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Nancy Maybin Ferguson
"Days of Pleasure"

circa 1915

$30,650
£23,537.88
€26,974.12
CA$43,147.63
A$48,334.88
CHF 25,140.14
MX$589,585.79
NOK 320,067.47
SEK 301,800.81
DKK 201,327.47

About the Item

Jim’s of Lambertville is proud to offer this artwork. Signed on Verso. Complemented by a hand carved and gilt frame. Nancy Maybin Ferguson (1872 - 1967) A native Philadelphian, Nancy Ferguson was a highly regarded member of The Philadelphia Ten. After graduating from Philadelphia High School for Girls, she embarked on a rewarding period of study, first at the Philadelphia School of Design for Women under Elliot Daingerfield, and then at the Pennsylvania Academy of the Fine Arts under Chase, Breckenridge, Hawthorne, Carles and McCarter. She won an impressive five fellowships including the coveted Cresson Traveling Scholarship for travel abroad from the Academy in 1909. While her permanent residence was in Philadelphia, she fell in love with the picturesque village of Provincetown, Massachusetts, where her former teacher, Charles Hawthorne conducted a summer school. For most of her adult life, she divided her time between the two locations. She preferred to paint street scenes portraying a lot of activity. Her Philadelphia scenes of Rittenhouse Square and Fairmont Park are well known as are her many views in and around Provincetown. Ferguson’s earlier work is often compared to that of Maurice Prendergast. In fact, Dr. Albert Barnes purchased one of her works for his collection and used it for comparison to Prendergast in his art appreciation course. Today, it remains in the permanent collection of the Barnes Foundation. Her later works from the mid-1920s and 1930s take on a more modernist style. These usually depict the tightly clustered architecture, winding roads and crowded harbors of Provincetown. In addition to exhibiting with The Philadelphia Ten (1923-27, 1930-38), Ferguson was invited to exhibit at many prestigious salons, including the Pennsylvania Academy of Fine Arts, the Corcoran Gallery of Art, the Philadelphia Sketch Club, the National Association of Women Painters and Sculptors, the Woodmere Art Gallery, the Philadelphia School of Design for Women, the National Academy of Design, the Carnegie Institute, the Art Institute of Chicago and the Paris Salon, among others. Sources: New Hope for American Art by James M. Alterman
  • Creator:
  • Creation Year:
    circa 1915
  • Dimensions:
    Height: 19 in (48.26 cm)Width: 22 in (55.88 cm)Depth: 2 in (5.08 cm)
  • More Editions & Sizes:
    Frame Size 21" x 21" x 2"Price: $30,650
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Lambertville, NJ
  • Reference Number:
    Seller: PB01401stDibs: LU374932263

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"Morning at the Market, Lasaska"
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Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 50, plate #058. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...
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Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 25 plate #028. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...
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