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Patrick Hughes
Dark Light By Patrick Hughes

2022

$94,500List Price

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Cannaregio by Patrick Hughes
By Patrick Hughes
Located in New Orleans, LA
Patrick Hughes b. 1939 British Cannaregio Oil on panel Signed, titled and dated “Cannaregio / Patrick Hughes / 2024” (en verso) This intricately detailed, three-dimensional illus...
Category

21st Century and Contemporary Post-Modern Landscape Paintings

Materials

Oil, Panel

Le jardin municipal, Noisy-le-Sec by H. Claude Pissarro
By Hughes Claude Pissarro
Located in New Orleans, LA
Hugues Claude Pissarro b.1935 French Le jardin municipal, Noisy-le-Sec (The Municipal Garden, Noisy-le-Sec) Signed “H. Claude Pissarro” (lower right) Oil on canvas The Pissarro f...
Category

21st Century and Contemporary Post-Modern Landscape Paintings

Materials

Canvas, Oil

Football by Fedor Ivanovich Zakharov
By Fedor Zakharov (b.1882)
Located in New Orleans, LA
Signed in Cyrillic "F. Zakharov" (lower right) and signed again and inscribed "Fedor Zakharov/Football" (on reverse) Oil on card laid down on panel Undoubtedly, football, or socc...
Category

1910s Landscape Paintings

Materials

Oil, Panel, Cardboard

Nature And Culture By Patrick Hughes
By Patrick Hughes
Located in New Orleans, LA
Patrick Hughes b. 1939 British Nature and Culture Signed, dated "Nature and Culture / Patrick Hughes / 2000-2023" Oil on board construction Another success from the artist, Natur...
Category

21st Century and Contemporary Post-Impressionist Landscape Paintings

Materials

Oil, Board

Dimanche au Champ de Course (Deauville) (Sunday at the Racetrack)
By Hughes Claude Pissarro
Located in New Orleans, LA
Hugues Claude Pissarro b.1935 French Dimanche au champ de course (Deauville) (Sunday at the Racetrack) Signed “H. Claude Pissarro” (lower left) Pastel on card French artist Hugues Claude Pissarro offers a unique perspective of the racetrack in Deauville in this exceptional pastel. The spectators are as much his subject as the sport in this artistic tribute to a leisurely Sunday at the tracks. Following the impressionist tradition of his father and grandfather before him, Pissarro infuses this pastel with dynamic light and vibrant colors. Entitled Dimanche au Champ de Course (Deauville), it showcases the artist's highly distinctive and sophisticated style. Hailing from a long lineage of painters, Pissarro's artistic talents were cultivated at an early age. He exhibited his first works at the young age of 14 and later studied in Paris at the École du Louvre and École Normale Supérieure. A 1959 White House commission to paint the portrait of President...
Category

20th Century Post-Impressionist Landscape Paintings

Materials

Oil Pastel, Cardboard

The Bather by Childe Hassam
By Childe Hassam
Located in New Orleans, LA
Childe Hassam 1859-1935 American The Bather Signed and dated “Childe Hassam” (lower right) Oil on canvas Considered by many to be America’s foremost Impressionist painter, Childe Hassam composed his tranquil and intimate oil on canvas The Bather in the early years of the 20th century. The creation of the artwork aligns with a period of Hassam’s career where the artist’s palette was transforming, matching ever closer with the pale and pastel hues of French Impressionists like Claude Monet. Even the subject — a nude woman — represents a greater alignment with the Impressionist project, as artists of the movement and their non-mythological and non-biblical nudes still generated cries of indecency. With Hassam’s signature brushwork and attention to color, The Bather serves as a dream-like vision, serene and sensuous, of a young woman bathing in a lush forest. While the artist's skill for landscape painting is on display, it is Hassam's command of form, light and color that brings this canvas to life. He creates a captivating composition, placing the nude subject in the bottom left of the canvas. The soft, undulating curves of the woman's body in contrapposto and the glow of her fair skin are balanced by the strong verticals and deep earth tones of the tall trees to her right. Hassam delicately frames the nude in the vivid blues of the distant water, building luminous color that further draws the viewer’s eye and results in a somewhat voyeuristic appeal — endowing his nude with both a natural innocence and an intentional sensuality. Born in Dorchester, Massachusetts, Childe Hassam began his artistic career as a freelance illustrator, working for national publications such as Harper’s Weekly, Scribner’s Monthly, and The Century. His first solo exhibition of watercolors took place in Boston in 1883, and he quickly catapulted onto the international scene, winning a bronze medal at the Exposition Universelle in Paris in 1889. The year before the present work was created, he received the Webb Prize from the Society of American Artists for another landscape painted at Gloucester. Hassam would receive numerous other awards throughout his career, most notably the Gold Medal for Distinguished Services to Fine Art from the American Dealers Association. A true master, Hassam depicted a way of life characteristic of both American and French society, and his work elucidates a critical chapter in American art history. Today, his work resides in the Oval Office of the White House and in numerous important museums, including the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, DC and the Museum of Fine Arts in Boston, among others. This painting will be included in Stuart P. Feld's and Kathleen M. Burnside's forthcoming catalogue raisonné of the artist's work. Circa 1905 Canvas: 24 1/2“ high x 20 18” wide Frame: 35 7/8“ high x 31 1/4” wide x 3 1/4“ deep Provenance: Private Collection of William Young...
Category

20th Century Impressionist Nude Paintings

Materials

Canvas, Oil

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