Wood Panel Landscape Paintings

Charles Jiao grew up in China during the Cultural Revolution, which caused his formal education to be frequently interrupted. To avoid wasting his time, his father had him get tutore...

A plein air painting of a path leading to a Tuscan church. This painting is from earlier in Dalessio's career, and a great marker of how his style has evolved over the years. Framed...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition is a visual road trip from Los Angeles to Las Vegas. These paintings stem from Moore’s personal travels and open up a collective conversation about wanderlust. In these works, she revisits her former home of Los Angeles to shed a new light in juxtaposition to the bare California desert and the opulence of Las Vegas. This exhibition reflects a shift to new subject matter as well as a new artistic chapter that has been evolving within her work over the last two years. Moore’s process has progressed to become larger in scale, and more delicate in detail. This series of paintings offer trompe de l’oeil moments in combination with gestural brush stokes that reveal the artists hand. With a more increased focus on architectural elements, this exhibition amplifies features that were often muted in her earlier landscapes. With the exhibition title “All Those Who Wander”, Moore is leaving an option for the viewer to place themselves in the wanderlust narrative, or to observe it from afar. Moore believes we have a collective desire to explore and, in turn, we often daydream about our travels. This often creates a dream-like quality to our memories which results in a romanticized narrative within our minds. The reality of a place often doesn’t matter, it’s the memory of our experience there that sticks with us. We often like to sit a little longer with the most romantic and the most opulent visuals we have in our minds. Beginning with Los Angeles noir, the viewer is introduced to old Hollywood architecture blended with images reflecting the known edginess of the city. Familiar Hollywood landmarks are explored in a new light and we are left with a subtle sense of nostalgia as the viewer moves through the works. The bright desert landscapes lead into the “in between”; these are the lands that are on the way to somewhere else. Just as important as the beginning or the end, the transitional parts of a road trip often leave space for the most enriching moments of pause and reflection. The series finds a finishing point with the bright, opulent Neon Boneyard...

Five Miles is Not Long Enough 2 is part of the “Path to Eminence” series by Meghan Wilbar. During the pandemic, the uncertainty and isolation led Wilbar...

Impressionist style landscape painting of a blue barge on the Hudson River with the Catskill Mountains in the background "Technicolor Sunset and Barge on the Hudson", painted in 202...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Rob Alexander's "Winters Call" is an original, handmade oil painting that depicts a snowy river running alongside snow capped blue mountains. Contrasting the enduring against the ephemeral, the eternal mountains against the short lived ice and snow...

Born and raised in Houston, KRISTIN MOORE began attending art classes at the Glassell School at a young age. She moved to Austin in 2009 to obtain her BA in Art from St. Edward’s University. Soon after graduating, Moore moved to Los Angeles to pursue her MFA at Otis College of Art + Design. Moore’s first solo exhibition, Rear Window, was unveiled during the culmination of her participation in the MFA program in 2016. Upon moving back to Texas, Moore continued to explore contemporary landscapes through painting. The juxtaposed architecture of LA, the smoggy atmosphere, and unique characteristics of the city became source material for her work. Upon moving back to Texas in 2016, Moore viewed Austin through the same lens; the architecture is quickly changing, a new atmosphere is emerging, and the skyline is directly reflecting those elements. Oscillating between these two bustling cities of Austin & LA, lies the open space and peaceful landscape of Marfa. Texas. Often a favorite pit stop during the long road trips back and forth from Texas to California, Marfa holds space as a source of continued inspiration for Moore. Her Texas roots and California influence have culminated into her current body of work. Often inspired by Ed Ruscha’s work Every Building on the Sunset Strip and A Few Palm Trees, Moore sources the images that influence her paintings from her many car rides, walks, and hikes up to overlooks. A homage to Hollywood, Moore also finds visual influence for her work in the world of film; particularly from visionaries such as Stanley Kubrick, Ridley Scott, and Alfred Hitchcock. Her work has been featured in group exhibitions such as Turbulent Landscapes at Modified Arts in Phoenix, AZ, Excavations; Shindig at Mantle Art...

"My work is about Place. There has always existed within me an urgency to define myself through place that stems from an upbringing full of uprooting and re homing. In the absence o...

Oil, acrylic, ink and sand on wood panel Purple, blue, aqua, black, teal, indigo, violet, lavender, gray Geometric abstraction

Love Letters to Cornwall (I) [2021] Original Landscapes and seascapes Acrylic and oil on wood panel Image size: H:40 cm x W:40 cm Framed Size: H:44 cm x W:44 cm x D:3cm Sold Framed P...

Promesse I & II ( Diptych) is a magnificent abstract oil painting of ephemeral clouds floating on an elegant deep blue sky . A unique view of clouds at twilight, in rich shades of...

Abstract color-field landscape painting of the New York City skyline against an ethereal soft blue and red hazy sky "Burning Fog Over NYC" by Hudson, NY based artist, Ricardo Mulero,...

Oil on canvas laid on panel

South View of SLC, plein air figurative, landscape, oil on panel, 2015

Dark clouds at a stormy horizon meet a violet sky in this emotive diptych by Jay Hodgins. Layers of curated colors coated in a glossy resin create depth and light in the atmospheric ...

"The Dordogne river passing by Civrac" blues and violets colours representing a very romantic and naif landscape by Sheila Querre Dimension art cm: 80 H x 65 W Dimension art inc...

This is an abstract oil painting on wood. This piece relies on geometric forms in a playful manner. The colors that make up this work are reminiscent of water, land, and where they c...

A brilliant and stormy violet sky rises from a dark horizon in this emotive landscape by Jay Hodgins. Layers of saturated color coated with glossy resin ...

"Waterfall with Spray and Shrubs," Oil on Panel, 12 x 12 x 3/4 inches, is a meticulously painted rendition of a waterfall on a summer day. The top half of the painting is dominate...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition...