Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Oskar Bergman
Landscape with Trees by Swedish Artist Oskar Bergman

c. 1930-40

Price:$2,500
$3,487.42List Price

More From This Seller

View All
Aprilafton, Delsbo (April Evening, Delsbo), c. 1910
Located in Stockholm, SE
Oscar Lycke’s Aprilafton, Delsbo (“April Evening, Delsbo”), c. 1910, is a luminous oil painting that masterfully captures the gentle transition from winter to early spring in the rur...
Category

1910s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Rowboat Beneath the Trees, 1918
Located in Stockholm, SE
This evocative landscape by Axel Edvard Peter captures the serene beauty of nature with remarkable skill. Painted in 1918, the scene depicts a wooden rowboat resting in still waters beneath the sheltering branches of a lush tree. The dappled sunlight filtering through the foliage creates a mesmerizing interplay of light and shadow, while the artist’s use of short, expressive brushstrokes imbues the composition with a vibrant, almost impressionistic quality. The rich greens and golden hues of the landscape reflect Peter’s mastery of color and atmosphere. Axel Peter was a Swedish painter known for his distinctive artistic voice, shaped by his studies at the Royal Academy of Fine Arts in Stockholm and further training in Paris and Germany. He was part of the influential Opponents’ Movement (Opponentrörelsen) of 1885, alongside artists such as Richard Bergh, Nils Kreuger, and Eugène Jansson...
Category

1910s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Pointillist - Scandinavian Winter Landscape, 1907 by Arthur Percy
Located in Stockholm, SE
Introducing "Scandinavian Winter Landscape, 1907" a mesmerizing painting by the artist Arthur Percy Carlsson, later known as Arthur C:son Percy (1886-1976). Born in Vickleby, Öland, Percy's artistic journey was one defined by unwavering determination and exceptional talent. This landscape painting presents a winter landscape, likely set during the early spring season. The canvas portrays a vast, snow-filled meadow, blanketed in pristine white. Above, the sky comes alive in a captivating pointillist style, with hues of blue, turquoise, and yellow forming delicate, scattered dots, while small clouds grace the horizon. The scene unfolds with an enchanting backdrop of a distant forest, its trees adorned with a touch of winter's charm. Between the enchanting forest and the expansive meadow, a few humble houses...
Category

Early 1900s Pointillist Landscape Paintings

Materials

Canvas, Oil

Sandö, Wallda Varby, Halland, 1913
Located in Stockholm, SE
Olof Thunman (1879–1944) Sweden Sandö, Wallda Varby, Halland, 1913 oil on canvas (laid on panel) unsigned unframed 31 x 47 cm (approx. 12.2 x 18.5 in) framed 42 x 58 cm (approx. 16...
Category

1910s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil, Board

Sunlit Forest and Distant Blue Mountains – A Northern Swedish Landscape by Lycke
Located in Stockholm, SE
This luminous landscape painting by Oscar Lycke captures the rolling hills and deep forests of northern Sweden, likely from the Sundsvall region. The foreground is dominated by lush ...
Category

1910s Post-Impressionist Landscape Paintings

Materials

Oil, Board

Tranquil archipelago seascape at sunset (Söderhamn, Sweden)
Located in Stockholm, SE
Otto Lindberg (1880–1955) – Twilight Reflections, Söderhamn Archipelago Serene Twilight in Söderhamn’s Archipelago This monumental oil on canvas (measuring 65 x 120 cm) presents a s...
Category

1930s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

You May Also Like

'Surf and Rocks at Sunset', Oakland College of Arts and Crafts, Oakland Museum
Located in Santa Cruz, CA
Signed lower right, 'C. Sideman' for Carol Joy Sideman (1925-2021) and painted circa 1975; titled, verso, on old artist's tape, 'Surf and Rocks'. Carol Sideman received her Bachelor of Arts degree from the University of California at Berkeley and, subsequently, attended the Oaklands College of Arts and Crafts. Sideman specialized in architectural illustration...
Category

1970s Post-Impressionist Landscape Paintings

Materials

Masonite, Acrylic, Tissue Paper, Oil

'The Marble Bridge, Copenhagen', Hamburg Academy of Fine Arts, SFAA, California
By Frederick Korburg
Located in Santa Cruz, CA
Signed lower left, 'Fred Korburg', dated 1971; additionally titled on old label verso 'Street Scene: Marble Bridge and St. Nicolai Church, Copenhagen, Denmark'. Provenance: Los Robles Galleries, Palo Alto, California. Born in Denmark, Frederick Korburg first studied at the Graphic Art Center in Copenhagen and, later, at the Hamburg Academy of Fine Arts under Max Lieberman...
Category

1970s Post-Impressionist Landscape Paintings

Materials

Oil, Masonite

'Old Carmel', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and dated 1964. A large, mid-century oil townscape showing a view of the old town of Carmel, California, with ...
Category

1960s Post-Impressionist Landscape Paintings

Materials

Oil, Masonite

Carmel's Romantic Mission San Carlos Borromeo Del Rio Carmelo
Located in San Francisco, CA
Without a doubt California's charming coastal village of Carmel compels one to romance. But this location, the 1797 Mission San Carlos Borromeo Del Rio Carmelo, with its lovely, foun...
Category

Mid-20th Century Pointillist Landscape Paintings

Materials

Masonite, Oil

"Portal View-Sailboats in Harbour", 20th C. Oil on Masonite by Ism. de la Serna
By Ismael de la Serna
Located in Madrid, ES
ISMAEL GONZÁLEZ DE LA SERNA Spanish, 1898 - 1968 "PORTAL VIEW - SAILBOATS IN HARBOUR" unsigned oil on masonite 25-1/4 x 22-1/2 inches (64 x...
Category

1950s Post-Impressionist Figurative Paintings

Materials

Oil, Masonite

“Sunset Topeka, Kansas”
Located in Southampton, NY
Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. Recently professionally cleaned. Newly framed in a custom gallery frame. Overall framed measurements are 17.5 by 20.5 inches. Provenance: A Long Island, New York collector. Pauline Haynes Shirer (1894 - 1975), American Born in Topeka in 1894, Pauline is said to have been at least partially raised by her aunt, Hannah Haynes Headlee (Pauline’s mother died when she was 8 years old). By 16, she was living as a ward in the Topeka home of Elizabeth Cunningham, a dressmaker. After graduating from Topeka High School, she attended the New York School of Fine and Applied Art (later Parsons School of Design), completing a two-year course in one year (1913-1914). At the same time, she took weekend classes at the Art Students League. Returning to Topeka, she studied and taught at Washburn College (now University) from 1914 to 1915 and instructed summer sessions at Kansas State Teachers College, Pittsburgh, during the same period. Afterward, she returned to the New York School of Fine and Applied Art, where she taught and took classes (1915-1918). She spent the summer of 1916 as an instructor at the Skidmore School of Art, Saratoga Springs, New York. In 1917, Pauline married Hampton F. Shirer, an architect from MIT, who was also an artist and came from a prominent Topeka family. The couple later settled in Wellesley, Massachusetts in 1921, living in a house which they built and decorated themselves. During the next 16 years, they raised two children and Pauline also found time to illustrate promotional brochures and primary school texts. During the early years of her career, Pauline focused on the applied arts – such as watercolor designs for curtains, silk fabrics, wallpaper as well as poster designs, theater backdrops and book covers. Later she would transition into creating her own representational works of art. Shirer returned to Topeka in 1937. During her career as a painter in oils and watercolors, she sketched in Europe four times and did paintings of New England subjects. However, most of her paintings were of the West. She executed Kansas views first, and they continued to hold her interest throughout her life. Typical were her studies of rustic buildings on the plains, glimpses of the prairie country, and the historic buildings of Topeka. She also painted New Mexico landscapes and Colorado mountain scenes. Among her exhibitions, mostly solo but occasionally with her husband, were those held at the Harlow and Harland’s Gallery, Boston (1922); The Scattery, Wellesley, MA (1925); Vose Galleries, Boston (1931); Topeka Art Guild (1952); Copley Society...
Category

1950s Post-Impressionist Landscape Paintings

Materials

Masonite, Oil

Recently Viewed

View All