1950s Landscape Paintings

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)

Wonderful mid century mixed media coastal/figurative in loose/painterly style by Irmal Gertrude Attridge (American, 1894-1962), circa 1950. Signed lower right. Presented in vintage frame under glass (included as-is). Image size: 9"H x 12"W. Irma Gertrude Attridge was born in Chicago and studied at Chouinard Art Institute in Los Angeles with Henry McFee and Oscar Van Young. Member of Calif. AC; AEA; Cal. WC. Soc.; Women Painters...

Work on paper

Antique French modern painting of a fall forest. Oil on board, circa 1950. Signed. Image size, 15.5L x 9.75H. Housed in a period giltwood f...

Mid 20th Century oil on canvas painting of a Paris street scene with the columns of La Madeleine in the distance, signed Deuvray bottom left. The canvas is on its original stretcher ...

Marcel MOULY Seascape : Storm is Coming, 1957 Original Oil on canvas Signed and dated bottom right On canvas 65 x 81 cm (c. 26 x 32 in) Excellent condition

Antique American modernist sunset cityscape painting. Oil on canvas, circa 1959. Signed. Image size 20L x 24H. Housed in a period modern frame.

Work on paper Golden wooden frame with glass pane 51,5 x 66 x 4 cm

Herman Rose (1909 - 2007) Manhattan Looking East (View from Midtown), 1952-54 Oil on canvas 26 x 28 inches Signed lower right Fairfield Porter wrote an essay in ArtNews on this exact painting in 1955. Please inquire for a copy of the article. Literature: Fairfield Porter, "Herman Rose Paints a Picture," ArtNews, April 1955 Volume 54, Number 2, illustrated. Herman Rose was best known for his depictions of cityscapes of New York City. Herman Rappaport was born in Brooklyn, New York. in 1909. Herman Rose was the professional pseudonym of Herman Rappaport. Originally trained as a draftsman and studied at the National Academy of Design from 1927 to 1929, he was later employed by the Works Progress Administration's Murals Division under Arshile Gorky from 1934 until 1939. In 1939, after experimenting with a variety of contemporary expressionistic styles, Rose decided to paint from life. Working mostly in East New York and East Canarsie in Brooklyn, and in Manhattan, Rose began to paint roof tops and street scenes. Rappaport began using the name Herman Rose when he held his first solo art exhibition in 1946 at the Charles Egan Gallery in New York City. Although he initially began as an Expressionistic painter, he became known for small, light-filled Impressionist paintings of still life, cityscapes and skies by the early 1950s. His paintings and images were often composed of very small dabs of paint and tiny, blurry "squares," which combined to create the image on canvas, his favorite medium. Often described as a "lyrical painter" Rose's work "interpreted traditional subjects: landscape, still life and the figure like the Post-Impressionists from whom he developed his own style, Rose built up forms from distinct touches of color that don't entirely blend in the viewer's eye. This gives his surfaces an active quality that flattens forms, one of the great lessons of modernism." Herman Rose's work received official recognition when Ms. Dorothy Miller of Museum of Modern Art (MoMA) included his work in an exhibition called, "15 Americans," alongside work by Clyfford Still, Mark Rothko and Jackson Pollock. New York Times art critic Hilton Kramer wrote of Rose's work in 1981, "{he} must surely be counted among the most beautiful works anyone has produced in this challenging medium for many years." The Art in America art critic Lawrence Campbell...

Seaside is an original modern artwork realized by Fioravante Seibezzi in the mid-20th Century. Oil on wood. Includes frame Fioravante Seibezzi (Venice 1906...

Shower at Head of Valley, c. 1950 Watercolor on paper Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters". In 1906 Wilcox enrolled from the Cleveland School of Art...

Arctic Light-Orange Sun Unsigned Gouache on Japanese fibrous paper Series: Tundra Paintings Exhibited: Karl Zerbe, Gouaches of the Artic Nordness Gallery, (Madison Avenue, NY) Feb 3 through Feb 23, 1958 Cat. No. 12 (label with work, see photo...

Antique American modernist New England barn oil painting. Oil on canvas, circa 1960. Signed illegibly. Image size, 24L x 20H. Framed in a period f...

Edgar STOEBEL Paris : Old Windmill in Montmartre Original oil on canvas Signed On canvas 65 x 81 cm (c. 26 x 32 in) Presented in wood frame 77 x 94 cm (c. 31 x 37 in) Very good c...

Franz Priking (1927 - 1979) Cityscape in France, n.d. Oil on canvas 46 x 32 inches Signed and dated lower left Provenance: Private Collection, New York ...

Mid 20th Century gouache on paper of a Provençal village or 'hameau' and a 'bastide' or manor house in the landscape signed or titled 'Bodol' and dated bottom right. The style and c...

Vintage modernist harbor view by Aksel Jorgensen (1883 - 1957). Oil on board, circa 1957. Signed. Displayed in a period frame. Image size, 24"L x ...

Work on canvas

Work on paper Brown wooden frame with glass pane 41,5 x 59,5 x 2,5 cm

Wonderful modernist landscape painting. Francis Kelly was born in 1927 in St. Paul, Minnesota. He received his early education in Chicago and California. He served in the United States Navy from 1944 to 1948 when he entered the Art Center School, Los Angeles. During 1951 in 1952 he lived in Paris, attending the Academie de la Grande, Chaumiere. In 1953 he went to the University of Hawaii, Honolulu, and then to the University of California at Los Angeles, where he was graphic laboratory assistant to John Paul Jones. Awarded a Fulbright Grant in 1955 he came to the Graphic Department of the Central School, London. The St. George's Gallery first introduced his etchings in Britain. In 1958 Kelly was awarded the Stacy Grant for painting. His work has been shown at Royal Academy Exhibitions and he has traveled extensively. In 1966 he was appointed Art organizer for the U.S. Embassy "Festival of Arts in Humanities". His paintings were shown in the exhibition "Five American Artists in Britain". During 1976 he acted in a similar capacity on behalf of Windsor & Newton Ltd., who sponsored an exhibition of American artists commemorating the U.S. Bicentennial. He appeared in the film Science in Art. Kelly has studied painting conservation at the Courtald Institute. In 1967 he was sent to the Italian Art and Archives Rescue Fund to Florence to restore flood damaged paintings. In 1971 his book, Art Restoration, was published by David and Charles and in the U.S. by McGraw-Hill. His second book, The Studio and The Artist was published in 1975. Kelly's work has been shown at 24 museums in Great Britain and numerous galleries. Acquisitions have been made by many public and private collections, universities and educational services. During more than 40 years in Britain he has found a growing affinity with the countryside, observing less the well-known landmarks but rather more the timeless rural lanes and by-ways as yet still unspoiled by building and industry. A member of the group in Brighton preserving Brighton's West Pier, he has produced a series of works recording the ravages of time on this finest of Victorian structures.

View of Via Margutta is an original contemporary artwork realized by Nicotra da Cosenza in 1954. Original oil on canvas. Hand-signed and dated by the artist on the lower right corner. Decorated frame is included. Mint conditions. Beautiful intense view depicting the buildings and the roofs in Via Margutta. Interesting light effect and dense and pasty color characterize this painting. This work has been realized by Nicotra Alberto. Nicotra Alberto (best-known as Nicotra da Cosenza) (Cosenza, 1899 - Rome,?) was an Italian painter. He studied in Naples and attended the studies of Michele Cascella...

Work on panel Beige wooden frame, pink patina 55 x 84 x 4 cm

Antique American modernist seascape painting. Gouache and watercolor on board, circa 1951. Signed. Housed in a period modern frame. Image size, 37.5 x 29.5.

You are viewing a modernist American acrylic painting depicting a charming but rundown seaside town at night. Robert Noel Blair (American, 1912-2003) was an American artist, paint...

An original oil on canvas by listed New York female artist Enid Smiley.

Title: All the Ships at Sea Date: circa 1950 Medium: Oil on canvas, signed lower left Canvas size: 16 x 24 inches Frame size: 24.5 x 32.5 inches

French painter Work on wood Silver wood frame 37 x 27 x 3 cm

Wonderful scene of the Moulin Rouge cabaret nightclub at Place Pigalle in Paris. Painted in wonderful moody blue and red colors. Size includes frame. Abram Abraham Krol was born January 22, 1919, in Pabianice (Lodz), Poland. Abram Krol went to France in 1938 to study civil engineering at the University of Caen. In 1939 at the beginning of World War II he joined the Foreign Legion. After he was demobilized, he became a mechanic in a garage in Avignon. Although Jewish, he survived the war with a false identity. In 1943, Krol started studying to be an artist, taking courses in sculpture at the city’s School of Fine Art. He also began studying painting and self-described himself as a “Sunday painter.” Krol moved to Paris in 1944. The first exhibition of his work was in 1946 in the Katia Granoff Gallery in Paris. After the war, Krol took up engraving, studying that art form with an engraver he met in Paris. Krol reflected his Hasidic childhood often using Biblical themes in his art works. He said, During all my years of childhood I had read the Bible endlessly. I came back to the Bible because I was on solid ground there. It was part of the assertion of my own truth after a time of complacency. It seemed to me that in painting or engraving there were so many reefs to avoid, so many possibilities of setback, that I had to have all the odds in my favor do what I could—say what I had to say. Krol illustrated over 20 literary works from the late 1940s through the 1960s. He also engraved medals for the Paris mint and painted murals for schools in France. He designed tapestries and painted approximately 200 enamels. Museums and libraries which own Krol’s art works include the Bibliotheque Nationale in Paris; the Victoria and Albert Museum in London; the British Museum; Houghton Library, Harvard; Bodleian Library, Oxford, and the Palace of the Legion of Honor in San Francisco. Krol has had numerous one-man shows throughout Europe, Brazil, and in California. In 1960, Krol was invited to the Venice Biennale. He was awarded the Critics Prize in 1958. He also won the Feneon Prize among other honors. Krol died on October 9, 2001. The School of Paris, Ecole de Paris, was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. School of Paris was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I, a group of expatriates in Paris created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists like Pablo Picasso, Marc Chagall, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. The term "School of Paris" was used in 1925 by André Warnod to refer to the many foreign-born artists who had migrated to Paris. The term soon gained currency, often as a derogatory label by critics who saw the foreign artists—many of whom were Jewish—as a threat to the purity of French art. Art critic Louis Vauxcelles, noted for coining the terms "Fauvism" and "Cubism", Waldemar George, himself a French Jew, in 1931 lamented that the Ecole de paris, School of Paris name "allows any artist to pretend he is French. it refers to French tradition but instead annihilates it. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miro, Constantin Brancusi, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder...

A watercolor painting by Clarence Holbrook Carter from 1955. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes...

Steinberg's Holiday Magazine Cover, " The North of Jersey " is similar to his famous New Yorker Cover "View of the World from 9th Avenue”. ...

A muted, mid-century oil on canvas view of a street scene in Brussels with vintage cars parked and a group of people conversing beside billboards with a view of a church in the distance. Signed lower left, 'P. van Mol...

Playful abstracted watercolor of a beach scene by Irene Pattinson (American, 1909-1999). Signed and dated "Irene Pattinson 1959" in the lower right corner. Presented in a new French ...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

Oil landscape showing a view of several age-worn buildings near waters edge, with two sailboats making their way past, and gold and lavender hued hills in the background. Signed low...

Looking Into a Neighborhood , Dear Paul This is an intriguingly charming work by an overlooked and brilliant mid-century female artist - illustrator, and educator. Lorraine Fox. ...

An original modern landscape painting by American female artist Virginia Tillou.

Original oil on masonite painting by the Russian/ American artist, Nahum Tschacbasov. Signed lower right. Circa 1950. Unframed. Condition: Good. Provenance: Estate of the artist. Nahum Tschacbasov’s paintings are in the permanent collections of the Metropolitan Museum of Art, the Brooklyn Museum, the Jewish Museum, the Philadelphia Museum, the Pennsylvania Museum of Fine Art, as well as numerous college and private collections. His work was shown at ACA Gallery in New York, as well as Perl’s Gallery and John Heller...

Signed lower left "Muriel Backman" for Muriel Durgin Backman and dated 1955. An elegant, Cubist-derived, mid-century view of the old Fisherman's Wha...

Lionel Bulmer (1919-1992) 'The Edge of the Field' Signed c.1950s Oil on board 17" x 20" (43 x 51cm) Lionel Bulmer (1919-1992) attended Clapham art school before war intervened; after the war he started again at the Royal College of Art which had been relocated during the conflict to Ambleside in the Lake District. Here he met his lifelong partner Margaret Green...

Signed lower right "Muriel Backman" for Muriel Durgin Backman (American, 1902-1996) and titled verso "The Cool Gray City". An elegant mid-century view of the San Francisco skyline a...

Signed lower left "M. Backman" for Muriel Durgin Backman. Titled verso "Union Lumber Co., Fort Bragg- Mendocino, Ca" and painted circa 1955. A moody, mid-c...

A watercolor painting by Clarence Holbrook Carter from 1953. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes. Signed on lower right corner, framed in elegant silver wooden frame. Artist: Clarence Holbrook Carter, American (1904 - 1998) Title: On the Great Lakes...

Oil on masonite painting by the Russian/American artist Nahum Tschacbasov. Signed middle right and dated 1955. It depicts a white stallion riding on a wooden raft in rough seas with...

Oil on artist board mounted on wood panel. Tschacbasov sunset sets the trees ablaze in this beautiful painting done in the late 1950's while two small figures in the lower right side...

Andre BRASILIER Tribute to Cezanne : Italian Landscape , 1954 Original oil on canvas Handsigned bottom right On canvas 50 x 73 cm (c. 20 x 29 in) P...

Oil on canvas. Framed. Very finely painted interior scene.

Provenance: Leicester Galleries, London, 1956 Austin Desmond Fine Art, London

Signed and dated Reynolds 55 lower left. Also signed, dated and titled in pencil verso. Reynolds’ intense study of nature led him to create sketchbooks filled with botanical studies, pressed leaves, grasses, seedpods and feathers – forms upon which he based abstract landscapes during the first, figurative stage of his career. Among the most significant sequence of paintings derived from these studies was ‘The Four Seasons’, showing landscape transformed across the cycle of the year. Legend in December (1955) relates to this series, showing a winter landscape in which the moon hangs low over the horizon. Bushes cast pallid shadows, and whitened seed heads appear like fireworks against the sky. On the roof of a chapel, haloed, is a cross mirrored...

Oil on board, signed verso. Reynolds made numerous paintings on the theme of ‘moth barn’, in addition to a lithograph dating from 1956. Moth Barn Interior 3 (1952) is a diminutive va...

Antique American modernist carrousel oil painting by Robert Edwin Maxwell (Born 1929). Oil on board, circa 1955. Signed. Displayed in a period modern frame. Image, 24"L x 18"H.

Signed and dated 1956 lower left Also signed, titled, dated 1956 and inscribed verso Sand has been incorporated into the pigment

Cecil Crosley Bell "Snow and Gray Sky with Rusty" c. 1950 Oil on Panel Signed Lower Right *Original Kraushaar Galleries, New York Label on Verso ** There is another landscape painti...

An original gouache, watercolor and graphite painting on paper by American artist David Foster Pratt. This work was begun by the artist in 1951 and completed in 1993, adding to ...

Presenting a monumental, rare oil painting by American artist Ron Blumberg(1908-2002.) American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Par...

Presenting a monumental, rare oil painting by American artist Ron Blumberg(1908-2002.) American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Par...

Presenting a monumental, rare oil painting by American artist Ron Blumberg (1908-2002.) American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Par...