textured haven of calm. It merges abstract minimalism with an impressi...

Small Size artwork Mix Media on Canvas. Framing options available. Contact Gallery for Options. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earlies...

Painted it trying to represent the emotion of seeing a magnificent seascape. There’s something ethereal, almost magical, about contemporary paintings. Due to the intense play of co...

Paul Brown first began to paint in oils as a teenager and won several prizes for painting was still at school. His art teacher at the time felt that Brown was the most naturally gift...

Paul Brown first began to paint in oils as a teenager and won several prizes for painting was still at school. His art teacher at the time felt that Brown was the most naturally gift...

Includes a Certificate of Authenticity

the painting is being offered with a work and authenticity certificate

MESTIA MOUNTAIN VALLEY 2 by artist Bill Claps is a white, gold, and brown contemporary landscape mixed media on canvas that measures 22 x 32 Visual artist and writer Bill Claps medi...

USHGULI WITH SHAKRA MOUNTAIN by artist Bill Claps is a white, gold, and brown contemporary landscape mixed media on canvas that measures 22 x 32 Visual artist and writer Bill Claps ...

MAROON BELLS, ASPEN I by artist Bill Claps is a white, gold, and brown contemporary landscape mixed media on canvas that measures 31 x 55 Visual artist and writer Bill Claps medita...