Pierre Louis Cazaubon

Antique landscape, riverscape oil painting by Pierre Louis Cazaubon

1910's

Unusual vintage landscape oil painting by French artist, Alban Taracole (1881-1968). Animated scene of a chateau and parc with people enjoying the sunshine on an early Spring day. ...

Vintage landscape oil painting on canvas by French artist Marie Marguerite Reol (1880-1963) Garden landscape in the fore with a backdrop of mountains, most likely to be the Pyrenees....

Antique French impressionist riverscape/landscape oil painting on wood board in a gilt frame, unsigned (see below). This is a typical and charming late 19th Century French impressionist oil painting of a woman reading on the bank of a river. This lively landscape interpretation has been deftly applied on a canvas board by the artist using a small couteau and brushes. Some areas of elevation created with impasto thickened oils and dashes of paint give this painting animation. The light travels in from the bottom right to contrast with the dark hues of the thick riverbank vegetation. MORE ABOUT THIS PAINTING: Medium: Oil on canvas board Overall size: 17ins x 13.5ins or 43cms x 34cms Date: 1887 Condition: The painting, is in good antique condition but you should expect imperfections associated with age. The frame has imperfections throughout commensurate with age, such as missing plaster/moulding. Signed: No, but there is a label on the back, E M and dated 87. This painting is attributed to Ernest Gaston Marche...

Antique French landscape by French artist, Henri Rovel (1849-1926) signed in the lower left and dated 1900 in its original gilt frame. This is an atmospheric Barbizon oil on canvas ...

Antique Dutch impressionist riverscape/landscape oil painting on wood board in a gilt frame, by Dutch artist, Elias Voet (1868-1940) signed in the lower right corner. This is a char...

Antique French landscape oil painting/figurative oil painting of a woman at the edge of the water by Pierre Garnier, signed in the bottom left...

A fine mid 20thCentury Modernist/Post Impressionist Landscape circa 1952 oil on canvas 46cmx54cm Good quality silver gilt gallery frame 59cmx68cm Painted by Thure Wahlstrom (1908- ? ...

Sylvette Ammann Chanel (fl 1953-1994) French. Le pont de Bois. oil on board 37cmx46cm original french frame 50cmx58cm Viewi of a French town showing the old wooden bridge and clock T...

David R. Buchanan 20th Century British. 'Men at Work' circa 1930's oil on canvas 45cmx60cm good quality gallery frame 61cmx76cm A dymanic scene of a gang of road workers laying mains...

A fine 20th Century Modernist figurative oil painted by Christian Pedersen Bellinge (1897-1984) oil on canvas 60cm x 70cm painted wooden frame 68cmx 78cm A good late work by the well...

Pieter Fraterman (Dutch, * 12th April 1910, Den Haag – † 18th March 1969, Den Haag) In the Orchard Garden • Oil on Fibre board ca. 50 x 60 cm • Frame ca. 64 x 73 cm • Signed lower right Pieter Fraterman begann his studies by attending the evening classes held by H. Meijer and J. Giessen at the Royal Academy of Art in Den Haag from 1930 to 1936. In a second period during the war Pieter continued his studies at the Royal Academy from 1941 to 1944 under H. Meijer, H. van Dam and W. Schrofer. Pieter received plenty of recognition during his career. In 1937 he received a Royal grant, the Jacob Maris...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...